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The city of Graz in Steiermark, Austria, has been chosen as cultural capital of Europe for 2003. On this occasion, a number of significant architectural projects, art installations and events have been planned in the city. This exhibition at the Aedes West gallery in Berlin focuses on two of the major and most radical architectural projects: the new museum of Modern Art,(...)
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The city of Graz in Steiermark, Austria, has been chosen as cultural capital of Europe for 2003. On this occasion, a number of significant architectural projects, art installations and events have been planned in the city. This exhibition at the Aedes West gallery in Berlin focuses on two of the major and most radical architectural projects: the new museum of Modern Art,(...)
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Curves and spikes : Kunsthaus und stadthalle für Graz
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The city of Graz in Steiermark, Austria, has been chosen as cultural capital of Europe for 2003. On this occasion, a number of significant architectural projects, art installations and events have been planned in the city. This exhibition at the Aedes West gallery in Berlin focuses on two of the major and most radical architectural projects: the new museum of Modern Art, which was the object of an international design competition won by the London architects Peter Cook and Colin Fournier, and the Stadthalle designed by the Graz architect Klaus Kada. The Kunsthaus is currently under construction and will open on the 23rd of September 2003. The Stadthalle opened on the 6th of October 2002. These two projects make an unusual pair in that they are in complete contrast not only in terms of programme and but mostly in terms of their design philosophy: the Kunsthaus is a biomorphic project conceived as a smooth bulbous volume of continuous double curved surfaces, while the Stadthalle is distinguished by a slender roof cantilevered high above the street. The playful aesthetic tension between these two extreme designs, at this interesting and provocative point in history when the architectural envelope is being pushed in many contradictory directions, provides the dominant conceptual and visual theme of the exhibition, which also offers an overview of some of the other key design projects recently completed in the city.
Curves and spikes : Kunsthaus und stadthalle für Graz
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The city of Graz in Steiermark, Austria, has been chosen as cultural capital of Europe for 2003. On this occasion, a number of significant architectural projects, art installations and events have been planned in the city. This exhibition at the Aedes West gallery in Berlin focuses on two of the major and most radical architectural projects: the new museum of Modern Art, which was the object of an international design competition won by the London architects Peter Cook and Colin Fournier, and the Stadthalle designed by the Graz architect Klaus Kada. The Kunsthaus is currently under construction and will open on the 23rd of September 2003. The Stadthalle opened on the 6th of October 2002. These two projects make an unusual pair in that they are in complete contrast not only in terms of programme and but mostly in terms of their design philosophy: the Kunsthaus is a biomorphic project conceived as a smooth bulbous volume of continuous double curved surfaces, while the Stadthalle is distinguished by a slender roof cantilevered high above the street. The playful aesthetic tension between these two extreme designs, at this interesting and provocative point in history when the architectural envelope is being pushed in many contradictory directions, provides the dominant conceptual and visual theme of the exhibition, which also offers an overview of some of the other key design projects recently completed in the city.
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mars 2003, Berlin
mars 2003, Berlin
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This small publication from the Aedes gallery in Berlin documents the IODACC / Instituto Osacr Dominguez de arte y cultura contemporanea in Tenerife.
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This small publication from the Aedes gallery in Berlin documents the IODACC / Instituto Osacr Dominguez de arte y cultura contemporanea in Tenerife.
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IODACC : ein projeckt von Herzog & de Meuron
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This small publication from the Aedes gallery in Berlin documents the IODACC / Instituto Osacr Dominguez de arte y cultura contemporanea in Tenerife.
IODACC : ein projeckt von Herzog & de Meuron
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This small publication from the Aedes gallery in Berlin documents the IODACC / Instituto Osacr Dominguez de arte y cultura contemporanea in Tenerife.
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mars 2003, Berlin
mars 2003, Berlin
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The changes which Information Technology has brought to all areas of our lives have been dramatic. Even in architecture it´s influence has been far-reaching, creating new processes opening up exciting new prospects. In this book, Peter Eisenman, Derrick de Kerckhove, and Antonino Saggio write boldly on the challenges which now face young architects. The IT Revolution(...)
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The changes which Information Technology has brought to all areas of our lives have been dramatic. Even in architecture it´s influence has been far-reaching, creating new processes opening up exciting new prospects. In this book, Peter Eisenman, Derrick de Kerckhove, and Antonino Saggio write boldly on the challenges which now face young architects. The IT Revolution(...)
Titre:
The charter of Zurich : Eisenman, De Kerckhove, Saggio
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The changes which Information Technology has brought to all areas of our lives have been dramatic. Even in architecture it´s influence has been far-reaching, creating new processes opening up exciting new prospects. In this book, Peter Eisenman, Derrick de Kerckhove, and Antonino Saggio write boldly on the challenges which now face young architects. The IT Revolution offers opportunities which were previously undreamt of, but at the same time, danger lurks in the realm of virtuality with its implication of unlimited possibilities. Furio Barzon uses examples from contemporary architecture to underscore the three text contributions and also places them in the context of state of the art technology and future developments.
The charter of Zurich : Eisenman, De Kerckhove, Saggio
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The changes which Information Technology has brought to all areas of our lives have been dramatic. Even in architecture it´s influence has been far-reaching, creating new processes opening up exciting new prospects. In this book, Peter Eisenman, Derrick de Kerckhove, and Antonino Saggio write boldly on the challenges which now face young architects. The IT Revolution offers opportunities which were previously undreamt of, but at the same time, danger lurks in the realm of virtuality with its implication of unlimited possibilities. Furio Barzon uses examples from contemporary architecture to underscore the three text contributions and also places them in the context of state of the art technology and future developments.
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octobre 2002, Basel
octobre 2002, Basel
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Since the famous competition for the Park La Villette in Paris where the participants included Bernard Tschumi, Peter Eisenman and Gilles Deleuze, the relationship between building and landscape has been dramatically transformed. Concepts such as metamorphosis and interaction, layers and fields are becoming as much a part of architectonic discourse as the practical(...)
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Since the famous competition for the Park La Villette in Paris where the participants included Bernard Tschumi, Peter Eisenman and Gilles Deleuze, the relationship between building and landscape has been dramatically transformed. Concepts such as metamorphosis and interaction, layers and fields are becoming as much a part of architectonic discourse as the practical(...)
Titre:
Newscapes : territories of complexity
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Since the famous competition for the Park La Villette in Paris where the participants included Bernard Tschumi, Peter Eisenman and Gilles Deleuze, the relationship between building and landscape has been dramatically transformed. Concepts such as metamorphosis and interaction, layers and fields are becoming as much a part of architectonic discourse as the practical designs and the realization. Author Paola Gregory examines this interplay between buildings and landscapes present in today´s architecture scene, illustrating her analysis with exciting examples including the ecological landscapes of James Wines and Greg Lynn, the virtual environments of Marcos Novak and Nox, buildings by Jean Nouvel and Toyo Ito which actively incorporate passers-by and surroundings by means of new media.
Newscapes : territories of complexity
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Since the famous competition for the Park La Villette in Paris where the participants included Bernard Tschumi, Peter Eisenman and Gilles Deleuze, the relationship between building and landscape has been dramatically transformed. Concepts such as metamorphosis and interaction, layers and fields are becoming as much a part of architectonic discourse as the practical designs and the realization. Author Paola Gregory examines this interplay between buildings and landscapes present in today´s architecture scene, illustrating her analysis with exciting examples including the ecological landscapes of James Wines and Greg Lynn, the virtual environments of Marcos Novak and Nox, buildings by Jean Nouvel and Toyo Ito which actively incorporate passers-by and surroundings by means of new media.
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octobre 2002, Basel
octobre 2002, Basel
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Plan 01 est un collectif de quatre agences de jeunes architects qui se sont mis en concurrence pour réaliser les plans d'une maison particulière: Petit concours entre amis.
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Plan 01 est un collectif de quatre agences de jeunes architects qui se sont mis en concurrence pour réaliser les plans d'une maison particulière: Petit concours entre amis.
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Plan 01 : petit concours entre amis
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Plan 01 est un collectif de quatre agences de jeunes architects qui se sont mis en concurrence pour réaliser les plans d'une maison particulière: Petit concours entre amis.
Plan 01 : petit concours entre amis
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Plan 01 est un collectif de quatre agences de jeunes architects qui se sont mis en concurrence pour réaliser les plans d'une maison particulière: Petit concours entre amis.
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janvier 2001, Paris
janvier 2001, Paris
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
Titre:
The architecture of intelligence
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
The architecture of intelligence
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Part of "The Information Technology Revolution in Architecture" series reflecting the effects of virtual dimensions on architecture, this volume examines the need to create a new alphabet for the new information space.
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Publication:
juin 2001, Basel
juin 2001, Basel
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The house of stone is the kind of project that happens only rarely : a house built to the highest standards of craftsmanship with the full support of the client, who acted as a patron of architecture in almost a Renaissance sense. This publication documents in full its making. It covers the initial phase of the project, the invited competition between Meili + Peter and(...)
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The house of stone is the kind of project that happens only rarely : a house built to the highest standards of craftsmanship with the full support of the client, who acted as a patron of architecture in almost a Renaissance sense. This publication documents in full its making. It covers the initial phase of the project, the invited competition between Meili + Peter and(...)
Titre:
Marcel Meili, Marcus Peter Architects Zurich : the house of stone
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The house of stone is the kind of project that happens only rarely : a house built to the highest standards of craftsmanship with the full support of the client, who acted as a patron of architecture in almost a Renaissance sense. This publication documents in full its making. It covers the initial phase of the project, the invited competition between Meili + Peter and Peter Zumthor, and contains a detailed description of the concepts underlying the design. A particular focus is the relation between the structural and the technical aspects of the project, which is described through engineering and working drawings as well as photographs of the house under construction.
Marcel Meili, Marcus Peter Architects Zurich : the house of stone
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The house of stone is the kind of project that happens only rarely : a house built to the highest standards of craftsmanship with the full support of the client, who acted as a patron of architecture in almost a Renaissance sense. This publication documents in full its making. It covers the initial phase of the project, the invited competition between Meili + Peter and Peter Zumthor, and contains a detailed description of the concepts underlying the design. A particular focus is the relation between the structural and the technical aspects of the project, which is described through engineering and working drawings as well as photographs of the house under construction.
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Publication:
janvier 2002, London
janvier 2002, London
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Titre:
Minimalisms
Minimalisms
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Publication:
janvier 1900, Barcelona
janvier 1900, Barcelona
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Un an après son achèvement et dès sa publication en 1933 dans "L'Architecture d'Aujourd'hui" la Maison de verre surprend, provoque, inquiète ou enthousiaste et surtout suscite réflexion. L'impact de cet objet singulier sur les visiteurs se poursuit jusqu'à nos jours. Sa notoriété contraste nettement avec la maigreur des archives publiques ou privées. La Maison de verre(...)
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Un an après son achèvement et dès sa publication en 1933 dans "L'Architecture d'Aujourd'hui" la Maison de verre surprend, provoque, inquiète ou enthousiaste et surtout suscite réflexion. L'impact de cet objet singulier sur les visiteurs se poursuit jusqu'à nos jours. Sa notoriété contraste nettement avec la maigreur des archives publiques ou privées. La Maison de verre(...)
Titre:
Pierre Chareau : la Maison de verre 1928-1933 - un objet singulier
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Un an après son achèvement et dès sa publication en 1933 dans "L'Architecture d'Aujourd'hui" la Maison de verre surprend, provoque, inquiète ou enthousiaste et surtout suscite réflexion. L'impact de cet objet singulier sur les visiteurs se poursuit jusqu'à nos jours. Sa notoriété contraste nettement avec la maigreur des archives publiques ou privées. La Maison de verre constitue pour des générations d'architectes une référence absolue, elle demeure un lieu magique.
Pierre Chareau : la Maison de verre 1928-1933 - un objet singulier
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Un an après son achèvement et dès sa publication en 1933 dans "L'Architecture d'Aujourd'hui" la Maison de verre surprend, provoque, inquiète ou enthousiaste et surtout suscite réflexion. L'impact de cet objet singulier sur les visiteurs se poursuit jusqu'à nos jours. Sa notoriété contraste nettement avec la maigreur des archives publiques ou privées. La Maison de verre constitue pour des générations d'architectes une référence absolue, elle demeure un lieu magique.
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livres
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Publication:
août 2001, Paris
août 2001, Paris
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petits formats
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livres
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Inauguré en 1913, le théâtre des Champs-Élysés représente un moment important dans l'histoire de l'architecture du XXè siècle. Son programme novateur, sa construction en béton armé et les multiples interactions qui se sont produites lors de l'élaboration du projet entre l'erchitecture et les différents domaines artistiques en ont fait une oeuvre exceptionnelle. La(...)
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Inauguré en 1913, le théâtre des Champs-Élysés représente un moment important dans l'histoire de l'architecture du XXè siècle. Son programme novateur, sa construction en béton armé et les multiples interactions qui se sont produites lors de l'élaboration du projet entre l'erchitecture et les différents domaines artistiques en ont fait une oeuvre exceptionnelle. La(...)
Titre:
A. et G. Perret : le Théâtre des Champs-Élysées 1913 - La magie du béton armé
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Inauguré en 1913, le théâtre des Champs-Élysés représente un moment important dans l'histoire de l'architecture du XXè siècle. Son programme novateur, sa construction en béton armé et les multiples interactions qui se sont produites lors de l'élaboration du projet entre l'erchitecture et les différents domaines artistiques en ont fait une oeuvre exceptionnelle. La retauration de l'édifice, en 1987, lui a redonné l'éclat qu'il méritait.
A. et G. Perret : le Théâtre des Champs-Élysées 1913 - La magie du béton armé
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Inauguré en 1913, le théâtre des Champs-Élysés représente un moment important dans l'histoire de l'architecture du XXè siècle. Son programme novateur, sa construction en béton armé et les multiples interactions qui se sont produites lors de l'élaboration du projet entre l'erchitecture et les différents domaines artistiques en ont fait une oeuvre exceptionnelle. La retauration de l'édifice, en 1987, lui a redonné l'éclat qu'il méritait.
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livres
livres
Publication:
août 2001, Paris
août 2001, Paris
Sujet:
petits formats
petits formats
