406226 Résultats
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1982:0167
DR1982:0167
Personnes et institutions:
Date:
1796
1796
Classification:
oeuvres d'art
oeuvres d'art
Date:
1796
1796
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1986:0278
DR1986:0278
Personnes et institutions:
Date:
30 May 1928
30 May 1928
Classification:
oeuvres d'art
oeuvres d'art
Date:
30 May 1928
30 May 1928
Personnes et institutions:
Classification:
oeuvres d'art
Quantité:
2 print(s)
oeuvres d'art
Quantité:
2 print(s)
Actions:
Numéro de référence:
DR1986:0224
DR1986:0224
Personnes et institutions:
Sujet:
topographique
topographique
Date:
October 1792 (map)
October 1792 (map)
Classification:
oeuvres d'art
Quantité:
2 print(s)
oeuvres d'art
Quantité:
2 print(s)
Date:
October 1792 (map)
October 1792 (map)
Personnes et institutions:
Sujet:
topographique
topographique
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
Personnes et institutions:
Sujet:
architecture, ornement, portrait, sculpture
architecture, ornement, portrait, sculpture
Date:
1854-1868
1854-1868
Titre:
Album of drawings for architectural ornament and sculpture, including competition drawings submitted to the Concours d'émulation held at the École impériale des beaux-arts, Paris
Actions:
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
Album of drawings for architectural ornament and sculpture, including competition drawings submitted to the Concours d'émulation held at the École impériale des beaux-arts, Paris
Actions:
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
Classification:
dessins
dessins
Date:
1854-1868
1854-1868
Personnes et institutions:
Sujet:
architecture, ornement, portrait, sculpture
architecture, ornement, portrait, sculpture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1985:0622
DR1985:0622
Personnes et institutions:
Sujet:
architecture
architecture
Date:
December 1929
December 1929
Classification:
dessins
dessins
Date:
December 1929
December 1929
Personnes et institutions:
Sujet:
architecture
architecture
Numéro de référence:
DR1986:0474:001-038
DR1986:0474:001-038
Personnes et institutions:
Sujet:
topographique
topographique
Date:
1784
1784
Date:
1784
1784
Personnes et institutions:
Sujet:
topographique
topographique
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1987:0331:001-043
DR1987:0331:001-043
Personnes et institutions:
Sujet:
ornement
ornement
Date:
ca. 1750-1800
ca. 1750-1800
Classification:
dessins
dessins
Date:
ca. 1750-1800
ca. 1750-1800
Personnes et institutions:
Sujet:
ornement
ornement
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Personnes et institutions:
Sujet:
architecture
architecture
Date:
ca. 1741
ca. 1741
Titre:
Magnificentiores Selectioresque Urbis Venetiarum Prospectus
Actions:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Magnificentiores Selectioresque Urbis Venetiarum Prospectus
Actions:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Classification:
oeuvres d'art
oeuvres d'art
Date:
ca. 1741
ca. 1741
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR1986:0257
Description:
- A handwritten table of contents listing seven drawings for glass conservatories.
DR1986:0257
Description:
- A handwritten table of contents listing seven drawings for glass conservatories.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1894
1894
Titre:
Table of contents listing seven drawings for glass conservatories at the Château de Ciergnon
Actions:
DR1986:0257
Description:
- A handwritten table of contents listing seven drawings for glass conservatories.
Table of contents listing seven drawings for glass conservatories at the Château de Ciergnon
Actions:
DR1986:0257
Description:
- A handwritten table of contents listing seven drawings for glass conservatories.
Classification:
documents textuels
documents textuels
Date:
1894
1894
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1986:0107
DR1986:0107
Personnes et institutions:
Sujet:
architecture
architecture
Date:
ca. 1808
ca. 1808
Titre:
Rear elevation for one of the buildings of the Abattoir de Rochechouart, Paris, France
Actions:
DR1986:0107
Rear elevation for one of the buildings of the Abattoir de Rochechouart, Paris, France
Actions:
DR1986:0107
Classification:
dessins
dessins
Date:
ca. 1808
ca. 1808
Personnes et institutions:
Sujet:
architecture
architecture
