1
1
Placing the Artist [electronic resource].
Title & Author:

Placing the Artist [electronic resource].

Publication:

Hatje Cantz 2012

Restrictions:

Open access content

Notes:
Standard Copyright
Summary:

The text that follows was a lecture given by Alanna Heiss during a conference that took place April 26–29, 1978, at LAICA, the Los Angeles Institute of Contemporary Art, housed on 2020 South Robertson Boulevard. Heiss’ text was published in a book titled The New Arts Space: A Summary of Alternative Visual Arts Organizations Prepared in Conjunction with a Conference. It focused on “curatorial” practice (this may be one of the first texts to use that adjectivized noun so common today), at a time when curating was not constituted as a parallel and at times even competitive practice to artistic research. In 1971, Alanna Heiss (b. 1943, Louisville, Kentucky), who worked in the arts in New York, filed for a four-day permit to conduct a film shoot under the Brooklyn Bridge. Instead, she organized an exhibition of contemporary art and performances there, which took place on May 24. She included more than twenty artists, such as Carl Andre, Bill Bollinger, Jene Highstein (her partner at the time), Sol LeWitt, Richard Nonas, Dennis Oppenheim, Philip Glass, Gordon Matta-Clark, and Dorothea Rockburne. Shortly afterward, she founded the non-profit Institute for Art and Urban Resources, dedicated to utilizing abandoned buildings all over New York for exhibitions, performances, and studios. She was close to artists such as Matta-Clark and others whose urban interventions inspired her practice outside the modernist white cube. Among the important venues of the institute was the Clocktower in downtown Manhattan, which provided a location for various radical events and artworks such as Matta-Clark’s Clock Shower. In 1976, the exhibition “Rooms” at an old school building in Queens led to the new P.S.1 Contemporary Art Center/Institute for Art and Urban Resources…
https://www.librarystack.org/placing-the-artist/?ref=unknown

Resources:
Item Resolution URL
Subject:

Museums--Curatorship
Art museum curators

Form/genre:

Text

Added entries:

Alanna Heiss
Carolyn Christov-Bakargiev
Chus Martínez
Bettina Funcke
Katrin Sauerländer
Cordelia Marten
Melissa Larner
Stefanie Drobnik
Sam Frank
Barbara Hess
Leftloft
Daniela Weirich

Actions:
1
1

Sign up to get news from us

Email address
First name
Last name
By signing up you agree to receive our newsletter and communications about CCA activities. You can unsubscribe at any time. For more information, consult our privacy policy or contact us.

Thank you for signing up. You'll begin to receive emails from us shortly.

We’re not able to update your preferences at the moment. Please try again later.

You’ve already subscribed with this email address. If you’d like to subscribe with another, please try again.

This email was permanently deleted from our database. If you’d like to resubscribe with this email, please contact us

Please complete the form below to buy:
[Title of the book, authors]
ISBN: [ISBN of the book]
Price [Price of book]

First name
Last name
Address (line 1)
Address (line 2) (optional)
Postal code
City
Country
Province/state
Email address
Phone (day) (optional)
Notes

Thank you for placing an order. We will contact you shortly.

We’re not able to process your request at the moment. Please try again later.

Folder ()

Your folder is empty.

Email:
Subject:
Notes:
Please complete this form to make a request for consultation. A copy of this list will also be forwarded to you.

Your contact information
First name:
Last name:
Email:
Phone number:
Notes (optional):
We will contact you to set up an appointment. Please keep in mind that your consultation date will be based on the type of material you wish to study. To prepare your visit, we'll need:
  • — At least 2 weeks for primary sources (prints and drawings, photographs, archival documents, etc.)
  • — At least 48 hours for secondary sources (books, periodicals, vertical files, etc.)
...