Newman, Arnold, 1918-2006.

Arnold Newman / essay by Philip Brookman.

Köln ; New York : Taschen, 2000.

276 pages : illustrations (some color) ; 34 cm

"Piet Mondrian behind his easel, Igor Stravinsky at his piano, Max Ernst sitting smoking on his throne-like chair: Arnold Newman's photographs are classics of portraiture. His subtle arrangements constituted the foundations of ""environmental portraiture."" His photographs integrate the respective artist's characteristic equipment and surroundings, thus indicating his or her field of activity. The enormous fame of Newman's portraits can be ascribed to their daring compositions and sometimes astounding spatial structures. The photographer's beginnings, on the other hand, were none too promising. During the Great Depression Newman had to abandon his art studies for financial reasons. Between 1938 and 1942 he concentrated on socio-documentary photography in the ghettos of West Palm Beach, Philadelphia, and Baltimore. One might think that being forced to earn his living in a photography studio would have stifled his artistic potential: Newman portrayed up to 70 clients a day. Yet he still succeeded in developing a very personal touch and establishing himself in the New York art scene of the early 1940s. His subjects included Max Ernst, Marcel Duchamp, Marc Chagall, Jackson Pollock, Willem de Kooning and Alexander Calder. With his unmistakable style, Newman became the star photographer of artists, writers and musicians". -- Provided by publisher.

3822871931
9783822871935

Newman, Arnold, 1918-2006.
Newman, Arnold Photograph.
Portrait photography.
Photography, Artistic.
Associations Relations publiques.
Portraits (Photographie)
Photographie artistique.
studio portraits.
commercial portraiture.
art photography.
Porträtfotografie
Berühmte Persönlichkeit
Jewish photographers
Photographers United States Biography

Photography, Artistic.
Bildband.

Brookman, Philip.

Location: Library main 214688
Call No.: TR140.N5517 A7 2000
Status: Available