1618 Results
Form:
events
events
Title:
Liquidated Architecture
Liquidated Architecture
Actions:
Description:
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
26 February 2009
26 February 2009
Title:
Liquidated Architecture
Actions:
Description:
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Liquidated Architecture
Actions:
Description:
American urban planner and designer Damon Rich examines the links among politics, architecture, and history. His research analyses the evolution of the real estate market – foreclosures, mortgages, construction and zoning. He is also a collaborator of the Center for Urban Pedagogy (CUP), an organization based in Brooklyn that studies movements within cities and their(...)
Form:
events
events
Date:
26 February 2009
26 February 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
events
events
Date:
9 July 2012 to 20 July 2012
9 July 2012 to 20 July 2012
Form:
events
events
Date:
9 July 2012 to
20 July 2012
9 July 2012 to
20 July 2012
Form:
events
events
Actions:
Description:
Andreas Angelidakis describes his exhibition practice as a single continuous project that investigates the architecture of exhibiting. This talk will focus on the development of his practice across five exhibitions: the third Thessaloniki Biennial; The System of Objects at the DESTE Foundation in Athens; Every End Is a Beginning at the National Museum of Contemporary Art(...)
Andreas Angelidakis describes his exhibition practice as a single continuous project that investigates the architecture of exhibiting. This talk will focus on the development of his practice across five exhibitions: the third Thessaloniki Biennial; The System of Objects at the DESTE Foundation in Athens; Every End Is a Beginning at the National Museum of Contemporary Art(...)
Date:
15 October 2015 , 6pm
15 October 2015 , 6pm
Title:
Displaying Architecture: Andreas Angelidakis
Actions:
Description:
Andreas Angelidakis describes his exhibition practice as a single continuous project that investigates the architecture of exhibiting. This talk will focus on the development of his practice across five exhibitions: the third Thessaloniki Biennial; The System of Objects at the DESTE Foundation in Athens; Every End Is a Beginning at the National Museum of Contemporary Art(...)
Displaying Architecture: Andreas Angelidakis
Actions:
Description:
Andreas Angelidakis describes his exhibition practice as a single continuous project that investigates the architecture of exhibiting. This talk will focus on the development of his practice across five exhibitions: the third Thessaloniki Biennial; The System of Objects at the DESTE Foundation in Athens; Every End Is a Beginning at the National Museum of Contemporary Art(...)
Form:
events
events
Date:
15 October 2015
6pm
15 October 2015
6pm
Level of archival description:
Project
Project
Actions:
Reference number:
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
People:
Date:
1984
1984
Title:
Concours "Architecture en relief " de l'archifête - Projet d'ornementation contemporaine en maçonnerie
Actions:
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
Concours "Architecture en relief " de l'archifête - Projet d'ornementation contemporaine en maçonnerie
Actions:
AP066.S3.D2
Description:
Le dossier documente la soumission pour le concours pour un projet d'ornementation contemporaine en maçonnerie à la Place des Arts de Montréal où Jacques Rousseau, ex-aequo, s'est mérité le premier prix. Le budget aloué pour ce projet était de 3 000$. Il s'agit d'un mur de maçonnerie armée réalisé dans le cadre de l'Archifête à la Place-des-arts en 1984. Le mur a été déménagé sur la rue St-Hubert, la rue de Bullion, au Bar Business sur la rue Saint-Laurent et sur le terrain à l'avant de la Maison Coloniale. Le dossier contient des dessins, des photographies, des panneaux, des documents textuels et des documents photographiques. Description du projet par l'architecte: "Chante pleure, tant en temps la larme est donnée À qui s'est tu!" Siglinde Spanihel [pseudonyme?], "Premier prix ex-aequo: Jacques Rousseau, architecte", ARQ vol. 21, nº 9.
Level of archival description:
Dossier 2
Dossier 2
Date:
1984
1984
People:
Form:
exhibitions
exhibitions
Actions:
Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Location:
Main galleries
Main galleries
Date:
18 August 1993 to 2 January 1994
18 August 1993 to 2 January 1994
Title:
Exploring Rome: Piranesi and His Contemporaries
Actions:
Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Exploring Rome: Piranesi and His Contemporaries
Actions:
Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Form:
exhibitions
exhibitions
Date:
18 August 1993 to
2 January 1994
18 August 1993 to
2 January 1994
Location:
Main galleries
Main galleries
Form:
drawings
Quantity:
3 dessin(s)
drawings
Quantity:
3 dessin(s)
Actions:
Reference number:
ARCH167716
ARCH167716
People:
Form:
drawings
Quantity:
3 dessin(s)
drawings
Quantity:
3 dessin(s)
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
15 March 2000 to 7 May 2000
15 March 2000 to 7 May 2000
Title:
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Form:
exhibitions
exhibitions
Date:
15 March 2000 to
7 May 2000
15 March 2000 to
7 May 2000
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Description:
From 1966 to 1968, Shadrach Woods and Cedric Price, two architects and educators in Paris and London, found themselves caught up in a vortex of change in education. Like architecture, the field was searching for new models; thinkers sought to reformulate the basic problems of education, rather than simply seeking new solutions to old questions. In this seminar 2014(...)
From 1966 to 1968, Shadrach Woods and Cedric Price, two architects and educators in Paris and London, found themselves caught up in a vortex of change in education. Like architecture, the field was searching for new models; thinkers sought to reformulate the basic problems of education, rather than simply seeking new solutions to old questions. In this seminar 2014(...)
Location:
Shaughnessy House Keyword(s):
Shadrach Woods, Cedric Price, Visiting Scholar, Federica Doglio
Shaughnessy House Keyword(s):
Shadrach Woods, Cedric Price, Visiting Scholar, Federica Doglio
Date:
24 July 2014, 6pm
24 July 2014, 6pm
Title:
Visiting Scholar Seminar: Federica Doglio
Actions:
Description:
From 1966 to 1968, Shadrach Woods and Cedric Price, two architects and educators in Paris and London, found themselves caught up in a vortex of change in education. Like architecture, the field was searching for new models; thinkers sought to reformulate the basic problems of education, rather than simply seeking new solutions to old questions. In this seminar 2014(...)
Visiting Scholar Seminar: Federica Doglio
Actions:
Description:
From 1966 to 1968, Shadrach Woods and Cedric Price, two architects and educators in Paris and London, found themselves caught up in a vortex of change in education. Like architecture, the field was searching for new models; thinkers sought to reformulate the basic problems of education, rather than simply seeking new solutions to old questions. In this seminar 2014(...)
Form:
events
events
Date:
24 July 2014
6pm
24 July 2014
6pm
Location:
Shaughnessy House Keyword(s):
Shadrach Woods, Cedric Price, Visiting Scholar, Federica Doglio
Shaughnessy House Keyword(s):
Shadrach Woods, Cedric Price, Visiting Scholar, Federica Doglio
Actions:
Reference number:
ARCH264824
Description:
Les documents traitent d’un article sur l'architecture contemporaine aux Indes écrit par Edward Durell Stone, daté du 23 février 1957. L'article a été publié dans le journal le "Statesman".
ARCH264824
Description:
Les documents traitent d’un article sur l'architecture contemporaine aux Indes écrit par Edward Durell Stone, daté du 23 février 1957. L'article a été publié dans le journal le "Statesman".
People:
Date:
après le 23 février 1957
après le 23 février 1957
Title:
Manuscrit traitant de l'architecture contemporaine en Inde et de l'architecte américain Edward Durell Stone
Actions:
ARCH264824
Description:
Les documents traitent d’un article sur l'architecture contemporaine aux Indes écrit par Edward Durell Stone, daté du 23 février 1957. L'article a été publié dans le journal le "Statesman".
Manuscrit traitant de l'architecture contemporaine en Inde et de l'architecte américain Edward Durell Stone
Actions:
ARCH264824
Description:
Les documents traitent d’un article sur l'architecture contemporaine aux Indes écrit par Edward Durell Stone, daté du 23 février 1957. L'article a été publié dans le journal le "Statesman".
Date:
après le 23 février 1957
après le 23 février 1957
People:
Form:
photographs
Quantity:
2 photographie(s)
photographs
Quantity:
2 photographie(s)
Actions:
Reference number:
ARCH170757
ARCH170757
People:
Form:
photographs
Quantity:
2 photographie(s)
photographs
Quantity:
2 photographie(s)
People:
