5736 Results
Level of archival description:
Project
Project
Reference number:
AP207.S1.1979.PR02
Description:
The project series documents "Un’idea di Bellazza" a project by Pettena, realized in 1979. The aim of the project was to choose a building to represent an idea of beauty. Pettena selected a Medici era pyramid, used as an ice house, in the Cascine di Firenze, in Florence. The project series contains project descriptions in Italian and in English, and photographs of the choosen pyramid.
AP207.S1.1979.PR02
Description:
The project series documents "Un’idea di Bellazza" a project by Pettena, realized in 1979. The aim of the project was to choose a building to represent an idea of beauty. Pettena selected a Medici era pyramid, used as an ice house, in the Cascine di Firenze, in Florence. The project series contains project descriptions in Italian and in English, and photographs of the choosen pyramid.
People:
Date:
2013-2017
2013-2017
Title:
Un’idea di Bellazza [An idea of Beauty] (1979)
Actions:
AP207.S1.1979.PR02
Description:
The project series documents "Un’idea di Bellazza" a project by Pettena, realized in 1979. The aim of the project was to choose a building to represent an idea of beauty. Pettena selected a Medici era pyramid, used as an ice house, in the Cascine di Firenze, in Florence. The project series contains project descriptions in Italian and in English, and photographs of the choosen pyramid.
Un’idea di Bellazza [An idea of Beauty] (1979)
Actions:
AP207.S1.1979.PR02
Description:
The project series documents "Un’idea di Bellazza" a project by Pettena, realized in 1979. The aim of the project was to choose a building to represent an idea of beauty. Pettena selected a Medici era pyramid, used as an ice house, in the Cascine di Firenze, in Florence. The project series contains project descriptions in Italian and in English, and photographs of the choosen pyramid.
Level of archival description:
Project
Project
Date:
2013-2017
2013-2017
People:
Form:
exhibitions
exhibitions
Title:
Seagram Plaza
Seagram Plaza
Actions:
Description:
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Location:
Hall cases
Hall cases
Date:
1 May 2013 to 18 August 2013
1 May 2013 to 18 August 2013
Title:
Seagram Plaza
Actions:
Description:
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Seagram Plaza
Actions:
Description:
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Form:
exhibitions
exhibitions
Date:
1 May 2013 to
18 August 2013
1 May 2013 to
18 August 2013
Location:
Hall cases
Hall cases
Form:
events
events
Actions:
Description:
David Goldblatt and Ivan Vladislavić talk about their joint publication TJ/Double Negative, an innovative combination of photographs and fiction that tries to make sense of Johannesburg. They discuss their approach to representing this troubled but intriguing city in words and images. Goldblatt is a renowned documenter of South African people and places, and has been(...)
David Goldblatt and Ivan Vladislavić talk about their joint publication TJ/Double Negative, an innovative combination of photographs and fiction that tries to make sense of Johannesburg. They discuss their approach to representing this troubled but intriguing city in words and images. Goldblatt is a renowned documenter of South African people and places, and has been(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
9 May 2013 , 7pm
9 May 2013 , 7pm
Title:
Learning from... Johannesburg
Actions:
Description:
David Goldblatt and Ivan Vladislavić talk about their joint publication TJ/Double Negative, an innovative combination of photographs and fiction that tries to make sense of Johannesburg. They discuss their approach to representing this troubled but intriguing city in words and images. Goldblatt is a renowned documenter of South African people and places, and has been(...)
Learning from... Johannesburg
Actions:
Description:
David Goldblatt and Ivan Vladislavić talk about their joint publication TJ/Double Negative, an innovative combination of photographs and fiction that tries to make sense of Johannesburg. They discuss their approach to representing this troubled but intriguing city in words and images. Goldblatt is a renowned documenter of South African people and places, and has been(...)
Form:
events
events
Date:
9 May 2013
7pm
9 May 2013
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
works of art
works of art
Reference number:
DR1988:0437:048
Description:
- This etching for a fireworks construction or macchina represents Hercules in the Gardens of the Hesperides. The macchina is in the form of a three-bay garden pavilion with sculptures and fountains.
DR1988:0437:048
Description:
- This etching for a fireworks construction or macchina represents Hercules in the Gardens of the Hesperides. The macchina is in the form of a three-bay garden pavilion with sculptures and fountains.
People:
Subject:
temporary architecture
temporary architecture
Date:
printed 1774
printed 1774
Title:
Etching of Posi's design for the "prima macchina" of 1774
Actions:
DR1988:0437:048
Description:
- This etching for a fireworks construction or macchina represents Hercules in the Gardens of the Hesperides. The macchina is in the form of a three-bay garden pavilion with sculptures and fountains.
Etching of Posi's design for the "prima macchina" of 1774
Actions:
DR1988:0437:048
Description:
- This etching for a fireworks construction or macchina represents Hercules in the Gardens of the Hesperides. The macchina is in the form of a three-bay garden pavilion with sculptures and fountains.
Form:
works of art
works of art
Date:
printed 1774
printed 1774
People:
Subject:
temporary architecture
temporary architecture
Actions:
Reference number:
PHCON2002:0016:070
Description:
Pulley represents half of Gordon Matta-Clark's block & tackle. It was used by Matta-Clark on almost all of his sculptures from Splitting (1974) through to Day's End (1975) and Office Baroque (1977).
PHCON2002:0016:070
Description:
Pulley represents half of Gordon Matta-Clark's block & tackle. It was used by Matta-Clark on almost all of his sculptures from Splitting (1974) through to Day's End (1975) and Office Baroque (1977).
People:
Date:
before 1970s
before 1970s
Title:
Gordon Matta-Clark's Wooden Pulley
Actions:
PHCON2002:0016:070
Description:
Pulley represents half of Gordon Matta-Clark's block & tackle. It was used by Matta-Clark on almost all of his sculptures from Splitting (1974) through to Day's End (1975) and Office Baroque (1977).
Gordon Matta-Clark's Wooden Pulley
Actions:
PHCON2002:0016:070
Description:
Pulley represents half of Gordon Matta-Clark's block & tackle. It was used by Matta-Clark on almost all of his sculptures from Splitting (1974) through to Day's End (1975) and Office Baroque (1977).
Date:
before 1970s
before 1970s
People:
Form:
exhibitions
exhibitions
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
21 April 1999 to 26 September 1999
21 April 1999 to 26 September 1999
Title:
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Form:
exhibitions
exhibitions
Date:
21 April 1999 to
26 September 1999
21 April 1999 to
26 September 1999
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Title:
Visiting Scholar Seminar: Aglaya Glebova
Revolution on a Human Scale: Photography and Vkhutemas
Visiting Scholar Seminar: Aglaya Glebova
Revolution on a Human Scale: Photography and Vkhutemas
Actions:
Description:
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
29 June 2017, 6pm
29 June 2017, 6pm
Title:
Visiting Scholar Seminar: Aglaya Glebova
Actions:
Description:
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Visiting Scholar Seminar: Aglaya Glebova
Actions:
Description:
Visiting Scholar Aglaya Glebova presents her research: Vkhutemas, or Higher Art and Technical Studios, was a state-funded institute that sought to prepare a new generation of revolutionary artists and architects for the construction of a properly Soviet modernity. Dissolved under political pressure in 1930, the school never had a dedicated department of photography, but(...)
Form:
events
events
Date:
29 June 2017
6pm
29 June 2017
6pm
Location:
Shaughnessy House
Shaughnessy House
Actions:
Reference number:
ARCH2340
Description:
Film intitulé "H.H. Camp." H.H. pourraient représenter les initiales du sculpteur montréalais Henri Hébert. Les séquences dépeignent: Vue du centre-ville de Montréal et du jardin depuis la terrasse du 1418 avenue des Pins. Ernest Cormier donnant la main à une personne. Réunion d'amis sur la terrasse.
ARCH2340
Description:
Film intitulé "H.H. Camp." H.H. pourraient représenter les initiales du sculpteur montréalais Henri Hébert. Les séquences dépeignent: Vue du centre-ville de Montréal et du jardin depuis la terrasse du 1418 avenue des Pins. Ernest Cormier donnant la main à une personne. Réunion d'amis sur la terrasse.
People:
Date:
ca. 1932
ca. 1932
Title:
Négatifs originaux 16mm pour le film intitulé "H.H. Camp"
Actions:
ARCH2340
Description:
Film intitulé "H.H. Camp." H.H. pourraient représenter les initiales du sculpteur montréalais Henri Hébert. Les séquences dépeignent: Vue du centre-ville de Montréal et du jardin depuis la terrasse du 1418 avenue des Pins. Ernest Cormier donnant la main à une personne. Réunion d'amis sur la terrasse.
Négatifs originaux 16mm pour le film intitulé "H.H. Camp"
Actions:
ARCH2340
Description:
Film intitulé "H.H. Camp." H.H. pourraient représenter les initiales du sculpteur montréalais Henri Hébert. Les séquences dépeignent: Vue du centre-ville de Montréal et du jardin depuis la terrasse du 1418 avenue des Pins. Ernest Cormier donnant la main à une personne. Réunion d'amis sur la terrasse.
Date:
ca. 1932
ca. 1932
People:
Level of archival description:
Series
Series
Title:
X PHYLUM
X PHYLUM
Actions:
Reference number:
AP176.S1
Description:
This series consists of all material related to the X PHYLUM project. These images offer an overview of the different stages of the project from development of the concept with algorithms and diagrams to conceptual and final drawings. All the images were created with Alias software through a Silicon Graphic Indigo workstation. The series contains mostly TIF files with a small amount of Drawing Exchange Format (DXF) CAD files, PhotoShop and Illustrator files represent the entirety of the digital Karl Chu X PHYLUM records.
AP176.S1
Description:
This series consists of all material related to the X PHYLUM project. These images offer an overview of the different stages of the project from development of the concept with algorithms and diagrams to conceptual and final drawings. All the images were created with Alias software through a Silicon Graphic Indigo workstation. The series contains mostly TIF files with a small amount of Drawing Exchange Format (DXF) CAD files, PhotoShop and Illustrator files represent the entirety of the digital Karl Chu X PHYLUM records.
People:
Date:
1998 - 2015
1998 - 2015
Title:
X PHYLUM
Actions:
AP176.S1
Description:
This series consists of all material related to the X PHYLUM project. These images offer an overview of the different stages of the project from development of the concept with algorithms and diagrams to conceptual and final drawings. All the images were created with Alias software through a Silicon Graphic Indigo workstation. The series contains mostly TIF files with a small amount of Drawing Exchange Format (DXF) CAD files, PhotoShop and Illustrator files represent the entirety of the digital Karl Chu X PHYLUM records.
X PHYLUM
Actions:
AP176.S1
Description:
This series consists of all material related to the X PHYLUM project. These images offer an overview of the different stages of the project from development of the concept with algorithms and diagrams to conceptual and final drawings. All the images were created with Alias software through a Silicon Graphic Indigo workstation. The series contains mostly TIF files with a small amount of Drawing Exchange Format (DXF) CAD files, PhotoShop and Illustrator files represent the entirety of the digital Karl Chu X PHYLUM records.
Level of archival description:
Series
Series
Date:
1998 - 2015
1998 - 2015
People:
Form:
exhibitions
exhibitions
Actions:
Description:
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
7 December 2006 to 25 March 2007
7 December 2006 to 25 March 2007
Title:
Victor Burgin: Voyage to Italy
Actions:
Description:
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Victor Burgin: Voyage to Italy
Actions:
Description:
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Form:
exhibitions
exhibitions
Date:
7 December 2006 to
25 March 2007
7 December 2006 to
25 March 2007
Location:
Octagonal gallery
Octagonal gallery
