26892 Results
Level of archival description:
Project
Project
Title:
Hwang House
Hwang House
Actions:
Reference number:
AP022.S1.1981.PR13
Description:
File documents a three-level, post-and-beam wood structured house (built), Vancouver, British Columbia. File contains design development drawings, textual records.
AP022.S1.1981.PR13
Description:
File documents a three-level, post-and-beam wood structured house (built), Vancouver, British Columbia. File contains design development drawings, textual records.
People:
Date:
1981-1985
1981-1985
Title:
Hwang House
Actions:
AP022.S1.1981.PR13
Description:
File documents a three-level, post-and-beam wood structured house (built), Vancouver, British Columbia. File contains design development drawings, textual records.
Hwang House
Actions:
AP022.S1.1981.PR13
Description:
File documents a three-level, post-and-beam wood structured house (built), Vancouver, British Columbia. File contains design development drawings, textual records.
Level of archival description:
Project
Project
Date:
1981-1985
1981-1985
People:
Level of archival description:
Sub-series
Sub-series
Title:
Miscellanea
Miscellanea
Reference number:
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
People:
Date:
[1800-1868]
[1800-1868]
Title:
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Level of archival description:
File 4
File 4
Date:
[1800-1868]
[1800-1868]
People:
Form:
photographs
photographs
Reference number:
ARCH269012
Description:
Group consists of photographs of models for Chandigarh, India. There is a photograph of the Capitol Complex designed by Le Corbusier, a photograph of an unidentified nursery school and a photograph of a model for an unidentified circular structure. There is also a model of the Gandhi Bhawan designed by Pierre Jeanneret.
ARCH269012
Description:
Group consists of photographs of models for Chandigarh, India. There is a photograph of the Capitol Complex designed by Le Corbusier, a photograph of an unidentified nursery school and a photograph of a model for an unidentified circular structure. There is also a model of the Gandhi Bhawan designed by Pierre Jeanneret.
People:
Date:
s.d.
s.d.
Title:
Photographs of models for Chandigarh, India
Actions:
ARCH269012
Description:
Group consists of photographs of models for Chandigarh, India. There is a photograph of the Capitol Complex designed by Le Corbusier, a photograph of an unidentified nursery school and a photograph of a model for an unidentified circular structure. There is also a model of the Gandhi Bhawan designed by Pierre Jeanneret.
Photographs of models for Chandigarh, India
Actions:
ARCH269012
Description:
Group consists of photographs of models for Chandigarh, India. There is a photograph of the Capitol Complex designed by Le Corbusier, a photograph of an unidentified nursery school and a photograph of a model for an unidentified circular structure. There is also a model of the Gandhi Bhawan designed by Pierre Jeanneret.
Form:
photographs
photographs
Date:
s.d.
s.d.
People:
Form:
events
events
Actions:
Description:
Mrinalini Rajagopalan traces the history of the Red Fort in Delhi from its destruction by the British in 1857 to their later efforts to preserve and protect the same structure. Click here for a listing of the rest of this summer’s seminars.
Mrinalini Rajagopalan traces the history of the Red Fort in Delhi from its destruction by the British in 1857 to their later efforts to preserve and protect the same structure. Click here for a listing of the rest of this summer’s seminars.
Location:
Shaughnessy House
Shaughnessy House
Date:
8 July 2010
8 July 2010
Title:
Visiting Scholar Seminar: Mrinalini Rajagopalan
Actions:
Description:
Mrinalini Rajagopalan traces the history of the Red Fort in Delhi from its destruction by the British in 1857 to their later efforts to preserve and protect the same structure. Click here for a listing of the rest of this summer’s seminars.
Visiting Scholar Seminar: Mrinalini Rajagopalan
Actions:
Description:
Mrinalini Rajagopalan traces the history of the Red Fort in Delhi from its destruction by the British in 1857 to their later efforts to preserve and protect the same structure. Click here for a listing of the rest of this summer’s seminars.
Form:
events
events
Date:
8 July 2010
8 July 2010
Location:
Shaughnessy House
Shaughnessy House
Level of archival description:
Project
Project
Title:
Recupero dell'area Italtel
Recupero dell'area Italtel
Actions:
Reference number:
AP142.S1.D244
Description:
File documents an unexecuted project for the conversion of industrial buildings into commercial buildings and offices in San Siro, Milan, Italy. Material in this file was produced in 1995. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, an aerial view, correspondence, an architect's statement, a proposal, specifications, calculations, technical reports, building permits, an administrative record, financial records, photocopies of views of existing structures, business cards, and notes.
AP142.S1.D244
Description:
File documents an unexecuted project for the conversion of industrial buildings into commercial buildings and offices in San Siro, Milan, Italy. Material in this file was produced in 1995. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, an aerial view, correspondence, an architect's statement, a proposal, specifications, calculations, technical reports, building permits, an administrative record, financial records, photocopies of views of existing structures, business cards, and notes.
People:
Date:
1995
1995
Title:
Recupero dell'area Italtel
Actions:
AP142.S1.D244
Description:
File documents an unexecuted project for the conversion of industrial buildings into commercial buildings and offices in San Siro, Milan, Italy. Material in this file was produced in 1995. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, an aerial view, correspondence, an architect's statement, a proposal, specifications, calculations, technical reports, building permits, an administrative record, financial records, photocopies of views of existing structures, business cards, and notes.
Recupero dell'area Italtel
Actions:
AP142.S1.D244
Description:
File documents an unexecuted project for the conversion of industrial buildings into commercial buildings and offices in San Siro, Milan, Italy. Material in this file was produced in 1995. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, an aerial view, correspondence, an architect's statement, a proposal, specifications, calculations, technical reports, building permits, an administrative record, financial records, photocopies of views of existing structures, business cards, and notes.
Level of archival description:
File 244
File 244
Date:
1995
1995
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1988.PR05
Description:
This project series documents the Casa Guardiola in Puerto de Santa Maria, Spain. While the records were held in the office’s archives this project was assigned the number 56/80. The office assigned the date 1988 to this project. The project consisted of a house located on the Bay of Cadiz in Santa Maria del Mar in Spain. The holiday house was comissioned by a bull breeder. The client asked for four different architects to propose a design. These architects were Álvaro Siza, Peter Eisenman, John Hejduk, and Frank Gehry. Siza's design included a structure of reinforced concrete and a series of courtyards. None of the architects' proposals were built. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation, competition documentation and correspondence. Photographic materials document the model.
AP178.S1.1988.PR05
Description:
This project series documents the Casa Guardiola in Puerto de Santa Maria, Spain. While the records were held in the office’s archives this project was assigned the number 56/80. The office assigned the date 1988 to this project. The project consisted of a house located on the Bay of Cadiz in Santa Maria del Mar in Spain. The holiday house was comissioned by a bull breeder. The client asked for four different architects to propose a design. These architects were Álvaro Siza, Peter Eisenman, John Hejduk, and Frank Gehry. Siza's design included a structure of reinforced concrete and a series of courtyards. None of the architects' proposals were built. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation, competition documentation and correspondence. Photographic materials document the model.
People:
Date:
1987-1989
1987-1989
Title:
Casa Guardiola [Guardiola house], Puerto de Santa Maria, Spain (1988)
Actions:
AP178.S1.1988.PR05
Description:
This project series documents the Casa Guardiola in Puerto de Santa Maria, Spain. While the records were held in the office’s archives this project was assigned the number 56/80. The office assigned the date 1988 to this project. The project consisted of a house located on the Bay of Cadiz in Santa Maria del Mar in Spain. The holiday house was comissioned by a bull breeder. The client asked for four different architects to propose a design. These architects were Álvaro Siza, Peter Eisenman, John Hejduk, and Frank Gehry. Siza's design included a structure of reinforced concrete and a series of courtyards. None of the architects' proposals were built. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation, competition documentation and correspondence. Photographic materials document the model.
Casa Guardiola [Guardiola house], Puerto de Santa Maria, Spain (1988)
Actions:
AP178.S1.1988.PR05
Description:
This project series documents the Casa Guardiola in Puerto de Santa Maria, Spain. While the records were held in the office’s archives this project was assigned the number 56/80. The office assigned the date 1988 to this project. The project consisted of a house located on the Bay of Cadiz in Santa Maria del Mar in Spain. The holiday house was comissioned by a bull breeder. The client asked for four different architects to propose a design. These architects were Álvaro Siza, Peter Eisenman, John Hejduk, and Frank Gehry. Siza's design included a structure of reinforced concrete and a series of courtyards. None of the architects' proposals were built. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation, competition documentation and correspondence. Photographic materials document the model.
Level of archival description:
Project
Project
Date:
1987-1989
1987-1989
People:
Level of archival description:
Series
Series
Title:
Presentation files
Presentation files
Actions:
Reference number:
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
People:
Date:
1999 - 2009
1999 - 2009
Title:
Presentation files
Actions:
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
Presentation files
Actions:
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
Level of archival description:
Series
Series
Date:
1999 - 2009
1999 - 2009
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Günter Günschel fonds
Günter Günschel fonds
Reference number:
AP187
Synopsis:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
AP187
Synopsis:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
People:
Date:
1943-2006
1943-2006
Title:
Günter Günschel fonds
Actions:
AP187
Synopsis:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
Günter Günschel fonds
Actions:
AP187
Synopsis:
The Günter Günschel fonds documents the architectural work of Günter Günschel. The fonds spans the years 1943 to 2006 and consists of drawings, photographic materials, and textual documentation related to over 50 projects, such as Kristallwucherungen (1953-1988), Geodätische Hallen (1955-1978), Wohnheim in Raumzellenbauweise für das Studentenwerk Göttingen (1969), Stadtquartiere (1977-1988), Emtwurf zur Bebauung der Weserinsel Teerhof in Bremen (1977-1978), and Stühle, Computergrafiken (1998).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1943-2006
1943-2006
People:
Level of archival description:
Series
Series
Title:
Housings
Housings
Actions:
Reference number:
AP185.S1
Description:
This project, 1998-2000, documents the conception and design of Housings, mass-customized prefabricated residences, by the architecture firm KOL/MAC. KOL/MAC began by digitally blending a typical 3 bedroom, 2.5 bathroom colonial house with a range of other objects or use cases. The result was six related houses that explored the relationship between customization and mass prefabrication. Housings relates to KOL/MAC’s exploration of what they call chimerical projects, where form and function are combined to create uniquely hybridized structures. The project records are largely in CAD formats, including Alias Wire, Maya, and IGES files; there are a number of raster image formats, including TIF, Alias pix, Mac Pict images, and JPEG. The materials include renderings, wireframe drawings, and still images of the various Housings structures. There is also a body of material from and related to the concrete manufacturer, YTONG, as well as a small amount of video material, which is only partially accessible due to format obsolescence. Source: “Kolatan / MacDonald Studio.” Archilab. Published in 2000. Accessed 21 November 2017. http://www.archilab.org/public/2000/catalog/kolata/kolataen.htm.
AP185.S1
Description:
This project, 1998-2000, documents the conception and design of Housings, mass-customized prefabricated residences, by the architecture firm KOL/MAC. KOL/MAC began by digitally blending a typical 3 bedroom, 2.5 bathroom colonial house with a range of other objects or use cases. The result was six related houses that explored the relationship between customization and mass prefabrication. Housings relates to KOL/MAC’s exploration of what they call chimerical projects, where form and function are combined to create uniquely hybridized structures. The project records are largely in CAD formats, including Alias Wire, Maya, and IGES files; there are a number of raster image formats, including TIF, Alias pix, Mac Pict images, and JPEG. The materials include renderings, wireframe drawings, and still images of the various Housings structures. There is also a body of material from and related to the concrete manufacturer, YTONG, as well as a small amount of video material, which is only partially accessible due to format obsolescence. Source: “Kolatan / MacDonald Studio.” Archilab. Published in 2000. Accessed 21 November 2017. http://www.archilab.org/public/2000/catalog/kolata/kolataen.htm.
People:
Date:
1998-2000
1998-2000
Title:
Housings
Actions:
AP185.S1
Description:
This project, 1998-2000, documents the conception and design of Housings, mass-customized prefabricated residences, by the architecture firm KOL/MAC. KOL/MAC began by digitally blending a typical 3 bedroom, 2.5 bathroom colonial house with a range of other objects or use cases. The result was six related houses that explored the relationship between customization and mass prefabrication. Housings relates to KOL/MAC’s exploration of what they call chimerical projects, where form and function are combined to create uniquely hybridized structures. The project records are largely in CAD formats, including Alias Wire, Maya, and IGES files; there are a number of raster image formats, including TIF, Alias pix, Mac Pict images, and JPEG. The materials include renderings, wireframe drawings, and still images of the various Housings structures. There is also a body of material from and related to the concrete manufacturer, YTONG, as well as a small amount of video material, which is only partially accessible due to format obsolescence. Source: “Kolatan / MacDonald Studio.” Archilab. Published in 2000. Accessed 21 November 2017. http://www.archilab.org/public/2000/catalog/kolata/kolataen.htm.
Housings
Actions:
AP185.S1
Description:
This project, 1998-2000, documents the conception and design of Housings, mass-customized prefabricated residences, by the architecture firm KOL/MAC. KOL/MAC began by digitally blending a typical 3 bedroom, 2.5 bathroom colonial house with a range of other objects or use cases. The result was six related houses that explored the relationship between customization and mass prefabrication. Housings relates to KOL/MAC’s exploration of what they call chimerical projects, where form and function are combined to create uniquely hybridized structures. The project records are largely in CAD formats, including Alias Wire, Maya, and IGES files; there are a number of raster image formats, including TIF, Alias pix, Mac Pict images, and JPEG. The materials include renderings, wireframe drawings, and still images of the various Housings structures. There is also a body of material from and related to the concrete manufacturer, YTONG, as well as a small amount of video material, which is only partially accessible due to format obsolescence. Source: “Kolatan / MacDonald Studio.” Archilab. Published in 2000. Accessed 21 November 2017. http://www.archilab.org/public/2000/catalog/kolata/kolataen.htm.
Level of archival description:
Series
Series
Date:
1998-2000
1998-2000
People:
Form:
research
research
Title:
Visiting Scholars 2005
Visiting Scholars 2005
Actions:
Description:
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgium Topic: Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, United States Topic: Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgium Topic: Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, United States Topic: Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Date:
3 January 2005 to 30 September 2005
3 January 2005 to 30 September 2005
Title:
Visiting Scholars 2005
Actions:
Description:
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgium Topic: Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, United States Topic: Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Visiting Scholars 2005
Actions:
Description:
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgium Topic: Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, United States Topic: Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Form:
research
research
Date:
3 January 2005 to
30 September 2005
3 January 2005 to
30 September 2005
