1447 Results
Form:
exhibitions
exhibitions
Title:
The Other Architect
The Other Architect
Actions:
Description:
For as long as architecture has been reduced to a service to society or an “industry” whose ultimate goal is only to build, there have been others who imagine it instead as a field of intellectual research: energetic, critical, and radical. From a set of varied approaches drawn from many people, places, and times, the other architect emerges: searching for different(...)
For as long as architecture has been reduced to a service to society or an “industry” whose ultimate goal is only to build, there have been others who imagine it instead as a field of intellectual research: energetic, critical, and radical. From a set of varied approaches drawn from many people, places, and times, the other architect emerges: searching for different(...)
Date:
28 October 2015 to 10 April 2016
28 October 2015 to 10 April 2016
Title:
The Other Architect
Actions:
Description:
For as long as architecture has been reduced to a service to society or an “industry” whose ultimate goal is only to build, there have been others who imagine it instead as a field of intellectual research: energetic, critical, and radical. From a set of varied approaches drawn from many people, places, and times, the other architect emerges: searching for different(...)
The Other Architect
Actions:
Description:
For as long as architecture has been reduced to a service to society or an “industry” whose ultimate goal is only to build, there have been others who imagine it instead as a field of intellectual research: energetic, critical, and radical. From a set of varied approaches drawn from many people, places, and times, the other architect emerges: searching for different(...)
Form:
exhibitions
exhibitions
Date:
28 October 2015 to
10 April 2016
28 October 2015 to
10 April 2016
Form:
events
events
Description:
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
Location:
Travessa do Cabo, 10-12. Lisbon
Travessa do Cabo, 10-12. Lisbon
Date:
22 October 2016
22 October 2016
Title:
An Afternoon with Cedric Price no. 1
Actions:
Description:
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
An Afternoon with Cedric Price no. 1
Actions:
Description:
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
Form:
events
events
Date:
22 October 2016
22 October 2016
Location:
Travessa do Cabo, 10-12. Lisbon
Travessa do Cabo, 10-12. Lisbon
Level of archival description:
Project
Project
Reference number:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
People:
Date:
1993-1994
1993-1994
Title:
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988 (1994)
Actions:
AP143.S4.D106
Description:
In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models of this group document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Material in this file was produced between 1993 and 1994. File contains conceptual drawings, design development drawings, installation drawings, measured drawings, presentation drawings, publication drawings, record drawings, textual records, and models. Documents by Eisenman's office include material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196), which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036), which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). File contains photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028) and paint samples (DR1994:0038:035-037). File contains Cities of Artificial Excavation exhibition Catalogue Cover Design layouts and trial proofs. This group of material by Eisenman's office includes freehand drawings and collages for early proposals for the cover (DR1994:0029:001-003), ink drawings on Mylar of the floor plans of the four principal projects presented in the exhibition traced from diazotypes (diazotypes: DR1994:0029:014-019; ink drawings: DR1994:0029:004-010), and Iris colour prints of computer-aided drawings which Eisenman's staff used to test different colour schemes (DR1994:0029:020-030). Offset prints for the cover proposing different colour schemes were used to select the cover design used for publication (DR1994:0029:036-039).
Level of archival description:
File 106
File 106
Date:
1993-1994
1993-1994
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Douglas Kelbaugh fonds
Douglas Kelbaugh fonds
Reference number:
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
People:
Date:
1970-2008
1970-2008
Title:
Douglas Kelbaugh fonds
Actions:
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
Douglas Kelbaugh fonds
Actions:
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1970-2008
1970-2008
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP189.S1
Description:
Series 1, Software for collecting, formatting and storing data from the sensors, 2000-2008, is composed of four groups of files. Three of the four groups appear to represent different versions of a module that collects data from the sensors, writes the sensor data to XML format and transmits the data to a Web Server. The remaining group (ARCH275240) is composed of files whose purpose has not been identified. Files in this series were created between 2000 and 2008 but predominantly between 2006 and 2008. ARCH275099 is a group of files that were originally saved to a compact disc following the CCA exhibition. The data on the compact disc was organized and interpreted by the person or persons who compiled it. The original directories have descriptive names and the data is accompanied by instructions in a readme file. This is a selection of the files from the compact disc; other files from the disc can be found in Series 2. Groups ARCH275106 and ARCH275201 are composed of files that were selected from two of the hard drives that were returned to the CCA after the exhibition in Rovereto. The content of the hard drives included the selected files as well as system files and other data that was not retained in the archive. The two groups have some similarities in content and file structure and they both have some content that is similar to that of ARCH275099. Group ARCH275106 additionally includes ZiLOG development software and a "CCA Trident program" copyrighted by Scenethetic Inc. The modules in groups ARCH275099, ARCH275106 and ARCH275201 were developed in part by CCA information technology staff.
AP189.S1
Description:
Series 1, Software for collecting, formatting and storing data from the sensors, 2000-2008, is composed of four groups of files. Three of the four groups appear to represent different versions of a module that collects data from the sensors, writes the sensor data to XML format and transmits the data to a Web Server. The remaining group (ARCH275240) is composed of files whose purpose has not been identified. Files in this series were created between 2000 and 2008 but predominantly between 2006 and 2008. ARCH275099 is a group of files that were originally saved to a compact disc following the CCA exhibition. The data on the compact disc was organized and interpreted by the person or persons who compiled it. The original directories have descriptive names and the data is accompanied by instructions in a readme file. This is a selection of the files from the compact disc; other files from the disc can be found in Series 2. Groups ARCH275106 and ARCH275201 are composed of files that were selected from two of the hard drives that were returned to the CCA after the exhibition in Rovereto. The content of the hard drives included the selected files as well as system files and other data that was not retained in the archive. The two groups have some similarities in content and file structure and they both have some content that is similar to that of ARCH275099. Group ARCH275106 additionally includes ZiLOG development software and a "CCA Trident program" copyrighted by Scenethetic Inc. The modules in groups ARCH275099, ARCH275106 and ARCH275201 were developed in part by CCA information technology staff.
People:
Date:
2000-2008
2000-2008
Title:
Software for collecting, formatting and storing data from the sensors
Actions:
AP189.S1
Description:
Series 1, Software for collecting, formatting and storing data from the sensors, 2000-2008, is composed of four groups of files. Three of the four groups appear to represent different versions of a module that collects data from the sensors, writes the sensor data to XML format and transmits the data to a Web Server. The remaining group (ARCH275240) is composed of files whose purpose has not been identified. Files in this series were created between 2000 and 2008 but predominantly between 2006 and 2008. ARCH275099 is a group of files that were originally saved to a compact disc following the CCA exhibition. The data on the compact disc was organized and interpreted by the person or persons who compiled it. The original directories have descriptive names and the data is accompanied by instructions in a readme file. This is a selection of the files from the compact disc; other files from the disc can be found in Series 2. Groups ARCH275106 and ARCH275201 are composed of files that were selected from two of the hard drives that were returned to the CCA after the exhibition in Rovereto. The content of the hard drives included the selected files as well as system files and other data that was not retained in the archive. The two groups have some similarities in content and file structure and they both have some content that is similar to that of ARCH275099. Group ARCH275106 additionally includes ZiLOG development software and a "CCA Trident program" copyrighted by Scenethetic Inc. The modules in groups ARCH275099, ARCH275106 and ARCH275201 were developed in part by CCA information technology staff.
Software for collecting, formatting and storing data from the sensors
Actions:
AP189.S1
Description:
Series 1, Software for collecting, formatting and storing data from the sensors, 2000-2008, is composed of four groups of files. Three of the four groups appear to represent different versions of a module that collects data from the sensors, writes the sensor data to XML format and transmits the data to a Web Server. The remaining group (ARCH275240) is composed of files whose purpose has not been identified. Files in this series were created between 2000 and 2008 but predominantly between 2006 and 2008. ARCH275099 is a group of files that were originally saved to a compact disc following the CCA exhibition. The data on the compact disc was organized and interpreted by the person or persons who compiled it. The original directories have descriptive names and the data is accompanied by instructions in a readme file. This is a selection of the files from the compact disc; other files from the disc can be found in Series 2. Groups ARCH275106 and ARCH275201 are composed of files that were selected from two of the hard drives that were returned to the CCA after the exhibition in Rovereto. The content of the hard drives included the selected files as well as system files and other data that was not retained in the archive. The two groups have some similarities in content and file structure and they both have some content that is similar to that of ARCH275099. Group ARCH275106 additionally includes ZiLOG development software and a "CCA Trident program" copyrighted by Scenethetic Inc. The modules in groups ARCH275099, ARCH275106 and ARCH275201 were developed in part by CCA information technology staff.
Level of archival description:
Series 1
Series 1
Date:
2000-2008
2000-2008
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Peter Eisenman fonds
Peter Eisenman fonds
Reference number:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
People:
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
Title:
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1925-2008, predominant 1951-2008
1925-2008, predominant 1951-2008
People:
Level of archival description:
Sub-series
Sub-series
Title:
Student Drawings
Student Drawings
Actions:
Reference number:
AP032.S1.SS1.D3.SD1
Description:
Sketch studies by Goldsmith executed in Mies van der Rohe's class, Armour Institute of Technology, Chicago: The subjects include farm and vernacular buildings, and studies for golf and country club houses. Included are lecture notes, correspondence, and a scholarship form. Note: Individual titles for some of the drawings were assigned during preparation of the CCA exhibition "Myron Goldsmith, Poet of Structure", 1991.
AP032.S1.SS1.D3.SD1
Description:
Sketch studies by Goldsmith executed in Mies van der Rohe's class, Armour Institute of Technology, Chicago: The subjects include farm and vernacular buildings, and studies for golf and country club houses. Included are lecture notes, correspondence, and a scholarship form. Note: Individual titles for some of the drawings were assigned during preparation of the CCA exhibition "Myron Goldsmith, Poet of Structure", 1991.
People:
Date:
1938-1939
1938-1939
Title:
Student Drawings
Actions:
AP032.S1.SS1.D3.SD1
Description:
Sketch studies by Goldsmith executed in Mies van der Rohe's class, Armour Institute of Technology, Chicago: The subjects include farm and vernacular buildings, and studies for golf and country club houses. Included are lecture notes, correspondence, and a scholarship form. Note: Individual titles for some of the drawings were assigned during preparation of the CCA exhibition "Myron Goldsmith, Poet of Structure", 1991.
Student Drawings
Actions:
AP032.S1.SS1.D3.SD1
Description:
Sketch studies by Goldsmith executed in Mies van der Rohe's class, Armour Institute of Technology, Chicago: The subjects include farm and vernacular buildings, and studies for golf and country club houses. Included are lecture notes, correspondence, and a scholarship form. Note: Individual titles for some of the drawings were assigned during preparation of the CCA exhibition "Myron Goldsmith, Poet of Structure", 1991.
Level of archival description:
Sub-file 1
Sub-file 1
Date:
1938-1939
1938-1939
People:
Level of archival description:
Project
Project
Title:
Pliny on my mind
Pliny on my mind
Reference number:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
People:
Date:
1983
1983
Title:
Pliny on my mind
Actions:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
Pliny on my mind
Actions:
AP041.S1.1983.D2
Description:
This project series documents an executed project for an installation conceived for the exhibition "The Villas of Pliny and Classical Architecture in Montréal" (or entitled "Les villas de Pline et les éléments classiques dans l'architecture de Montréal" in French) at the Musée des Beaux-arts de Montréal, in 1983. The exhibition was curated by Pierre du Prey and realized in collaboration with the Canadian Centre for Architecture. The project series includes a conceptual sketch, a presentation drawing and two photographs by Brian Merrett of the completed installation. Material in this series is also identify this installation as "Villas de Pline".
Level of archival description:
Project
Project
Date:
1983
1983
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Rohault de Fleury collection
Rohault de Fleury collection
Reference number:
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
People:
Date:
1717-[1884]
1717-[1884]
Title:
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Form:
archives
Level of archival description:
Collection 1
archives
Level of archival description:
Collection 1
Date:
1717-[1884]
1717-[1884]
People:
Level of archival description:
Series
Series
Title:
Writings and documentation
Writings and documentation
Actions:
Reference number:
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
People:
Date:
1976-2014, predominant 2000-2014
1976-2014, predominant 2000-2014
Title:
Writings and documentation
Actions:
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
Writings and documentation
Actions:
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
Level of archival description:
series
series
Date:
1976-2014, predominant 2000-2014
1976-2014, predominant 2000-2014
People:
