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167 pages : chiefly color illustrations ; 30 cm
[Place of publication not identified] : Stucco, ©2006.
Left London / William Eckersley, Alexander Shields.
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167 pages : chiefly color illustrations ; 30 cm
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[Place of publication not identified] : Stucco, ©2006.
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47 unnumbered pages : illustrations
London : Photographers' Gallery, ©1993.
Paul Citroen & Erwin Blumenfeld, 1919-1939 / by Gerard Forde.
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47 unnumbered pages : illustrations
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London : Photographers' Gallery, ©1993.
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Playa / Maider López.
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95 unnumbered pages : chiefly color illustrations ; 17 cm
[San Sebastián] : M. López, [2006]
Playa / Maider López.
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95 unnumbered pages : chiefly color illustrations ; 17 cm
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[San Sebastián] : M. López, [2006]
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216 pages : illustrations, portraits ; 24 x 26 cm
[Valencia] : Generalitat Valenciana, Consellería de Cultura, Educación y Ciencia, ©2000.
George S. Zimbel / [catálogo coordinación, María Casanova ; traducciones, Karel Clapshaw [and others].
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216 pages : illustrations, portraits ; 24 x 26 cm
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[Valencia] : Generalitat Valenciana, Consellería de Cultura, Educación y Ciencia, ©2000.
livres
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15 pages : illustrations ; 26 cm
Longueuil (Québec) : Plein sud, centre d'exposition en art actuel à Longueuil, [2012]
Le studio et l'anti-studio de Joseph Beuys et Buckminster Fuller : un essai photographique de Robert Duchesnay / [coordination, Hélène Poirier ; texte, Céline Mayrand ; photographies, Robert Duchesnay].
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15 pages : illustrations ; 26 cm
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Longueuil (Québec) : Plein sud, centre d'exposition en art actuel à Longueuil, [2012]
livres
Description:
32 pages : illustrations ; 29 cm
Poughkeepsie, NY : The Frances Lehman Loeb Art Center, Vassar College, 2003.
Andreas Feininger / essay by Joel Smith.
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32 pages : illustrations ; 29 cm
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Poughkeepsie, NY : The Frances Lehman Loeb Art Center, Vassar College, 2003.
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1 box : illustrations ; 32 x 32 x 3 cm
[Helsinki?] : [publisher not identified], [1985?]
Works on record / Bente Stokke.
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1 box : illustrations ; 32 x 32 x 3 cm
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[Helsinki?] : [publisher not identified], [1985?]
$20.00
(disponible en magasin)
Résumé:
“The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay ''A Short History of Photography'', originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding(...)
A short history of photography
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Résumé:
“The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay ''A Short History of Photography'', originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding with the work of August Sander and Germaine Krull, Benjamin moved beyond the medium itself to address the artistic, societal and political capabilities that photography foretold. ''A Short History of Photography'' contains the inklings of his thoughts on “reproducibility” that he would later flesh out in his best-known text, “The Work of Art in the Age of Mechanical Reproduction.” Benjamin’s view of photography gave early credence to the medium and its practitioners and shaped the methodology by which it can be analyzed.
Théorie de la photographie
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311 pages : illustrations ; 25 cm.
Torino : Società editrice internazionale, ©1996.
Il bel vedere : fotografi e architetti nell'Italia dell'Ottocento / Monica Maffioli.
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311 pages : illustrations ; 25 cm.
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Torino : Società editrice internazionale, ©1996.
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The English at home / sixty-three photographs by Bill Brandt ; introduced by Raymond Mortimer.
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8, 63 pages : chiefly illustrations ; 24 x 19 cm
New York : C. Scribner's Sons ; London : B.T. Batsford, Ltd., 1936.
The English at home / sixty-three photographs by Bill Brandt ; introduced by Raymond Mortimer.
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8, 63 pages : chiefly illustrations ; 24 x 19 cm
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New York : C. Scribner's Sons ; London : B.T. Batsford, Ltd., 1936.