13771 Results
Form:
events
events
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
Date:
6 April 2017
6 April 2017
Title:
A Conversation with Kenneth Frampton: Can There Be a Global Architectural History Today?
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
A Conversation with Kenneth Frampton: Can There Be a Global Architectural History Today?
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
Form:
events
events
Date:
6 April 2017
6 April 2017
Form:
events
events
Actions:
Description:
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Date:
28 January 2016
28 January 2016
Title:
Practicing Advocacy: Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Practicing Advocacy: Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Form:
events
events
Date:
28 January 2016
28 January 2016
Form:
drawings
drawings
Actions:
Reference number:
DR1974:0002:013:001-008
Description:
- This album contains large rendered drawings executed by Hubert Rohault de Fleury between 1800 and 1802 for architectural competitions held at the École Spéciale de Peinture, Sculpture et Architecture. These include renderings submitted by him for the 1800 Grand Prix programme for an "École Nationale des Beaux-Arts" (DR1974:0002:013:002 and DR1974:0002:013:008), for which he won a "deuxième Grand Prix", and for the 1801 Grand Prix Programme for "Un forum ou place public dédié à la Paix" (DR1974:0002:013:001 and DR1974:0002:013:007). David Le Roy, professor of architectural theory at the École, has signed and dated all four drawings on the verso, which indicates that the sheets were blank before being completed "en loge" (Levine, 99 and Perouse de Montclos, 11). Drawings DR1974:0002:013:004, DR1974:0002:013:005 (front and rear elevations for the same building), and DR1974:0002:013:006 are probably renderings for either a Grand Prix competition or a "projet rendu". The subject matter depicted in drawings DR1974:0002:013:004 - DR1974:0002:013:006 remains unclear. Bergdoll suggests that the drawings may be for Grand Prix programmes, including a "Ministère des Relations Extérieures" and a warehouse (Bergdoll, "HUBERT ... ", 1985), however, the former is depicted in DR1974:0002:013:007 and is therefore part of the larger 1801 Grand Prix programme for "Un forum ou place dédié à la Paix" (1801). A warehouse complex was never chosen as a Grand Prix programme during 1800-1802, Hubert's student years at the École (Macmillan). A recent Master's thesis suggests that Hubert Rohault de Fleury may have begun his studies at the École des Beaux-Arts in 1798 rather than 1800 (Amouroux, 3), in which case the unidentified drawings could be for the Grand Prix competitions held in 1798 and 1799 for a "Bourse pour une ville maritime" and an "Élysée ou cimetière public". The drawing for a fountain in honour of General Desaix, place Thionville (DR1974:0002:013:003) is possibly an entry for a "Prix d'émulation", in which monuments were a favorite category (Jacques, 61).
DR1974:0002:013:001-008
Description:
- This album contains large rendered drawings executed by Hubert Rohault de Fleury between 1800 and 1802 for architectural competitions held at the École Spéciale de Peinture, Sculpture et Architecture. These include renderings submitted by him for the 1800 Grand Prix programme for an "École Nationale des Beaux-Arts" (DR1974:0002:013:002 and DR1974:0002:013:008), for which he won a "deuxième Grand Prix", and for the 1801 Grand Prix Programme for "Un forum ou place public dédié à la Paix" (DR1974:0002:013:001 and DR1974:0002:013:007). David Le Roy, professor of architectural theory at the École, has signed and dated all four drawings on the verso, which indicates that the sheets were blank before being completed "en loge" (Levine, 99 and Perouse de Montclos, 11). Drawings DR1974:0002:013:004, DR1974:0002:013:005 (front and rear elevations for the same building), and DR1974:0002:013:006 are probably renderings for either a Grand Prix competition or a "projet rendu". The subject matter depicted in drawings DR1974:0002:013:004 - DR1974:0002:013:006 remains unclear. Bergdoll suggests that the drawings may be for Grand Prix programmes, including a "Ministère des Relations Extérieures" and a warehouse (Bergdoll, "HUBERT ... ", 1985), however, the former is depicted in DR1974:0002:013:007 and is therefore part of the larger 1801 Grand Prix programme for "Un forum ou place dédié à la Paix" (1801). A warehouse complex was never chosen as a Grand Prix programme during 1800-1802, Hubert's student years at the École (Macmillan). A recent Master's thesis suggests that Hubert Rohault de Fleury may have begun his studies at the École des Beaux-Arts in 1798 rather than 1800 (Amouroux, 3), in which case the unidentified drawings could be for the Grand Prix competitions held in 1798 and 1799 for a "Bourse pour une ville maritime" and an "Élysée ou cimetière public". The drawing for a fountain in honour of General Desaix, place Thionville (DR1974:0002:013:003) is possibly an entry for a "Prix d'émulation", in which monuments were a favorite category (Jacques, 61).
People:
Subject:
architecture
architecture
Date:
1800-1802
1800-1802
Title:
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture, Paris
Actions:
DR1974:0002:013:001-008
Description:
- This album contains large rendered drawings executed by Hubert Rohault de Fleury between 1800 and 1802 for architectural competitions held at the École Spéciale de Peinture, Sculpture et Architecture. These include renderings submitted by him for the 1800 Grand Prix programme for an "École Nationale des Beaux-Arts" (DR1974:0002:013:002 and DR1974:0002:013:008), for which he won a "deuxième Grand Prix", and for the 1801 Grand Prix Programme for "Un forum ou place public dédié à la Paix" (DR1974:0002:013:001 and DR1974:0002:013:007). David Le Roy, professor of architectural theory at the École, has signed and dated all four drawings on the verso, which indicates that the sheets were blank before being completed "en loge" (Levine, 99 and Perouse de Montclos, 11). Drawings DR1974:0002:013:004, DR1974:0002:013:005 (front and rear elevations for the same building), and DR1974:0002:013:006 are probably renderings for either a Grand Prix competition or a "projet rendu". The subject matter depicted in drawings DR1974:0002:013:004 - DR1974:0002:013:006 remains unclear. Bergdoll suggests that the drawings may be for Grand Prix programmes, including a "Ministère des Relations Extérieures" and a warehouse (Bergdoll, "HUBERT ... ", 1985), however, the former is depicted in DR1974:0002:013:007 and is therefore part of the larger 1801 Grand Prix programme for "Un forum ou place dédié à la Paix" (1801). A warehouse complex was never chosen as a Grand Prix programme during 1800-1802, Hubert's student years at the École (Macmillan). A recent Master's thesis suggests that Hubert Rohault de Fleury may have begun his studies at the École des Beaux-Arts in 1798 rather than 1800 (Amouroux, 3), in which case the unidentified drawings could be for the Grand Prix competitions held in 1798 and 1799 for a "Bourse pour une ville maritime" and an "Élysée ou cimetière public". The drawing for a fountain in honour of General Desaix, place Thionville (DR1974:0002:013:003) is possibly an entry for a "Prix d'émulation", in which monuments were a favorite category (Jacques, 61).
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture, Paris
Actions:
DR1974:0002:013:001-008
Description:
- This album contains large rendered drawings executed by Hubert Rohault de Fleury between 1800 and 1802 for architectural competitions held at the École Spéciale de Peinture, Sculpture et Architecture. These include renderings submitted by him for the 1800 Grand Prix programme for an "École Nationale des Beaux-Arts" (DR1974:0002:013:002 and DR1974:0002:013:008), for which he won a "deuxième Grand Prix", and for the 1801 Grand Prix Programme for "Un forum ou place public dédié à la Paix" (DR1974:0002:013:001 and DR1974:0002:013:007). David Le Roy, professor of architectural theory at the École, has signed and dated all four drawings on the verso, which indicates that the sheets were blank before being completed "en loge" (Levine, 99 and Perouse de Montclos, 11). Drawings DR1974:0002:013:004, DR1974:0002:013:005 (front and rear elevations for the same building), and DR1974:0002:013:006 are probably renderings for either a Grand Prix competition or a "projet rendu". The subject matter depicted in drawings DR1974:0002:013:004 - DR1974:0002:013:006 remains unclear. Bergdoll suggests that the drawings may be for Grand Prix programmes, including a "Ministère des Relations Extérieures" and a warehouse (Bergdoll, "HUBERT ... ", 1985), however, the former is depicted in DR1974:0002:013:007 and is therefore part of the larger 1801 Grand Prix programme for "Un forum ou place dédié à la Paix" (1801). A warehouse complex was never chosen as a Grand Prix programme during 1800-1802, Hubert's student years at the École (Macmillan). A recent Master's thesis suggests that Hubert Rohault de Fleury may have begun his studies at the École des Beaux-Arts in 1798 rather than 1800 (Amouroux, 3), in which case the unidentified drawings could be for the Grand Prix competitions held in 1798 and 1799 for a "Bourse pour une ville maritime" and an "Élysée ou cimetière public". The drawing for a fountain in honour of General Desaix, place Thionville (DR1974:0002:013:003) is possibly an entry for a "Prix d'émulation", in which monuments were a favorite category (Jacques, 61).
Form:
drawings
drawings
Date:
1800-1802
1800-1802
People:
Subject:
architecture
architecture
Form:
exhibitions
exhibitions
Title:
Learning Architecture
Learning Architecture
Actions:
Description:
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Location:
Hall cases
Hall cases
Date:
5 July 1994 to 2 October 1994
5 July 1994 to 2 October 1994
Title:
Learning Architecture
Actions:
Description:
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Learning Architecture
Actions:
Description:
As architecture acquired its modern identity as both a liberal art and a regulated profession, and as architectural theories and forms underwent radical transformations, the training of architects did not fundamentally change. The core activities of architectural students remain “Authority,” the study of treatises and theoretical works, “Observation,” the study of the(...)
Form:
exhibitions
exhibitions
Date:
5 July 1994 to
2 October 1994
5 July 1994 to
2 October 1994
Location:
Hall cases
Hall cases
Form:
events
events
Title:
Devices of Design
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
18 November 2004 to 19 November 2004
18 November 2004 to 19 November 2004
Title:
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Form:
events
events
Date:
18 November 2004 to
19 November 2004
18 November 2004 to
19 November 2004
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
research
research
Title:
Visiting Scholars 2009
Visiting Scholars 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Date:
23 March 2009 to 30 October 2009
23 March 2009 to 30 October 2009
Title:
Visiting Scholars 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Visiting Scholars 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Form:
research
research
Date:
23 March 2009 to
30 October 2009
23 March 2009 to
30 October 2009
Form:
films
films
Actions:
Description:
This film, conceived by Francesco Garutti and directed by Shahab Mihandoust, explores the controversial story of the planning and politics of a series of overpasses that span the parkways of Long Island, New York. These bridges were commissioned in the 1920s and 1930s by the public administrator Robert Moses. The story suggests that the bridges were designed to prevent(...)
This film, conceived by Francesco Garutti and directed by Shahab Mihandoust, explores the controversial story of the planning and politics of a series of overpasses that span the parkways of Long Island, New York. These bridges were commissioned in the 1920s and 1930s by the public administrator Robert Moses. The story suggests that the bridges were designed to prevent(...)
Date:
August 2014
August 2014
Title:
Misleading Innocence (tracing what a bridge can do)
Actions:
Description:
This film, conceived by Francesco Garutti and directed by Shahab Mihandoust, explores the controversial story of the planning and politics of a series of overpasses that span the parkways of Long Island, New York. These bridges were commissioned in the 1920s and 1930s by the public administrator Robert Moses. The story suggests that the bridges were designed to prevent(...)
Misleading Innocence (tracing what a bridge can do)
Actions:
Description:
This film, conceived by Francesco Garutti and directed by Shahab Mihandoust, explores the controversial story of the planning and politics of a series of overpasses that span the parkways of Long Island, New York. These bridges were commissioned in the 1920s and 1930s by the public administrator Robert Moses. The story suggests that the bridges were designed to prevent(...)
Form:
films
films
Date:
August 2014 to
August 2014
August 2014 to
August 2014
Form:
events
events
Actions:
Description:
Visiting Scholar Susanne Bauer presents her research: The theoretical debates which took place in American architecture circles—predominantly those on the east coast—as of the early 1960s were often concerned with questions of formal analysis of architectural space and, more broadly, with the present state of architecture and the disciplines future. Some of these debates(...)
Visiting Scholar Susanne Bauer presents her research: The theoretical debates which took place in American architecture circles—predominantly those on the east coast—as of the early 1960s were often concerned with questions of formal analysis of architectural space and, more broadly, with the present state of architecture and the disciplines future. Some of these debates(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
21 July 2016, 6pm
21 July 2016, 6pm
Title:
Visiting Scholar Seminar: Susanne Bauer
Actions:
Description:
Visiting Scholar Susanne Bauer presents her research: The theoretical debates which took place in American architecture circles—predominantly those on the east coast—as of the early 1960s were often concerned with questions of formal analysis of architectural space and, more broadly, with the present state of architecture and the disciplines future. Some of these debates(...)
Visiting Scholar Seminar: Susanne Bauer
Actions:
Description:
Visiting Scholar Susanne Bauer presents her research: The theoretical debates which took place in American architecture circles—predominantly those on the east coast—as of the early 1960s were often concerned with questions of formal analysis of architectural space and, more broadly, with the present state of architecture and the disciplines future. Some of these debates(...)
Form:
events
events
Date:
21 July 2016
6pm
21 July 2016
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP202
Description:
The OFFICE Kersten Geers David Van Severen fonds, circa 2004-2015, documents the firm’s work on three projects: Tower and Square (unbuilt, Rotterdam, the Netherlands, 2004), Drying Hall Arbor (Hulshout, Belgium, 2013), and Villa Buggenhout (Buggenhout, Belgium, 2010). The fonds consists of born-digital and textual materials, as well as several models. The digital files include three project directories packaged as .zip files: “CCA-office09-tower&square”; “CCA-office29-villa buggenhout”; “CCA-office117-Arbor”. Each directory is divided into two subdirectories titled “working folder” and “final materials". The “working folder” subdirectory is organized either chronologically per phase or per file type. The “final materials” subdirectory contains the final project files, including presentation drawings, photos, and final versions of the collages. The transfer also includes two copies of the project credits in .pages and .pdf file formats.
AP202
Description:
The OFFICE Kersten Geers David Van Severen fonds, circa 2004-2015, documents the firm’s work on three projects: Tower and Square (unbuilt, Rotterdam, the Netherlands, 2004), Drying Hall Arbor (Hulshout, Belgium, 2013), and Villa Buggenhout (Buggenhout, Belgium, 2010). The fonds consists of born-digital and textual materials, as well as several models. The digital files include three project directories packaged as .zip files: “CCA-office09-tower&square”; “CCA-office29-villa buggenhout”; “CCA-office117-Arbor”. Each directory is divided into two subdirectories titled “working folder” and “final materials". The “working folder” subdirectory is organized either chronologically per phase or per file type. The “final materials” subdirectory contains the final project files, including presentation drawings, photos, and final versions of the collages. The transfer also includes two copies of the project credits in .pages and .pdf file formats.
People:
Date:
circa 2004 - 2015
circa 2004 - 2015
Title:
OFFICE Kersten Geers David Van Severen fonds
Actions:
AP202
Description:
The OFFICE Kersten Geers David Van Severen fonds, circa 2004-2015, documents the firm’s work on three projects: Tower and Square (unbuilt, Rotterdam, the Netherlands, 2004), Drying Hall Arbor (Hulshout, Belgium, 2013), and Villa Buggenhout (Buggenhout, Belgium, 2010). The fonds consists of born-digital and textual materials, as well as several models. The digital files include three project directories packaged as .zip files: “CCA-office09-tower&square”; “CCA-office29-villa buggenhout”; “CCA-office117-Arbor”. Each directory is divided into two subdirectories titled “working folder” and “final materials". The “working folder” subdirectory is organized either chronologically per phase or per file type. The “final materials” subdirectory contains the final project files, including presentation drawings, photos, and final versions of the collages. The transfer also includes two copies of the project credits in .pages and .pdf file formats.
OFFICE Kersten Geers David Van Severen fonds
Actions:
AP202
Description:
The OFFICE Kersten Geers David Van Severen fonds, circa 2004-2015, documents the firm’s work on three projects: Tower and Square (unbuilt, Rotterdam, the Netherlands, 2004), Drying Hall Arbor (Hulshout, Belgium, 2013), and Villa Buggenhout (Buggenhout, Belgium, 2010). The fonds consists of born-digital and textual materials, as well as several models. The digital files include three project directories packaged as .zip files: “CCA-office09-tower&square”; “CCA-office29-villa buggenhout”; “CCA-office117-Arbor”. Each directory is divided into two subdirectories titled “working folder” and “final materials". The “working folder” subdirectory is organized either chronologically per phase or per file type. The “final materials” subdirectory contains the final project files, including presentation drawings, photos, and final versions of the collages. The transfer also includes two copies of the project credits in .pages and .pdf file formats.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 2004 - 2015
circa 2004 - 2015
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Futurecasting collection
Futurecasting collection
Actions:
Reference number:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
People:
Date:
2008-2023
2008-2023
Title:
Futurecasting collection
Actions:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Futurecasting collection
Actions:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
2008-2023
2008-2023
People:
