36935 Results
Form:
articles
articles
Title:
We interrupt this broadcast
We interrupt this broadcast
Actions:
Annotations by Charlotte Lydia Riley, Owen Hatherley, and Jonathan Bignell
Title:
We interrupt this broadcast
Annotations by Charlotte Lydia Riley, Owen Hatherley, and Jonathan Bignell
Actions:
We interrupt this broadcast
Annotations by Charlotte Lydia Riley, Owen Hatherley, and Jonathan Bignell
Actions:
Issue:
A history of references
A history of references
Form:
articles
articles
Issue:
A history of references
A history of references
Form:
articles
articles
Title:
“We’ll Have One of Each”
“We’ll Have One of Each”
Actions:
Amanda Reeser Lawrence on James Stirling
Issue:
A history of references
A history of references
Form:
articles
articles
Title:
Organizing Tendencies
Organizing Tendencies
Actions:
Issue:
A history of references
A history of references
Form:
photographs
photographs
Reference number:
DR2007:0086:001
Description:
Photographs of the installation, photographs mounted on a rigid cardboard related to "Une histoire... scénarisation". Each is numbered in order, 1A to 10A and 1B to 10B. Also includes a plan on how to mount on the cardboard.
DR2007:0086:001
Description:
Photographs of the installation, photographs mounted on a rigid cardboard related to "Une histoire... scénarisation". Each is numbered in order, 1A to 10A and 1B to 10B. Also includes a plan on how to mount on the cardboard.
People:
Date:
1977
1977
Title:
Photographs of the installation, Une histoire
Actions:
DR2007:0086:001
Description:
Photographs of the installation, photographs mounted on a rigid cardboard related to "Une histoire... scénarisation". Each is numbered in order, 1A to 10A and 1B to 10B. Also includes a plan on how to mount on the cardboard.
Photographs of the installation, Une histoire
Actions:
DR2007:0086:001
Description:
Photographs of the installation, photographs mounted on a rigid cardboard related to "Une histoire... scénarisation". Each is numbered in order, 1A to 10A and 1B to 10B. Also includes a plan on how to mount on the cardboard.
Form:
photographs
photographs
Date:
1977
1977
People:
Form:
exhibitions
exhibitions
Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
23 July 2015 to 13 September 2015
23 July 2015 to 13 September 2015
Title:
Landscapes of the Hyperreal: Ábalos&Herreros selected by SO – IL
Actions:
Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Landscapes of the Hyperreal: Ábalos&Herreros selected by SO – IL
Actions:
Description:
Ábalos Herreros constructed landscapes—or, more precisely, assembled them—by crudely juxtaposing a cast of semi-familiar characters. Novel to Spanish architecture in the 1980s, this pragmatic method of appropriation was developed and consistently employed as part of their design process. Borrowing, incorporating and transforming allowed ÁbalosHerreros to absorb the(...)
Form:
exhibitions
exhibitions
Date:
23 July 2015 to
13 September 2015
23 July 2015 to
13 September 2015
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Location:
Hall cases
Hall cases
Date:
17 January 1990 to 22 April 1990
17 January 1990 to 22 April 1990
Title:
Process as Interpretation: Photographs from the CCA
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Process as Interpretation: Photographs from the CCA
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Form:
exhibitions
exhibitions
Date:
17 January 1990 to
22 April 1990
17 January 1990 to
22 April 1990
Location:
Hall cases
Hall cases
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:078:018
Description:
Assorted documents in French, including photographs of "Une histoire... scénerisation", correspondence, and drafts related to the 03.23.03 event in Montreal. Includes a copy of the event catalogue. Original folder inscribed in graphite: MONTREAL / 03/23/03 MARCH /77
DR2012:0012:078:018
Description:
Assorted documents in French, including photographs of "Une histoire... scénerisation", correspondence, and drafts related to the 03.23.03 event in Montreal. Includes a copy of the event catalogue. Original folder inscribed in graphite: MONTREAL / 03/23/03 MARCH /77
People:
Date:
1977
1977
Title:
Installation views of Une histoire... scénerisation" and documentation related to the Première rencontres internationales d'art contemporain of Montréal in 1977
Actions:
DR2012:0012:078:018
Description:
Assorted documents in French, including photographs of "Une histoire... scénerisation", correspondence, and drafts related to the 03.23.03 event in Montreal. Includes a copy of the event catalogue. Original folder inscribed in graphite: MONTREAL / 03/23/03 MARCH /77
Installation views of Une histoire... scénerisation" and documentation related to the Première rencontres internationales d'art contemporain of Montréal in 1977
Actions:
DR2012:0012:078:018
Description:
Assorted documents in French, including photographs of "Une histoire... scénerisation", correspondence, and drafts related to the 03.23.03 event in Montreal. Includes a copy of the event catalogue. Original folder inscribed in graphite: MONTREAL / 03/23/03 MARCH /77
Form:
textual records
textual records
Date:
1977
1977
People:
Form:
exhibitions
exhibitions
Title:
Starting From... Windows
Starting From... Windows
Actions:
Description:
A window can be a void, an aperture, or a glass surface. Existing at the boundary between interior and exterior, windows admit light and air and frame views. The idea of the window, combined with advances in glass as a building material, became central to architectural experimentation during the modern period. This selection from the CCA collection presents a range of(...)
A window can be a void, an aperture, or a glass surface. Existing at the boundary between interior and exterior, windows admit light and air and frame views. The idea of the window, combined with advances in glass as a building material, became central to architectural experimentation during the modern period. This selection from the CCA collection presents a range of(...)
Location:
Hall cases
Hall cases
Date:
17 June 2010 to 27 September 2010
17 June 2010 to 27 September 2010
Title:
Starting From... Windows
Actions:
Description:
A window can be a void, an aperture, or a glass surface. Existing at the boundary between interior and exterior, windows admit light and air and frame views. The idea of the window, combined with advances in glass as a building material, became central to architectural experimentation during the modern period. This selection from the CCA collection presents a range of(...)
Starting From... Windows
Actions:
Description:
A window can be a void, an aperture, or a glass surface. Existing at the boundary between interior and exterior, windows admit light and air and frame views. The idea of the window, combined with advances in glass as a building material, became central to architectural experimentation during the modern period. This selection from the CCA collection presents a range of(...)
Form:
exhibitions
exhibitions
Date:
17 June 2010 to
27 September 2010
17 June 2010 to
27 September 2010
Location:
Hall cases
Hall cases
Form:
articles
articles
Title:
Unintended Memories
Unintended Memories
Actions:
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Keyword(s):
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Naoya Hatakeyama, conversation, oral history
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Naoya Hatakeyama, conversation, oral history
Published:
11 September 2023
11 September 2023
Title:
Unintended Memories
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Actions:
Unintended Memories
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Actions:
