12415 Results
Level of archival description:
Project
Project
Title:
Greenbird
Greenbird
Reference number:
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
People:
Date:
1961-1979, predominant 1975-1979
1961-1979, predominant 1975-1979
Title:
Greenbird
Actions:
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
Greenbird
Actions:
AP144.S2.D96
Description:
File documents Greenbird, an aviary for West Green House at Hartley Wintney, in Hampshire, England. Although construction did begin it is unclear whether the project was ever completed. The design for the aviary called for metal poles and a roof grid covered with a wire framework and nylon mesh. Conceptual sketches show various roof designs and a system for providing variable heights. The final design also included an artificial spring, stepped waterfall, rock pool, shallow pool, beach and marsh areas, and perches at various heights. Existing conditions material includes a colour aerial photograph mounted on press board and an existing survey plan. Design development drawings also include axonometric drawings of the structure and proposals for pools and waterfalls. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 90, 99. Material in this file was produced between1961 and 1979, but predominantly between 1975 and 1979. Several drawings in the file are attributed to McAlpine Design Group and Sir Robert McAlpine & Sons Ltd. File contains conceptual drawings, design development drawings, consultant drawing, photographic material, and textual records.
Level of archival description:
File 96
File 96
Date:
1961-1979, predominant 1975-1979
1961-1979, predominant 1975-1979
People:
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0012:090:003
Description:
Box containing photographs, and a printout of an architectural drawing mounted on a panel, of the following projects: - Les maisons de la rue Sherbrooke (2 photographs); - Edifice (2 photographs); - Chicago construction (1 photograph); - Kingston construction (2 photographs); - Toronto construction (2 photograph); - Room 202 (2 photographs); - Streetwork (2 photographs) - HEC Montréal (1 photograph, 1 panel); - CCA garden (2 photographs); - Unidentified (2 photographs). Further investigation is required regarding the projects represented.
DR2012:0012:090:003
Description:
Box containing photographs, and a printout of an architectural drawing mounted on a panel, of the following projects: - Les maisons de la rue Sherbrooke (2 photographs); - Edifice (2 photographs); - Chicago construction (1 photograph); - Kingston construction (2 photographs); - Toronto construction (2 photograph); - Room 202 (2 photographs); - Streetwork (2 photographs) - HEC Montréal (1 photograph, 1 panel); - CCA garden (2 photographs); - Unidentified (2 photographs). Further investigation is required regarding the projects represented.
People:
Date:
1979, 1995-1996
1979, 1995-1996
Title:
Photographs of various projects by Melvin Charney
Actions:
DR2012:0012:090:003
Description:
Box containing photographs, and a printout of an architectural drawing mounted on a panel, of the following projects: - Les maisons de la rue Sherbrooke (2 photographs); - Edifice (2 photographs); - Chicago construction (1 photograph); - Kingston construction (2 photographs); - Toronto construction (2 photograph); - Room 202 (2 photographs); - Streetwork (2 photographs) - HEC Montréal (1 photograph, 1 panel); - CCA garden (2 photographs); - Unidentified (2 photographs). Further investigation is required regarding the projects represented.
Photographs of various projects by Melvin Charney
Actions:
DR2012:0012:090:003
Description:
Box containing photographs, and a printout of an architectural drawing mounted on a panel, of the following projects: - Les maisons de la rue Sherbrooke (2 photographs); - Edifice (2 photographs); - Chicago construction (1 photograph); - Kingston construction (2 photographs); - Toronto construction (2 photograph); - Room 202 (2 photographs); - Streetwork (2 photographs) - HEC Montréal (1 photograph, 1 panel); - CCA garden (2 photographs); - Unidentified (2 photographs). Further investigation is required regarding the projects represented.
Form:
photographs
photographs
Date:
1979, 1995-1996
1979, 1995-1996
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Location:
Main galleries
Main galleries
Date:
19 July 1994 to 25 September 1994
19 July 1994 to 25 September 1994
Title:
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Form:
exhibitions
exhibitions
Date:
19 July 1994 to
25 September 1994
19 July 1994 to
25 September 1994
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
People:
Date:
1973-2018
1973-2018
Title:
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
Level of archival description:
Project
Project
Date:
1973-2018
1973-2018
People:
Level of archival description:
Project
Project
Title:
Phun City
Phun City
Reference number:
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
People:
Date:
1970-1971
1970-1971
Title:
Phun City
Actions:
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
Phun City
Actions:
AP144.S2.D77
Description:
File documents the executed project for Phun City, a "temporary city" for an outdoor pop music festival at Ecclesden Commons in Sussex, England. Cedric Price was commissioned to coordinate the design and construction of the site, which was to include a stage, tower, cinema, theatre, administration and medical buildings, movable sleeping structures, public toilets, fencing, crash barriers and access roads. Drawings illustrate the development of the functional relationships among activities, as well as, access to, and circulation within, the concert site. A site plan shows the broader context of Ecclesden Commons; keyed diagrammatic plans locate main activity enclosures, pedestrian and vehicular access routes, proposed parking, emergency routes to and from the site, and wire and chain link barriers and fences. A diagrammatic site plan shows the final layout, including last minute alterations prior to the opening of the concert. A second site plan has been marked up with notes indicating how the spectators appropriated the site during the concert, moving some of the portable buildings and circulating in patterns that were different than those anticipated by Price. The client for Phun City Festival, Mick Farren was involved at the Isle of Wright Festival which was held one month later (Price with Murray 1971, 40). Some material in this file was published in "Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 40, and 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 30. Material in this file was produced between 1970 and 1971. File contains design development drawings, map, photographic materials, and textual records.
Level of archival description:
File 77
File 77
Date:
1970-1971
1970-1971
People:
Level of archival description:
Series
Series
Title:
Hans Scharoun
Hans Scharoun
Reference number:
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
People:
Date:
between 1919 and 1920
between 1919 and 1920
Title:
Hans Scharoun
Actions:
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
Hans Scharoun
Actions:
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
Level of archival description:
series
series
Date:
between 1919 and 1920
between 1919 and 1920
People:
Level of archival description:
Sub-series
Sub-series
Title:
Photographs and negatives
Photographs and negatives
Reference number:
AP140.S2.SS7.D1
Description:
The sub-series documents some of the early architectural interests of James Stirling, the work and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Material in this file was produced between probably the 1950s and 1992. The subs-series contains photographs, including views of Liverpool and of Le Corbusier's buildings taken by James Stirling. It also contains several portraits of James Stirling, Michael Wilford and colleagues, interior views of the office, and views of drawings, models and of completed buildings by the firm, by photographers Geoff Beeckman, Martin Charles, John Donat Photography, Marlies Hentrup, Klaus Lehnartz, and Ray Williams.
AP140.S2.SS7.D1
Description:
The sub-series documents some of the early architectural interests of James Stirling, the work and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Material in this file was produced between probably the 1950s and 1992. The subs-series contains photographs, including views of Liverpool and of Le Corbusier's buildings taken by James Stirling. It also contains several portraits of James Stirling, Michael Wilford and colleagues, interior views of the office, and views of drawings, models and of completed buildings by the firm, by photographers Geoff Beeckman, Martin Charles, John Donat Photography, Marlies Hentrup, Klaus Lehnartz, and Ray Williams.
People:
Date:
circa 1950s-1992
circa 1950s-1992
Title:
Photographs and negatives
Actions:
AP140.S2.SS7.D1
Description:
The sub-series documents some of the early architectural interests of James Stirling, the work and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Material in this file was produced between probably the 1950s and 1992. The subs-series contains photographs, including views of Liverpool and of Le Corbusier's buildings taken by James Stirling. It also contains several portraits of James Stirling, Michael Wilford and colleagues, interior views of the office, and views of drawings, models and of completed buildings by the firm, by photographers Geoff Beeckman, Martin Charles, John Donat Photography, Marlies Hentrup, Klaus Lehnartz, and Ray Williams.
Photographs and negatives
Actions:
AP140.S2.SS7.D1
Description:
The sub-series documents some of the early architectural interests of James Stirling, the work and activities of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; and James Stirling, Michael Wilford, and Associates, as well as office personnel and events and travels. Material in this file was produced between probably the 1950s and 1992. The subs-series contains photographs, including views of Liverpool and of Le Corbusier's buildings taken by James Stirling. It also contains several portraits of James Stirling, Michael Wilford and colleagues, interior views of the office, and views of drawings, models and of completed buildings by the firm, by photographers Geoff Beeckman, Martin Charles, John Donat Photography, Marlies Hentrup, Klaus Lehnartz, and Ray Williams.
Level of archival description:
File 1
File 1
Date:
circa 1950s-1992
circa 1950s-1992
People:
Form:
drawings
drawings
![Plan, elevation and section for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s](/img-collection/yhlqF2gHeRgyaFHuQPZYmznRFwY=/500x294/9335.jpg)
Actions:
Reference number:
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
People:
Subject:
architecture
architecture
Date:
contracted 20 September 1862
contracted 20 September 1862
Title:
Plan, elevation and section for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s
Actions:
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Plan, elevation and section for a bearing wall [?] for Notre-Dame de Montréal for the renovations of the 1860s
Actions:
AR1996:1001:232
Description:
- The inscribed titles on two drawings by Théophile Fahrland indicate that the subjects are a "tambour" [drum] (AR1996:1001:232) and details for a "tambour" (AR1996:1001:231) for Notre-Dame de Montréal. The subject of these drawings is identified as a "bearing wall [?]", since the definition of a "drum" - a vertical wall, either circular or polygonal in plan, that carries a dome - apparently does not apply in this case (Art and Architecture Thesaurus). Further research is required to determine the subject of these drawings more precisely.
Form:
drawings
drawings
Date:
contracted 20 September 1862
contracted 20 September 1862
People:
Subject:
architecture
architecture
Level of archival description:
Sub-series
Sub-series
Title:
Monograph
Monograph
Reference number:
AP114.S1.SS4
Description:
Sub-series documents the preparation of Gene Summers : Art / Architecture, a monograph by Werner Blaser, which was published by Birkhäuser in 2003. It includes layouts and proofs of the manuscript as well as images and drawings prepared for inclusion in the book.
AP114.S1.SS4
Description:
Sub-series documents the preparation of Gene Summers : Art / Architecture, a monograph by Werner Blaser, which was published by Birkhäuser in 2003. It includes layouts and proofs of the manuscript as well as images and drawings prepared for inclusion in the book.
People:
Date:
2002 - 2003
2002 - 2003
Title:
Monograph
Actions:
AP114.S1.SS4
Description:
Sub-series documents the preparation of Gene Summers : Art / Architecture, a monograph by Werner Blaser, which was published by Birkhäuser in 2003. It includes layouts and proofs of the manuscript as well as images and drawings prepared for inclusion in the book.
Monograph
Actions:
AP114.S1.SS4
Description:
Sub-series documents the preparation of Gene Summers : Art / Architecture, a monograph by Werner Blaser, which was published by Birkhäuser in 2003. It includes layouts and proofs of the manuscript as well as images and drawings prepared for inclusion in the book.
Level of archival description:
Sub-series 4
Sub-series 4
Date:
2002 - 2003
2002 - 2003
People:
Level of archival description:
Project
Project
Title:
Detroit Think Grid
Detroit Think Grid
Reference number:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
People:
Date:
1957-1975, predominant 1969-1971
1957-1975, predominant 1969-1971
Title:
Detroit Think Grid
Actions:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
Detroit Think Grid
Actions:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
Level of archival description:
File 73
File 73
Date:
1957-1975, predominant 1969-1971
1957-1975, predominant 1969-1971
People:
