My Name Is Language [electronic resource].

EECLECTIC Scriptings Archive Books 2020

Open access content

Central to this book are scripts by Nicoline van Harskamp, for the video work PDGN and a series of staged works titled My Name Is Language. Speech is the medium and the main topic of both of these works, that treat names as spoken language rather than spelled identity markers. A scholar of literary arts and performance culture, Avishek Ganguly reflects in his essay “Global Englishes, Rough Futures” on questions of translation, incomprehension, and untranslatability in van Harskamp’s work. The book also includes a list of text-change algorithms that van Harskamp calls “distorters” and an excerpt from Woman on the Edge of Time (1976) by Marge Piercy. Fixed in corporate and state systems more firmly than numeric tax IDs or IP addresses, names are generally no longer treated as language, but as lexically opaque formulas. In their indifference to language diversity, authorities are known to rephrase, reorder, and re-alphabetize names when they don’t fit their administrative standard. They are also known to deny rights to people who have no “name label.” In the fictive worlds represented in this book, society is not centralized, not oversized, and self-naming is brought forward as a form of self-empowerment and resistance.
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Algorithms
Art and literature
Feminism and art
Culture and globalization
Performance Art
Video art

Text

Nicoline van Harskamp
Achim Lengerer
Avishek Ganguly
Marge Piercy
Julie Högner
Archive Appendix
Janine Sack
Camila Coutinho
Niamh Dunphy