The Avery Review Issue 40 [electronic resource].

The Avery Review 2019

Open access content

Caitlin Blanchfield and Nina Valerie Kolowratnik explore cartographies and counter-cartographies of surveillance in the Tohono O’odham Nation; Yuki Higashino retraces the transnational/transhistorical sprawl of the Bauhaus on display at HKW; Reinhold Martin entangles “Bjarke” and “Murdoch” in a Lower Manhattan lifeboat under construction; Daryl Meador embodies oil at Houston’s Weiss Energy Hall; Bart-Jan Polman dissects the historicist histrionics of the Netherlands’ Forum for Democracy; Pollyanna Rhee journeys between a special economic zone in Ireland and a retrospective of Kennedy Browne’s work at the Krannert Art Museum; Ivonne Santoyo-Orozco voices the neocolonial impact of Mexican president Andrés Manuel López Obrador’s Tren Maya; and Filipe de Sousa speculates on the individual, the collective, and the collection at NURTUREart’s Aesthetic Behavior; Developmental Sequences.
https://www.librarystack.org/the-avery-review-issue-40/?ref=unknown

Architectural criticism
Architecture
Art criticism
Biology
Border Security
Imperialism
Electronic surveillance
Art--Exhibitions
Finance
Military-industrial complex
Modern movement (Architecture)
City planning

Text

James Graham
Isabelle Kirkham-Lewitt
Alissa Anderson
Caitlin Blanchfield
Jacob R. Moore
Shumi Bose
Jordan H. Carver
Ana María León
Nina Valerie Kolowratnik
Yuki Higashino
Reinhold Martin
Daryl Meador
Bart-Jan Polman
Pollyanna Rhee
Ivonne Santoyo-Orozco
Filipe de Sousa