3870 Results
Form:
textual records
textual records
Actions:
Reference number:
ARCH258648
Description:
Correspondance avec Edgar Brandt, Armand Blanchet (fonderie de cloches), Gusmano Vignali d'Italie, Robert Mahias, et Frank Dupuis, incluant des offres de services, des certificats de paiement, des bleus pliés, des photos d'ornements d'église, des devis, des factures.
ARCH258648
Description:
Correspondance avec Edgar Brandt, Armand Blanchet (fonderie de cloches), Gusmano Vignali d'Italie, Robert Mahias, et Frank Dupuis, incluant des offres de services, des certificats de paiement, des bleus pliés, des photos d'ornements d'église, des devis, des factures.
People:
Date:
1925-1929
1925-1929
Title:
Correspondance avec des fournisseurs
Actions:
ARCH258648
Description:
Correspondance avec Edgar Brandt, Armand Blanchet (fonderie de cloches), Gusmano Vignali d'Italie, Robert Mahias, et Frank Dupuis, incluant des offres de services, des certificats de paiement, des bleus pliés, des photos d'ornements d'église, des devis, des factures.
Correspondance avec des fournisseurs
Actions:
ARCH258648
Description:
Correspondance avec Edgar Brandt, Armand Blanchet (fonderie de cloches), Gusmano Vignali d'Italie, Robert Mahias, et Frank Dupuis, incluant des offres de services, des certificats de paiement, des bleus pliés, des photos d'ornements d'église, des devis, des factures.
Form:
textual records
textual records
Date:
1925-1929
1925-1929
People:
Form:
events
events
Form:
events
events
Date:
17 June 2005
17 June 2005
Form:
exhibitions
exhibitions
Actions:
Description:
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
Location:
Main galleries, octagonal gallery, and hall cases
Main galleries, octagonal gallery, and hall cases
Date:
16 June 1998 to 8 November 1998
16 June 1998 to 8 November 1998
Title:
The American Lawn: Surface of Everyday Life
Actions:
Description:
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
The American Lawn: Surface of Everyday Life
Actions:
Description:
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
Form:
exhibitions
exhibitions
Date:
16 June 1998 to
8 November 1998
16 June 1998 to
8 November 1998
Location:
Main galleries, octagonal gallery, and hall cases
Main galleries, octagonal gallery, and hall cases
Form:
textual records
Quantity:
2 textual record(s)
textual records
Quantity:
2 textual record(s)
Title:
School documents
School documents
Actions:
Reference number:
ARCH267374
Description:
Documents include a certificate attesting to Pierre Jeanneret's completion of a first year course ("Classe d'ornement") at the École des beaux-arts de Genève, and a photocopy of a school report from the same institution.
ARCH267374
Description:
Documents include a certificate attesting to Pierre Jeanneret's completion of a first year course ("Classe d'ornement") at the École des beaux-arts de Genève, and a photocopy of a school report from the same institution.
People:
Date:
1913-1919
1913-1919
Title:
School documents
Actions:
ARCH267374
Description:
Documents include a certificate attesting to Pierre Jeanneret's completion of a first year course ("Classe d'ornement") at the École des beaux-arts de Genève, and a photocopy of a school report from the same institution.
School documents
Actions:
ARCH267374
Description:
Documents include a certificate attesting to Pierre Jeanneret's completion of a first year course ("Classe d'ornement") at the École des beaux-arts de Genève, and a photocopy of a school report from the same institution.
Form:
textual records
Quantity:
2 textual record(s)
textual records
Quantity:
2 textual record(s)
Date:
1913-1919
1913-1919
People:
Form:
exhibitions
exhibitions
Description:
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
7 May 1989 to 25 March 1990
7 May 1989 to 25 March 1990
Title:
Canadian Centre for Architecture: Building and Gardens
Actions:
Description:
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Canadian Centre for Architecture: Building and Gardens
Actions:
Description:
Celebrating the opening of the CCAs new building, Canadian Centre for Architecture: Building and Gardens reveals the potential of a museum of architecture as a statement: about the nature of the works it collects and exhibits; about its role in the life of a culture or a city; and about architecture itself. Both the restoration of the nineteenth-century Shaughnessy House(...)
Form:
exhibitions
exhibitions
Date:
7 May 1989 to
25 March 1990
7 May 1989 to
25 March 1990
Location:
Octagonal gallery
Octagonal gallery
Form:
drawings, works of art
Quantity:
2 portfolio(s)
drawings, works of art
Quantity:
2 portfolio(s)
Actions:
Reference number:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
People:
Subject:
architecture, interior design, ornament
architecture, interior design, ornament
Date:
between 1800 and 1868
between 1800 and 1868
Title:
Two portfolios of drawings of ornament and other architectural subjects, mainly Italian and Islamic, and details of English and French Gothic and Romanesque architecture
Actions:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
Two portfolios of drawings of ornament and other architectural subjects, mainly Italian and Islamic, and details of English and French Gothic and Romanesque architecture
Actions:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
Form:
drawings, works of art
Quantity:
2 portfolio(s)
drawings, works of art
Quantity:
2 portfolio(s)
Date:
between 1800 and 1868
between 1800 and 1868
People:
Subject:
architecture, interior design, ornament
architecture, interior design, ornament
Form:
drawings
drawings
Title:
Détails des pièces
Détails des pièces
Actions:
Reference number:
ARCH273919
Description:
Détails des pièces : cloisons de la salle commune, portes et fenêtres du petit parloir, stalles des séminaristes, balustrades des terrasses, maîtres-autels, ameublement de la sacristie principale, tourelle, chambre de toilette type, fenêtres de la chapelle, locutorium, murs et fenêtres de l'infirmerie, dépôt d'ornements, hotte de la cuisine, escaliers circulaires, grande chapelle, escaliers de service, crypte, autels et fenêtres coulissantes. Détails du linteau et du granit à l'entrée de la chapelle, charpente de la flèche principale, révisions de la croix et pose de blocs de verre.
ARCH273919
Description:
Détails des pièces : cloisons de la salle commune, portes et fenêtres du petit parloir, stalles des séminaristes, balustrades des terrasses, maîtres-autels, ameublement de la sacristie principale, tourelle, chambre de toilette type, fenêtres de la chapelle, locutorium, murs et fenêtres de l'infirmerie, dépôt d'ornements, hotte de la cuisine, escaliers circulaires, grande chapelle, escaliers de service, crypte, autels et fenêtres coulissantes. Détails du linteau et du granit à l'entrée de la chapelle, charpente de la flèche principale, révisions de la croix et pose de blocs de verre.
People:
Date:
circa 1940
circa 1940
Title:
Détails des pièces
Actions:
ARCH273919
Description:
Détails des pièces : cloisons de la salle commune, portes et fenêtres du petit parloir, stalles des séminaristes, balustrades des terrasses, maîtres-autels, ameublement de la sacristie principale, tourelle, chambre de toilette type, fenêtres de la chapelle, locutorium, murs et fenêtres de l'infirmerie, dépôt d'ornements, hotte de la cuisine, escaliers circulaires, grande chapelle, escaliers de service, crypte, autels et fenêtres coulissantes. Détails du linteau et du granit à l'entrée de la chapelle, charpente de la flèche principale, révisions de la croix et pose de blocs de verre.
Détails des pièces
Actions:
ARCH273919
Description:
Détails des pièces : cloisons de la salle commune, portes et fenêtres du petit parloir, stalles des séminaristes, balustrades des terrasses, maîtres-autels, ameublement de la sacristie principale, tourelle, chambre de toilette type, fenêtres de la chapelle, locutorium, murs et fenêtres de l'infirmerie, dépôt d'ornements, hotte de la cuisine, escaliers circulaires, grande chapelle, escaliers de service, crypte, autels et fenêtres coulissantes. Détails du linteau et du granit à l'entrée de la chapelle, charpente de la flèche principale, révisions de la croix et pose de blocs de verre.
Form:
drawings
drawings
Date:
circa 1940
circa 1940
People:
Form:
events
events
Title:
Learning from... Mexico City
Learning from... Mexico City
Actions:
Description:
Arturo Ortiz Struck describes the boundaries of formal and legal building in the context of Mexico:“In order to build a critical view of the production of space and architecture in this environment, we should start from two fundamental premises. The first considers that spaces reflect who we are, and they express our cultural ways and how we unfold in everyday life. The(...)
Arturo Ortiz Struck describes the boundaries of formal and legal building in the context of Mexico:“In order to build a critical view of the production of space and architecture in this environment, we should start from two fundamental premises. The first considers that spaces reflect who we are, and they express our cultural ways and how we unfold in everyday life. The(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
10 May 2012 , 7pm
10 May 2012 , 7pm
Title:
Learning from... Mexico City
Actions:
Description:
Arturo Ortiz Struck describes the boundaries of formal and legal building in the context of Mexico:“In order to build a critical view of the production of space and architecture in this environment, we should start from two fundamental premises. The first considers that spaces reflect who we are, and they express our cultural ways and how we unfold in everyday life. The(...)
Learning from... Mexico City
Actions:
Description:
Arturo Ortiz Struck describes the boundaries of formal and legal building in the context of Mexico:“In order to build a critical view of the production of space and architecture in this environment, we should start from two fundamental premises. The first considers that spaces reflect who we are, and they express our cultural ways and how we unfold in everyday life. The(...)
Form:
events
events
Date:
10 May 2012
7pm
10 May 2012
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
photographs
photographs
Actions:
Reference number:
ARCH256346
Description:
"Le Pavillon de la Tunisie à l'Expo '67 / Le Pavillon de la Tunisie est de forme rectangulaire. Sa façade est blanche, ornée à la base de carreaux de faïence bleue. Les sections intérieures de ce bâtiment, se groupent autour d'un patio à colonnades, dont le sol est recouvert d'une mosaïque romaine authentique. L'artisanat, le tourisme, l'agriculture et l'industrie composent le thème de ce pavillon qui est aussi doté d'un restaurant où sont servis des mets tunisiens, ainsi que d'un café maure. / Tunisian Pavilion at Expo '67 / The white facade and blue porcelain tile flooring of the Tunisian pavilion are reminiscent of Tunisia's ancient Arab palaces. In this authentic setting craftsmen perform traditional trades, beating copper and making carpets by hand. A Moorish cafe and restaurant are also features of the pavilion."--Description.
ARCH256346
Description:
"Le Pavillon de la Tunisie à l'Expo '67 / Le Pavillon de la Tunisie est de forme rectangulaire. Sa façade est blanche, ornée à la base de carreaux de faïence bleue. Les sections intérieures de ce bâtiment, se groupent autour d'un patio à colonnades, dont le sol est recouvert d'une mosaïque romaine authentique. L'artisanat, le tourisme, l'agriculture et l'industrie composent le thème de ce pavillon qui est aussi doté d'un restaurant où sont servis des mets tunisiens, ainsi que d'un café maure. / Tunisian Pavilion at Expo '67 / The white facade and blue porcelain tile flooring of the Tunisian pavilion are reminiscent of Tunisia's ancient Arab palaces. In this authentic setting craftsmen perform traditional trades, beating copper and making carpets by hand. A Moorish cafe and restaurant are also features of the pavilion."--Description.
People:
Date:
1967
1967
Title:
View of the Tunisian Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256346
Description:
"Le Pavillon de la Tunisie à l'Expo '67 / Le Pavillon de la Tunisie est de forme rectangulaire. Sa façade est blanche, ornée à la base de carreaux de faïence bleue. Les sections intérieures de ce bâtiment, se groupent autour d'un patio à colonnades, dont le sol est recouvert d'une mosaïque romaine authentique. L'artisanat, le tourisme, l'agriculture et l'industrie composent le thème de ce pavillon qui est aussi doté d'un restaurant où sont servis des mets tunisiens, ainsi que d'un café maure. / Tunisian Pavilion at Expo '67 / The white facade and blue porcelain tile flooring of the Tunisian pavilion are reminiscent of Tunisia's ancient Arab palaces. In this authentic setting craftsmen perform traditional trades, beating copper and making carpets by hand. A Moorish cafe and restaurant are also features of the pavilion."--Description.
View of the Tunisian Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256346
Description:
"Le Pavillon de la Tunisie à l'Expo '67 / Le Pavillon de la Tunisie est de forme rectangulaire. Sa façade est blanche, ornée à la base de carreaux de faïence bleue. Les sections intérieures de ce bâtiment, se groupent autour d'un patio à colonnades, dont le sol est recouvert d'une mosaïque romaine authentique. L'artisanat, le tourisme, l'agriculture et l'industrie composent le thème de ce pavillon qui est aussi doté d'un restaurant où sont servis des mets tunisiens, ainsi que d'un café maure. / Tunisian Pavilion at Expo '67 / The white facade and blue porcelain tile flooring of the Tunisian pavilion are reminiscent of Tunisia's ancient Arab palaces. In this authentic setting craftsmen perform traditional trades, beating copper and making carpets by hand. A Moorish cafe and restaurant are also features of the pavilion."--Description.
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Jean Michaud fonds
Jean Michaud fonds
Actions:
Reference number:
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
People:
Date:
1852, 1916, 1938-1981, surtout 1950-1974
1852, 1916, 1938-1981, surtout 1950-1974
Title:
Jean Michaud fonds
Actions:
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Jean Michaud fonds
Actions:
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1852, 1916, 1938-1981, surtout 1950-1974
1852, 1916, 1938-1981, surtout 1950-1974
People:
