Lecture notes
AP140.S2.SS4.D7.P5.2
Description:
These notes are for first of two talks, probably given at Yale in 1959. This talk was used to prepare the article "The Functional Tradition and Expression" publised in Perspecta 6 in 1960.
probably 1959
Lecture notes
Actions:
AP140.S2.SS4.D7.P5.2
Description:
These notes are for first of two talks, probably given at Yale in 1959. This talk was used to prepare the article "The Functional Tradition and Expression" publised in Perspecta 6 in 1960.
The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
Musée des beaux-arts de Montréal
14 October 1983 to 11 December 1983
The Villas of Pliny and Classical Architecture in Montréal
Actions:
Description:
The exhibition presents three aspects of the villas described by the Roman writer, Pliny the Younger, in the first century AD: their direct historical influence on architecture, the indirect influence they have exerted on architects as a model for study, and their impact on the classical tradition in the city of Montreal. The Villas of Pliny and Classical Architecture(...)
Musée des beaux-arts de Montréal
ARCH256151
Description:
"Le pavillon de l'Etat du Vermont à l'Expo 67, symbolise le caractère de cet Etat des Montagnes Vertes. Les éléments d'exposition expriment la tradition d'intégrité et d'indépendance de l'Etat. On y voit également une statue de Samuel de Champlain, haute de 12 pieds, (environ 3.5m) commémorant le quatrième centenaire de la naissance de l'explorateur. / The pavilion of the State of Vermont at Expo 67, has exhibits that deal with the history, tradition and attractions of Vermont. The pavilion features a 12-foot statue of the explorer, Samuel de Champlain."--Description.
1967
Night view of the Vermont's Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256151
Description:
"Le pavillon de l'Etat du Vermont à l'Expo 67, symbolise le caractère de cet Etat des Montagnes Vertes. Les éléments d'exposition expriment la tradition d'intégrité et d'indépendance de l'Etat. On y voit également une statue de Samuel de Champlain, haute de 12 pieds, (environ 3.5m) commémorant le quatrième centenaire de la naissance de l'explorateur. / The pavilion of the State of Vermont at Expo 67, has exhibits that deal with the history, tradition and attractions of Vermont. The pavilion features a 12-foot statue of the explorer, Samuel de Champlain."--Description.
archives
Level of archival description:
Fonds
Günter Günschel fonds
AP187
Synopsis:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
1943-2006
Günter Günschel fonds
Actions:
AP187
Synopsis:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
archives
Level of archival description:
Fonds
1943-2006
Starting from... People
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Hall cases
5 October 2011 to 22 January 2012
Starting from... People
Actions:
Description:
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Hall cases
New towns created by private enterprise in the early years of the twentieth century bear witness to the confluence of economic, social, and political forces at work in shaping urban forms. Built quickly and expensively, these towns thoroughly planned to sustain industrial profits, relying on social control to ensure the hegemony of the ruling class. This exhibition traces(...)
Main galleries
6 March 1996 to 26 May 1996
Power and Planning: Industrial Towns in Québec, 1890-1950
Actions:
Description:
New towns created by private enterprise in the early years of the twentieth century bear witness to the confluence of economic, social, and political forces at work in shaping urban forms. Built quickly and expensively, these towns thoroughly planned to sustain industrial profits, relying on social control to ensure the hegemony of the ruling class. This exhibition traces(...)
Main galleries
Learning from... Shanghai
In 2001, Shanghai announced the development plan of “One City Nine Towns,” a series of towns each built around a theme inspired by a different Western tradition. Chinese urban theorist Xiangning Li examines the themed spaces in the city’s post-colonial context, relating them to Shanghai’s contemporary urban culture and situating them within the changing dynamics between(...)
Paul Desmarais Theatre
7 May 2009
Learning from... Shanghai
Actions:
Description:
In 2001, Shanghai announced the development plan of “One City Nine Towns,” a series of towns each built around a theme inspired by a different Western tradition. Chinese urban theorist Xiangning Li examines the themed spaces in the city’s post-colonial context, relating them to Shanghai’s contemporary urban culture and situating them within the changing dynamics between(...)
Paul Desmarais Theatre
The exhibition presents the work of a generation of Japanese architects that reached architectural maturity at a time of unprecedented wealth in Japan. The six young architects included—Kiyoshi Sey Takeyama/AMORPHE; Norihiko Dan; Hiroyuki Wakabayashi; WORKSHOP; Hisashi Hara; and Atsushi Kitagawara—freely incorporate Western and Japanese architectural traditions. For this(...)
Octagonal gallery
17 April 1991 to 30 June 1991
Emerging Japanese Architects of the 1990s
Actions:
Description:
The exhibition presents the work of a generation of Japanese architects that reached architectural maturity at a time of unprecedented wealth in Japan. The six young architects included—Kiyoshi Sey Takeyama/AMORPHE; Norihiko Dan; Hiroyuki Wakabayashi; WORKSHOP; Hisashi Hara; and Atsushi Kitagawara—freely incorporate Western and Japanese architectural traditions. For this(...)
Octagonal gallery
articles
Pictorial Storytelling
Pictorial Storytelling
Warebi Gabriel Brisibe and Ramota Obagah-Stephen propose “other” research methods on colonial housing
Actions:
exhibitions
Learning Architecture
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Hall cases
5 July 1994 to 2 October 1994
Learning Architecture
Actions:
Description:
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
exhibitions
5 July 1994 to
2 October 1994
Hall cases