Actually, the Dead Are Not Dead. [electronic resource].

Eva Egermann Bergen Assembly 2019

Open access content

With the term chrononormativity, Elizabeth Freeman describes a timeliness that is following a normative regime. A “deviant chronopolitics,” she says, is one that envisions “relations across time and between times” that upturns developmentalist narratives of history (Freeman, 58, 63). Lorenza and many others have become agents in a deviant chronopolitics and the cripping of art history. Crip Magazine collects artifacts of this transhistorical crip (sub)culture. It relates to historical struggles, aiming to create trans-temporary connections and communities across time. Desire, time traveling, and fragmented bodies are some of the themes that connect the different pieces in this volume…
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Art and history
Artists' writings
Critical Theory
Sexual minority culture

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Eva Egermann
Iris Dressler
Julia B.
Linda Bilda
Lorenza Böttner
Antonio Centeno
C.R.E.M.E. Collective
Hans D. Christ
Walter Ego
Valérie Favre
Shannon Finnegan
Jonah I. Garde
Raina Hofer
Ianina Ilitcheva
Jakob Jakobsen
Saskia Kaffenberger
Iris Kopera
Jemina Lindholm
Elia Lüthi
Philmarie
Paul B. Preciado
Rick Reuther
Volker Schönwiese
Sunaura Taylor
Nicole voec
Romily Alice Walden
Erika Doucette
Dawn Michelle d’Atri
Toledo i Dertschei