1441 Results
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
People:
Date:
1991
1991
Title:
Parables and other allegories: the work of Melvin Charney, 1975-1990
Actions:
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
Parables and other allegories: the work of Melvin Charney, 1975-1990
Actions:
AP041.S3.SS06
Description:
The sub-series documents Melvin Charney’s solo exhibition "Parables and other allegories: the work of Melvin Charney, 1975-1990", originally held at the Canadian Centre for Architecture in 1991. The exhibition presents Melvin Charney works from 1975 to 1990 with his drawings, photographs and installations showing Charney's artistic process. It includes correspondence, exhibition plans, printouts of artworks, notes, press clippings, and invitation list to exhibition related events.
Level of archival description:
Subseries
Subseries
Date:
1991
1991
People:
Form:
events
events
Description:
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
Location:
Travessa do Cabo, 10-12. Lisbon
Travessa do Cabo, 10-12. Lisbon
Date:
22 October 2016
22 October 2016
Title:
An Afternoon with Cedric Price no. 1
Actions:
Description:
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
An Afternoon with Cedric Price no. 1
Actions:
Description:
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
Form:
events
events
Date:
22 October 2016
22 October 2016
Location:
Travessa do Cabo, 10-12. Lisbon
Travessa do Cabo, 10-12. Lisbon
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre du Prey fonds
Pierre du Prey fonds
Actions:
Reference number:
AP133
Synopsis:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
AP133
Synopsis:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
People:
Date:
1967-2019
1967-2019
Title:
Pierre du Prey fonds
Actions:
AP133
Synopsis:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
Pierre du Prey fonds
Actions:
AP133
Synopsis:
The Pierre du Prey fonds documents Pierre du Prey’s work as a researcher and writer on the history of architecture. The fonds contains documents related to his work for "The Villas of Pliny: from antiquity to posterity," published in 1994, and a catalog he produced on Ockham Park in Surrey, England. It also documents du Prey's professional activities as an architectural historian, such as his lectures or his attendance to congresses.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1967-2019
1967-2019
People:
Level of archival description:
Project
Project
Reference number:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
People:
Date:
1993-1994
1993-1994
Title:
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Level of archival description:
File 106
File 106
Date:
1993-1994
1993-1994
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Peter Eisenman fonds
Peter Eisenman fonds
Reference number:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
People:
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Title:
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Douglas Kelbaugh fonds
Douglas Kelbaugh fonds
Reference number:
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
People:
Date:
1970-2008
1970-2008
Title:
Douglas Kelbaugh fonds
Actions:
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
Douglas Kelbaugh fonds
Actions:
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1970-2008
1970-2008
People:
Form:
events
events
Title:
Open House for Students
Open House for Students
Actions:
Description:
On 26 September 2024 we invite students to explore our exhibitions, Study Room, and public spaces, and ask us anything and everything you would like to know about the CCA.
On 26 September 2024 we invite students to explore our exhibitions, Study Room, and public spaces, and ask us anything and everything you would like to know about the CCA.
Date:
26 September 2024, 6pm to 8:30pm
26 September 2024, 6pm to 8:30pm
Title:
Open House for Students
Actions:
Description:
On 26 September 2024 we invite students to explore our exhibitions, Study Room, and public spaces, and ask us anything and everything you would like to know about the CCA.
Open House for Students
Actions:
Description:
On 26 September 2024 we invite students to explore our exhibitions, Study Room, and public spaces, and ask us anything and everything you would like to know about the CCA.
Form:
events
events
Date:
26 September 2024
6pm to 8:30pm
26 September 2024
6pm to 8:30pm
Form:
events
events
Title:
Open House for Students
Open House for Students
Actions:
Description:
On 14 September 2023 we invite students to explore our exhibitions, Study Room, and public spaces, and ask us anything and everything you would like to know about the CCA.
On 14 September 2023 we invite students to explore our exhibitions, Study Room, and public spaces, and ask us anything and everything you would like to know about the CCA.
Date:
14 September 2023, 6pm to 9pm
14 September 2023, 6pm to 9pm
Title:
Open House for Students
Actions:
Description:
On 14 September 2023 we invite students to explore our exhibitions, Study Room, and public spaces, and ask us anything and everything you would like to know about the CCA.
Open House for Students
Actions:
Description:
On 14 September 2023 we invite students to explore our exhibitions, Study Room, and public spaces, and ask us anything and everything you would like to know about the CCA.
Form:
events
events
Date:
14 September 2023
6pm to 9pm
14 September 2023
6pm to 9pm
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
People:
Date:
1936-2021
1936-2021
Title:
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1936-2021
1936-2021
People:
Level of archival description:
Project
Project
Title:
Pliny on my mind
Pliny on my mind
Reference number:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
People:
Date:
1983
1983
Title:
Pliny on my mind
Actions:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
Pliny on my mind
Actions:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
Level of archival description:
Project
Project
Date:
1983
1983
People:
