Take a Closer Look

While the CCA’s collection of prints and drawings is predominantly composed of materials from the nineteenth and twentieth centuries, it includes a small but coherent body of records from the fifteenth, sixteenth, and seventeenth centuries that often depict ancient monuments and designs for ecclesiastical orders. These materials reveal ideas of architecture, the thinking process of architects, and the context they worked in.

We can see a desire to map the monuments of ancient Rome by Il Cronaca in order to construct a new architecture in the final decades of the fifteenth century; the definition of a new architectural language in the early decades of the sixteenth century and its affirmation a few decades later; and a sort of conclusion of the cycle with Scamozzi, who suggests to consider ancient architecture as one resource among the many an architect has to use, including medieval architecture, or science.

These materials were catalogued as they entered the collection at different moments of the CCA’s history. Looking at them again today, with a contemporary lens, allows to ask different questions than when they were originally described and to offer new interpretations, distinct from those of other collections of antique drawings. With this objective, the CCA invited a group of scholars to study these holdings during a week-long residency in 2021 and 2022. Their findings are used to update and enhance the descriptions of the works, but the scholars also talk to us, the readers, and explain why we should take a closer look at these drawings and what we can discover in them.

Participants

Michael Waters on Il Cronaca
Yoko Mari Hara on Il Cortile del Belvedere, San Petronio, and Serlio
Timo Strauch

Take a Closer Look is supported by the Samuel H. Kress Foundation.

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