33326 Results
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
People:
Date:
October 1996
October 1996
Title:
Sketchbook 424: Moveis Expo - Serralves - Casas Evora - Casa Viseu - Salonica
Actions:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
Sketchbook 424: Moveis Expo - Serralves - Casas Evora - Casa Viseu - Salonica
Actions:
AP178.S2.1996.006
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves in Porto, and for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, for the residential complex and restoration of two houses in Évora, and for the Docking pier for European Architects in Salonica, Greece. It also contains sketches of furniture and of people on horses.
Form:
drawings
drawings
Date:
October 1996
October 1996
People:
Form:
drawings, born digital
drawings, born digital
Actions:
Reference number:
AP195.S3.001
Description:
Includes drawings (largely floorplans) and memos sent and received by Zaha Hadid Architects. This directory significantly duplicates the material in AP195.S3.015; the files appear to have been used for different functions and both sets were kept. Original directory name: "988_LP5-DOCS_2002". Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Microsoft Word Document, Microsoft Excel 97 Workbook (xls).
AP195.S3.001
Description:
Includes drawings (largely floorplans) and memos sent and received by Zaha Hadid Architects. This directory significantly duplicates the material in AP195.S3.015; the files appear to have been used for different functions and both sets were kept. Original directory name: "988_LP5-DOCS_2002". Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Microsoft Word Document, Microsoft Excel 97 Workbook (xls).
People:
Date:
14 May 1997 - 28 January 2005
14 May 1997 - 28 January 2005
Title:
2002 working files for Phaeno Science Centre, largely drawings and related texts
Actions:
AP195.S3.001
Description:
Includes drawings (largely floorplans) and memos sent and received by Zaha Hadid Architects. This directory significantly duplicates the material in AP195.S3.015; the files appear to have been used for different functions and both sets were kept. Original directory name: "988_LP5-DOCS_2002". Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Microsoft Word Document, Microsoft Excel 97 Workbook (xls).
2002 working files for Phaeno Science Centre, largely drawings and related texts
Actions:
AP195.S3.001
Description:
Includes drawings (largely floorplans) and memos sent and received by Zaha Hadid Architects. This directory significantly duplicates the material in AP195.S3.015; the files appear to have been used for different functions and both sets were kept. Original directory name: "988_LP5-DOCS_2002". Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Microsoft Word Document, Microsoft Excel 97 Workbook (xls).
Form:
drawings, born digital
drawings, born digital
Date:
14 May 1997 - 28 January 2005
14 May 1997 - 28 January 2005
People:
Form:
born digital
born digital
Reference number:
AP195.S3.022
Description:
This file contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014. Most common file formats: MBOX.
AP195.S3.022
Description:
This file contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014. Most common file formats: MBOX.
People:
Date:
27 April 2001 - 31 July 2012
27 April 2001 - 31 July 2012
Title:
Sara Klomps Phaeno Science Centre email archive
Actions:
AP195.S3.022
Description:
This file contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014. Most common file formats: MBOX.
Sara Klomps Phaeno Science Centre email archive
Actions:
AP195.S3.022
Description:
This file contains the email archives of Sara Klomps, a project architect for the Phaeno Science Centre from the early 2000s through at least 2015. These materials reflect her work on the project, particularly communication with the client and consultants, as well as the arc of her career at ZHA, where she became associate director in 2014. Most common file formats: MBOX.
Form:
born digital
born digital
Date:
27 April 2001 - 31 July 2012
27 April 2001 - 31 July 2012
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre Dionne fonds
Pierre Dionne fonds
Actions:
Reference number:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
People:
Date:
1948-1976
1948-1976
Title:
Pierre Dionne fonds
Actions:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Pierre Dionne fonds
Actions:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1948-1976
1948-1976
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2017.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the design of the garden courtyard of the National Gallery of Canada in Ottawa, Ontario. Oberlander worked on this project from 2016-2017 with Enns Gauthier Landscape Architects. The design consists in creating a reference to canadian landscape as the courtyard is located in the middle of the Canadian art gallery. The landscape comprises a raised topography composed of three moss and fern mounds with stacked escarpment stone wall referencing to the geology of the Canadian Shield and separating the mounds from a stone laid surface imitating a river bed. The courtyard also includes a patio space. The garden court was later known as the Fred & Elizabeth Fountain Garden Court and was unveiled in March 2018. The project series contains sketches of grading and planting, perspective views and layout plans, correspondence with clients and final concept plans.
AP075.S1.2017.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the design of the garden courtyard of the National Gallery of Canada in Ottawa, Ontario. Oberlander worked on this project from 2016-2017 with Enns Gauthier Landscape Architects. The design consists in creating a reference to canadian landscape as the courtyard is located in the middle of the Canadian art gallery. The landscape comprises a raised topography composed of three moss and fern mounds with stacked escarpment stone wall referencing to the geology of the Canadian Shield and separating the mounds from a stone laid surface imitating a river bed. The courtyard also includes a patio space. The garden court was later known as the Fred & Elizabeth Fountain Garden Court and was unveiled in March 2018. The project series contains sketches of grading and planting, perspective views and layout plans, correspondence with clients and final concept plans.
People:
Date:
2016-2018
2016-2018
Title:
National Gallery of Canada Garden Court, Ottawa, Ontario (2017)
Actions:
AP075.S1.2017.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the design of the garden courtyard of the National Gallery of Canada in Ottawa, Ontario. Oberlander worked on this project from 2016-2017 with Enns Gauthier Landscape Architects. The design consists in creating a reference to canadian landscape as the courtyard is located in the middle of the Canadian art gallery. The landscape comprises a raised topography composed of three moss and fern mounds with stacked escarpment stone wall referencing to the geology of the Canadian Shield and separating the mounds from a stone laid surface imitating a river bed. The courtyard also includes a patio space. The garden court was later known as the Fred & Elizabeth Fountain Garden Court and was unveiled in March 2018. The project series contains sketches of grading and planting, perspective views and layout plans, correspondence with clients and final concept plans.
National Gallery of Canada Garden Court, Ottawa, Ontario (2017)
Actions:
AP075.S1.2017.PR02
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the design of the garden courtyard of the National Gallery of Canada in Ottawa, Ontario. Oberlander worked on this project from 2016-2017 with Enns Gauthier Landscape Architects. The design consists in creating a reference to canadian landscape as the courtyard is located in the middle of the Canadian art gallery. The landscape comprises a raised topography composed of three moss and fern mounds with stacked escarpment stone wall referencing to the geology of the Canadian Shield and separating the mounds from a stone laid surface imitating a river bed. The courtyard also includes a patio space. The garden court was later known as the Fred & Elizabeth Fountain Garden Court and was unveiled in March 2018. The project series contains sketches of grading and planting, perspective views and layout plans, correspondence with clients and final concept plans.
Level of archival description:
Project
Project
Date:
2016-2018
2016-2018
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1976.PR26
Description:
This project series documents the furnishing of the education offices at the Art Gallery of Ontario (AGO) in Toronto in 1976. The office identified the project number as 7621. This project followed the construction of the Education and Extension (E&E) offices during Phase II of the expansion of the AGO. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through a letter to the client and a drawing of the office layout dating from 1976.
AP018.S1.1976.PR26
Description:
This project series documents the furnishing of the education offices at the Art Gallery of Ontario (AGO) in Toronto in 1976. The office identified the project number as 7621. This project followed the construction of the Education and Extension (E&E) offices during Phase II of the expansion of the AGO. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through a letter to the client and a drawing of the office layout dating from 1976.
People:
Date:
1976
1976
Title:
Art Gallery of Ontario, Education Offices Furnishings, Toronto (1976)
Actions:
AP018.S1.1976.PR26
Description:
This project series documents the furnishing of the education offices at the Art Gallery of Ontario (AGO) in Toronto in 1976. The office identified the project number as 7621. This project followed the construction of the Education and Extension (E&E) offices during Phase II of the expansion of the AGO. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through a letter to the client and a drawing of the office layout dating from 1976.
Art Gallery of Ontario, Education Offices Furnishings, Toronto (1976)
Actions:
AP018.S1.1976.PR26
Description:
This project series documents the furnishing of the education offices at the Art Gallery of Ontario (AGO) in Toronto in 1976. The office identified the project number as 7621. This project followed the construction of the Education and Extension (E&E) offices during Phase II of the expansion of the AGO. Beginning in 1969, Parkin’s firm was hired as the head architects for the AGO’s massive expansion program that would span more than a decade. This is one project relating to the expansion of the art gallery. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through a letter to the client and a drawing of the office layout dating from 1976.
Level of archival description:
Project
Project
Date:
1976
1976
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
People:
Date:
1967-1988
1967-1988
Title:
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Level of archival description:
sub-series
sub-series
Date:
1967-1988
1967-1988
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
People:
Date:
1989-2002
1989-2002
Title:
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Level of archival description:
Project
Project
Date:
1989-2002
1989-2002
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
People:
Date:
1984-2003
1984-2003
Title:
Kuwabara Payne Mckenna Blumberg fonds
Actions:
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Kuwabara Payne Mckenna Blumberg fonds
Actions:
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1984-2003
1984-2003
People:
Form:
drawings
drawings
Title:
Lehigh Airports Competition Entry: Detail for airport plan showing airplane circulation pattern
Lehigh Airports Competition Entry: Detail for airport plan showing airplane circulation pattern
Actions:
Reference number:
DR1987:0348
Description:
- This detail shows the lower right corner of the airport, including the amphibian landing and station complex. The drawing is part of a series of eight drawings in which the architect works out the circulation route of taxiing airplanes, both incoming and outgoing by sea and by air, and particularly how they will pick up and deposit passengers at the station (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390).
DR1987:0348
Description:
- This detail shows the lower right corner of the airport, including the amphibian landing and station complex. The drawing is part of a series of eight drawings in which the architect works out the circulation route of taxiing airplanes, both incoming and outgoing by sea and by air, and particularly how they will pick up and deposit passengers at the station (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390).
People:
Subject:
architecture
architecture
Date:
1929
1929
Title:
Lehigh Airports Competition Entry: Detail for airport plan showing airplane circulation pattern
Actions:
DR1987:0348
Description:
- This detail shows the lower right corner of the airport, including the amphibian landing and station complex. The drawing is part of a series of eight drawings in which the architect works out the circulation route of taxiing airplanes, both incoming and outgoing by sea and by air, and particularly how they will pick up and deposit passengers at the station (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390).
Lehigh Airports Competition Entry: Detail for airport plan showing airplane circulation pattern
Actions:
DR1987:0348
Description:
- This detail shows the lower right corner of the airport, including the amphibian landing and station complex. The drawing is part of a series of eight drawings in which the architect works out the circulation route of taxiing airplanes, both incoming and outgoing by sea and by air, and particularly how they will pick up and deposit passengers at the station (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390).
Form:
drawings
drawings
Date:
1929
1929
People:
Subject:
architecture
architecture
