Between stillness and motion : film, photography, algorithms / edited by Eivind Røssaak.
Amsterdam : Amsterdam University Press, 2011.
1 online resource (239 pages) : illustrations
Film culture in transition
"New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and motion in art and entertainment since the 1850s illuminate and renegotiate urgent issues within both aesthetics, film, art and media history on the one hand, and, on the other, new perspectives on affects, memories and the contemporary patterns of communication and image circulation."--Publisher's website.
9789048512096 (electronic bk.)
9048512093 (electronic bk.)
1283334437
9781283334433
9789089642127
9089642129
9089642137
9789089642134
9786613334435
661333443X
Cinematography Special effects.
Motion pictures Aesthetics.
Stills (Motion pictures)
Cinéma Effets spéciaux.
Cinéma Esthétique.
Photographies de plateau.
film stills.
Film theory and criticism.
Film, TV and radio.
Films, cinema.
The arts.
ART Film & Video.
PERFORMING ARTS Film & Video Reference.
Motion pictures
Film
Photography
Algorithms
Discursive works.
Collections
Røssaak, Eivind.
Film culture in transition.
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