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When the Bauhaus moved to Dessau in 1924, it was finally possible to publish the first of the ''Bauhausbücher'' that Walter Gropius (1883–1969) and László Moholy-Nagy (1895–1946) had first conceived of in Weimar. The series was intended to give insight into the teachings of the Bauhaus and the possibilities it offered for incorporating modern design into everyday aspects(...)
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When the Bauhaus moved to Dessau in 1924, it was finally possible to publish the first of the ''Bauhausbücher'' that Walter Gropius (1883–1969) and László Moholy-Nagy (1895–1946) had first conceived of in Weimar. The series was intended to give insight into the teachings of the Bauhaus and the possibilities it offered for incorporating modern design into everyday aspects(...)
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Walter Gropius: international architecture, Bauhausbücher 1
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When the Bauhaus moved to Dessau in 1924, it was finally possible to publish the first of the ''Bauhausbücher'' that Walter Gropius (1883–1969) and László Moholy-Nagy (1895–1946) had first conceived of in Weimar. The series was intended to give insight into the teachings of the Bauhaus and the possibilities it offered for incorporating modern design into everyday aspects of an ever-more-modern world.
Walter Gropius: international architecture, Bauhausbücher 1
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When the Bauhaus moved to Dessau in 1924, it was finally possible to publish the first of the ''Bauhausbücher'' that Walter Gropius (1883–1969) and László Moholy-Nagy (1895–1946) had first conceived of in Weimar. The series was intended to give insight into the teachings of the Bauhaus and the possibilities it offered for incorporating modern design into everyday aspects of an ever-more-modern world.
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books
books
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March 2019
March 2019
Subject:
Modernism
Modernism
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books
books
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$49.95
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing(...)
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing(...)
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Paul Klee: Pedagogical sketchbook. Bauhausbücher 2
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing using geometric shapes and lines. Evincing a desire to reunite artistic design and craft, and written in a tone that oscillates between the seeming objectivity of the diagram, the rhetoric of science and mathematics, and an abstract, quasi-mystical intuition, Klee's text expresses key aspects of the Bauhaus' pedagogy and guiding philosophies.
Paul Klee: Pedagogical sketchbook. Bauhausbücher 2
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Active at the Bauhaus between 1920 and 1931, teaching in the bookbinding, stained glass and mural-painting workshops, Paul Klee (1879–1940) brought his expressive blend of color and line to the school- and, with the second volume in the Bauhausbücher series, beyond its walls. In his legendary ''Pedagogical Sketchbook,'' Klee presents his theoretical approach to drawing using geometric shapes and lines. Evincing a desire to reunite artistic design and craft, and written in a tone that oscillates between the seeming objectivity of the diagram, the rhetoric of science and mathematics, and an abstract, quasi-mystical intuition, Klee's text expresses key aspects of the Bauhaus' pedagogy and guiding philosophies.
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books
books
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March 2019
March 2019
Subject:
Modernism
Modernism
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books
books
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$49.95
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not(...)
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not(...)
Title:
Piet Mondrian: New design. Bauhausbücher 5
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not surprising that Mondrian’s essays on art theory, most of them written for the De Stijl journal, were translated into German and published as number five in the Bauhausbücher series. “New Design” starts with a philosophical foray into art, which Mondrian describes as a figurative expression of human existence—an expression which will find its natural conclusion in his own concept of a “New Design.” Mondrian then considers the relationship between painting and architecture and dares to take a far-reaching look at the future of Neoplasticism, which he imagines revolutionizing design and architecture around the world.
Piet Mondrian: New design. Bauhausbücher 5
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not surprising that Mondrian’s essays on art theory, most of them written for the De Stijl journal, were translated into German and published as number five in the Bauhausbücher series. “New Design” starts with a philosophical foray into art, which Mondrian describes as a figurative expression of human existence—an expression which will find its natural conclusion in his own concept of a “New Design.” Mondrian then considers the relationship between painting and architecture and dares to take a far-reaching look at the future of Neoplasticism, which he imagines revolutionizing design and architecture around the world.
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books
books
Publication:
March 2019
March 2019
Subject:
Modernism
Modernism
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books
books
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$34.95
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For more than 30 years, designer Celestino Piatti endowed the covers of books published by dtv with a singular look. With more than 6300 covers to his credit, amounting collectively to a total of 200 million volumes, Piatti was one of the most productive designers of all time. Covering the years 1960 to 1990, this volume documents one of the most important chapters of(...)
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For more than 30 years, designer Celestino Piatti endowed the covers of books published by dtv with a singular look. With more than 6300 covers to his credit, amounting collectively to a total of 200 million volumes, Piatti was one of the most productive designers of all time. Covering the years 1960 to 1990, this volume documents one of the most important chapters of(...)
Title:
Celestino Piatti: unity of the program
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For more than 30 years, designer Celestino Piatti endowed the covers of books published by dtv with a singular look. With more than 6300 covers to his credit, amounting collectively to a total of 200 million volumes, Piatti was one of the most productive designers of all time. Covering the years 1960 to 1990, this volume documents one of the most important chapters of German-language literature.
Celestino Piatti: unity of the program
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For more than 30 years, designer Celestino Piatti endowed the covers of books published by dtv with a singular look. With more than 6300 covers to his credit, amounting collectively to a total of 200 million volumes, Piatti was one of the most productive designers of all time. Covering the years 1960 to 1990, this volume documents one of the most important chapters of German-language literature.
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books
books
Publication:
November 2009
November 2009
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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$34.95
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Between 1961 and 1968, the magazine “Twen” produced a series of LP recordings in collaboration with the Philips record label. During this period, all editions of “Twen” were accompanied by LPs drawn from the realms of jazz, classical music, radio plays, world music, or pop. For the designs of his record covers, art director Willy Fleckhaus used Concrete Art by Karl(...)
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Between 1961 and 1968, the magazine “Twen” produced a series of LP recordings in collaboration with the Philips record label. During this period, all editions of “Twen” were accompanied by LPs drawn from the realms of jazz, classical music, radio plays, world music, or pop. For the designs of his record covers, art director Willy Fleckhaus used Concrete Art by Karl(...)
Title:
Philips-Twen: realism is the score
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Between 1961 and 1968, the magazine “Twen” produced a series of LP recordings in collaboration with the Philips record label. During this period, all editions of “Twen” were accompanied by LPs drawn from the realms of jazz, classical music, radio plays, world music, or pop. For the designs of his record covers, art director Willy Fleckhaus used Concrete Art by Karl Gerstner, Max Bill, and other dedicated graphic designers such as Heinz Edelmann and Günther Kieser. This now forgotten series, comprising around 70 disks, is a masterful instance of the conjunction of music and graphic design. In collaboration with music archives and private collections, this rare series is reunited in its entirety and documented in this publication.
Philips-Twen: realism is the score
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Between 1961 and 1968, the magazine “Twen” produced a series of LP recordings in collaboration with the Philips record label. During this period, all editions of “Twen” were accompanied by LPs drawn from the realms of jazz, classical music, radio plays, world music, or pop. For the designs of his record covers, art director Willy Fleckhaus used Concrete Art by Karl Gerstner, Max Bill, and other dedicated graphic designers such as Heinz Edelmann and Günther Kieser. This now forgotten series, comprising around 70 disks, is a masterful instance of the conjunction of music and graphic design. In collaboration with music archives and private collections, this rare series is reunited in its entirety and documented in this publication.
Form:
books
books
Publication:
October 2009
October 2009
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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$29.95
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Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a(...)
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Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a(...)
Title:
Poster collection 08 : black and white
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Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a compilation of international posters created over the last 40 years, "Poster Collection 08" brings to light a surprising variety of approaches where the colour of the paper and the black of the ink are the only materials at hand. Those materials alone provide the creative will with the tools it needs to create a succinct statement. Examples come via designers like A.G. Fronzoni, Werner Jeker, James Victore and Büro Destruct, and range from the political manifesto to the poetic abstraction, from modernist cool to postmodern eclectic.
Poster collection 08 : black and white
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Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a compilation of international posters created over the last 40 years, "Poster Collection 08" brings to light a surprising variety of approaches where the colour of the paper and the black of the ink are the only materials at hand. Those materials alone provide the creative will with the tools it needs to create a succinct statement. Examples come via designers like A.G. Fronzoni, Werner Jeker, James Victore and Büro Destruct, and range from the political manifesto to the poetic abstraction, from modernist cool to postmodern eclectic.
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books
books
Publication:
January 2004, Zürich
January 2004, Zürich
Subject:
Graphic Design and Typography
Graphic Design and Typography
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319 pages : illustrations (chiefly color), plans, portraits ; 21 x 25 cm
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319 pages : illustrations (chiefly color), plans, portraits ; 21 x 25 cm
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Zurich : Lars Müller Publishers ; [Cambridge, Massachusetts] : Harvard University Graduate School of Design, [2021], ©2021
Zurich : Lars Müller Publishers ; [Cambridge, Massachusetts] : Harvard University Graduate School of Design, [2021], ©2021
Title:
Kazuo Shinohara : traversing the house and the city / edited by Seng Kuan.
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319 pages : illustrations (chiefly color), plans, portraits ; 21 x 25 cm
Kazuo Shinohara : traversing the house and the city / edited by Seng Kuan.
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319 pages : illustrations (chiefly color), plans, portraits ; 21 x 25 cm
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Zurich : Lars Müller Publishers ; [Cambridge, Massachusetts] : Harvard University Graduate School of Design, [2021], ©2021
Zurich : Lars Müller Publishers ; [Cambridge, Massachusetts] : Harvard University Graduate School of Design, [2021], ©2021
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4 preliminary leaves, 78, [10] pages tables, 46 plates (including frontispiece, portraits, facsimiles) 33 cm
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4 preliminary leaves, 78, [10] pages tables, 46 plates (including frontispiece, portraits, facsimiles) 33 cm
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[The Hague, Holland] [Book & art printing works of Mouton & Co.], [1924]
[The Hague, Holland] [Book & art printing works of Mouton & Co.], [1924]
Title:
A brief history of the Netherlands trading society, 1824-1924. Published in commemoration of the centenary of its foundation, MCMXXIV.
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4 preliminary leaves, 78, [10] pages tables, 46 plates (including frontispiece, portraits, facsimiles) 33 cm
A brief history of the Netherlands trading society, 1824-1924. Published in commemoration of the centenary of its foundation, MCMXXIV.
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4 preliminary leaves, 78, [10] pages tables, 46 plates (including frontispiece, portraits, facsimiles) 33 cm
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books
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[The Hague, Holland] [Book & art printing works of Mouton & Co.], [1924]
[The Hague, Holland] [Book & art printing works of Mouton & Co.], [1924]
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479 pages : illustrations (chiefly color) ; 25 cm
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479 pages : illustrations (chiefly color) ; 25 cm
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Baden, Switzerland : Lars Müller Publishers ; [Princeton, N.J.] : Princeton University School of Architecture, [2011], ©2011
Baden, Switzerland : Lars Müller Publishers ; [Princeton, N.J.] : Princeton University School of Architecture, [2011], ©2011
Title:
Landform building : architecture's new terrain / edited by Stan Allen and Marc McQuade.
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479 pages : illustrations (chiefly color) ; 25 cm
Landform building : architecture's new terrain / edited by Stan Allen and Marc McQuade.
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479 pages : illustrations (chiefly color) ; 25 cm
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Baden, Switzerland : Lars Müller Publishers ; [Princeton, N.J.] : Princeton University School of Architecture, [2011], ©2011
Baden, Switzerland : Lars Müller Publishers ; [Princeton, N.J.] : Princeton University School of Architecture, [2011], ©2011
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608 pages : illustrations (some color) ; 24 cm
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608 pages : illustrations (some color) ; 24 cm
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Baden : Lars Müller ; Maastricht : Jan van Eyck Academie, ©2010.
Baden : Lars Müller ; Maastricht : Jan van Eyck Academie, ©2010.
Title:
Uncorporate identity / ed. by Metahaven & Marina Vishmidt ; contributions by Boris Groys [and others].
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608 pages : illustrations (some color) ; 24 cm
Uncorporate identity / ed. by Metahaven & Marina Vishmidt ; contributions by Boris Groys [and others].
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608 pages : illustrations (some color) ; 24 cm
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books
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Baden : Lars Müller ; Maastricht : Jan van Eyck Academie, ©2010.
Baden : Lars Müller ; Maastricht : Jan van Eyck Academie, ©2010.
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