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Fr
Ideas of living
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The Other Architect
Origins of the digital
The rest of your senses
Journeys and translation
What the future looked like
The planet is the client
Technology sometimes falls short
What you can do with the city
Let us assure you
Acts of Looking
Keep Safe
Figuring Territory
Of Migration
A Social Reset
With and Within
Will Happiness Find Us?
What about the provinces?
A history of references
Into the material world
Take care
Nature reorganized
Ideas of living

This is an issue about how domestic space organizes our surroundings and habits and values and bodies. It is also about convention: how norms became norms, and how design might gently or violently pull them apart to propose new ways of relating to ourselves and each other in our most intimate settings. It offers a few terms for discussing what can happen when architectural ideas come home.

Redefining Habitation in a Messy Urban Context
Bonjour Tristesse
Two Visits to Casa Insinga
...in Tokyo, London, Milan, Ahmedabad
The Budge Home through a Leica
None
Sun City
Toys Shape Minds no. 1
Toys Shape Minds no. 4
Bungalow Bliss
None
Windows and Screens
André Bruyère and Fernand Léger. Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France. 1953
Living in Polychrome
A Few Notes on Plants Indoors
None
Conshelf II
None
Cities, Towns, Villages, Environs
A Tenant’s Paradise (Lost)
Shtesa, Tirana
A constant search for architecture
Article 13 of 17

Conshelf II

Lecture by Hilario Isola and Matteo Norzi

Artists Hilario Isola and Matteo Norzi discuss Jacques Cousteau’s Conshelf II underwater base and their own project Liquid Door, which proposes to revive the dream of living underwater by making Cousteau’s Starfish House inhabitable.

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We invited Isola and Norzi to the CCA in 2010 as part of a public programs series called Testing at Home, which explored the possibilities of other worlds here on Earth. The series was presented in conjunction with our exhibition Other Space Odysseys: Greg Lynn, Michael Maltzan, Alessandro Poli.

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