6577 Results
Form:
born digital
Quantity:
25 digital file(s)
born digital
Quantity:
25 digital file(s)
Title:
Presentation animations
Presentation animations
Actions:
Reference number:
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
People:
Date:
2006-2014
2006-2014
Title:
Presentation animations
Actions:
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
Presentation animations
Actions:
AP174.S1.2006.D2.002
Description:
Contains two sets of animations relating to the MMOG and Monster iterations of the Strand Tower. One set of animations dating from 2006 appears to have been created for use at the Museum of Contemporary Art, Los Angeles, and contains instructions from Devyn Wesier on how to combine the individual .mov files into a continuous loop. The second set of animations contains higher resolution renders of the digital models created by the firm in 2014. Original directory name: "ANIMATIONS". Most common file formats: Quicktime, MPEG-4 Media File, DS_store file (MAC), Plain Text File
Form:
born digital
Quantity:
25 digital file(s)
born digital
Quantity:
25 digital file(s)
Date:
2006-2014
2006-2014
People:
Actions:
Reference number:
ARCH276922
Description:
Group contains framed certificates and a plate award . Includes The Greater Vancouver Chapter of the Architectural Institute of British Columbia Awards of Merit for the Graham Residence (1966) and Simon Fraser University (1966); Arthur Erickson's membership certificate to the Ontario Association of Architects (1969); Governor General's Media for Robson Square (1982); Certificate from the Royal Architectural Insitute of Canada acknowledging Arthur Erickson's contribution to the Festiable of Architecture (Montreal, June 19-21, 1997); Vancouver Arts Awards honouring achievement and promise of Arthur Erickson (2004); The President's 40th Anniversary Award for Simon Fraser University Campus (June 9, 2006).
ARCH276922
Description:
Group contains framed certificates and a plate award . Includes The Greater Vancouver Chapter of the Architectural Institute of British Columbia Awards of Merit for the Graham Residence (1966) and Simon Fraser University (1966); Arthur Erickson's membership certificate to the Ontario Association of Architects (1969); Governor General's Media for Robson Square (1982); Certificate from the Royal Architectural Insitute of Canada acknowledging Arthur Erickson's contribution to the Festiable of Architecture (Montreal, June 19-21, 1997); Vancouver Arts Awards honouring achievement and promise of Arthur Erickson (2004); The President's 40th Anniversary Award for Simon Fraser University Campus (June 9, 2006).
People:
Date:
1966-2006
1966-2006
Title:
Various certificates and awards
Actions:
ARCH276922
Description:
Group contains framed certificates and a plate award . Includes The Greater Vancouver Chapter of the Architectural Institute of British Columbia Awards of Merit for the Graham Residence (1966) and Simon Fraser University (1966); Arthur Erickson's membership certificate to the Ontario Association of Architects (1969); Governor General's Media for Robson Square (1982); Certificate from the Royal Architectural Insitute of Canada acknowledging Arthur Erickson's contribution to the Festiable of Architecture (Montreal, June 19-21, 1997); Vancouver Arts Awards honouring achievement and promise of Arthur Erickson (2004); The President's 40th Anniversary Award for Simon Fraser University Campus (June 9, 2006).
Various certificates and awards
Actions:
ARCH276922
Description:
Group contains framed certificates and a plate award . Includes The Greater Vancouver Chapter of the Architectural Institute of British Columbia Awards of Merit for the Graham Residence (1966) and Simon Fraser University (1966); Arthur Erickson's membership certificate to the Ontario Association of Architects (1969); Governor General's Media for Robson Square (1982); Certificate from the Royal Architectural Insitute of Canada acknowledging Arthur Erickson's contribution to the Festiable of Architecture (Montreal, June 19-21, 1997); Vancouver Arts Awards honouring achievement and promise of Arthur Erickson (2004); The President's 40th Anniversary Award for Simon Fraser University Campus (June 9, 2006).
Date:
1966-2006
1966-2006
People:
Form:
photographs
photographs
Title:
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Actions:
Reference number:
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Actions:
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Judgment of Paris, painting by Lucas Cranach the elder, 1528
Actions:
PH2018:0005:025
Description:
Photograph by Stefano Graziani of the following work: Lucas Cranach the Elder, The Judgment of the Paris, mixed media on beech wood, 84.7 x 57 cm 1528, Kunstmuseum Basel, Schenkung Martha und Robert von Hirsch 1977, Inv. G 1977.37, Basel Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Bernard Tschumi fonds
Bernard Tschumi fonds
Actions:
Reference number:
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
People:
Date:
circa 1964-2015
circa 1964-2015
Title:
Bernard Tschumi fonds
Actions:
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1964-2015
circa 1964-2015
People:
Level of archival description:
Series
Series
Title:
Dessins et tableaux
Dessins et tableaux
Actions:
Reference number:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
People:
Date:
1917-1955
1917-1955
Title:
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Level of archival description:
Série 1
Série 1
Date:
1917-1955
1917-1955
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
People:
Date:
1967-1988
1967-1988
Title:
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Public relations, marketing and collaborations
Actions:
AP022.S3.SS3
Description:
Sub-series documents public relations, marketing activities and collaborations of the offices of Erickson / Massey and Arthur Erickson Architects in Vancouver, British columbia, and Toronto, Ontario. The material was intended for media and press releases, publications, photographs and information requests, presentations, publicity and marketing brochures, and includes project descriptions, photographs and slides, magazine articles and clippings, publication drawings, galley proofs for books and a Life Magazine article on the Graham House, correspondence, and printing plates for a publicity brochure. Sub-series also documents Erickson / Massey and Arthur Erickson Architects collaboration with Francisco Imported Furniture Ltd the company of Francisco Leopoldo Kripacz (b. 8 April, 1942 - d. 3 August, 2000). Kripacz was born in Caracas, Venezuela, educated in Europe, the United States, and studied design in Vancouver and New York. He also went to the University of British Columbia for a Bachelor of Commerce degree in 1964. He became a resident Canadian in 1961, and a Canadian citizen in 1973. In 1964 he founded an interior design and furniture import business in Vancouver with Arthur Erickson, and opened a showroom in Montreal (550 Sherbrooke St. West), in 1965. Kripacz designed the exhibition unit in Habitat 67 (by architect Moshe Safdie) for the 1967 World Exposition in Montreal, and created interiors for a private clientel as well as for many of Arthur Erickson's buildings. The latter included the Helmut Eppich House and Erickson's own residence in Vancouver, the Hilborn Residence in Ontario, the Prime Minister's office and resdence in Ottawa, the UBC Faculty Club, the Macmillan Blodel Bulding, Vancouver, the Bank of Canada Headquarters in Ottawa, the Student Union Building at Queen's University, Kingston, the Provincial Law Courts in Robson Square, Vancouver, Roy Thomson Hall and the Tech Mining offices in Toronto, the Canadian Chancery in Washington, D.C., amongst others. Material related to Francisco Imported Furniture Ltd Sub-series also contains professional correspondence with Arthur Erickson Architect, financial documents of Francisco Imported Furniture Ltd, furniture design proposals, photographs and personal correspondance files of Francisco Kripacz.
Level of archival description:
sub-series
sub-series
Date:
1967-1988
1967-1988
People:
Level of archival description:
Series
Series
Title:
OCEAN reference files
OCEAN reference files
Actions:
Reference number:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
People:
Date:
1998
1998
Title:
OCEAN reference files
Actions:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
OCEAN reference files
Actions:
AP194.S2
Description:
Series consist of records associated with different projects devised by OCEAN and OCEAN North prior to 1999 and retained as reference material by Johan Bettum, who did not collaborate on every project. Records occasionally include some photographs, but for the most part are images from work done with CAD software. These include plans, diagrams, renderings and views (sections, perspectives) of buildings, landscapes, exhibition scenography, and exhibited items. The amount and type of materials varies largely between projects. Files were transferred to CCA on a CD and their timestamps suggests that materials were copied for reference purpose in the first few months of 1998. The CD cover bears the date of June 3rd 1999. Projects date from 1994 to 1998. Projects included in the reference files are: Barbican, London (OCEAN Helsinki): likely an exhibition design. Museum, Buenos Aires (OCEAN U.K., 1997): a building design for a competition. Finnish Embassy, Canberra (OCEAN Oslo & Helsinki, 1996): an international architectural competition entry. Helsinki Nightclub (OCEAN Helsinki): a building design. Jeil’s Hospital, Seoul (OCEAN U.K., 1996): a building design. Jyväskylä Music and Arts Center (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Lasipalatsi Media Square (OCEAN U.K.): a landscape design. Synthetic Landscape I-II, Oslo (OCEAN Oslo, 1995-1996): a landscape design. See also Series 1 for more records on this research project. Surfscape, Helsinki (OCEAN Helsinki, 1997): sculpture for an exhibition. Töölö Football Stadium, Hels. (OCEAN Oslo & Helsinki, 1997): an international architectural competition entry. See also Series 1 for more records on this project. Urban Surfaces, Oslo (OCEAN, 1997-1998): photographs of an exhibition. Source: Ateljié Sotamaa. “Portfolio.” Accessed November 2017, http://portfolio.sotamaa.net/ OCEAN design Research Association, “Exhibitions.” Accessed November 2017, http://www.ocean-designresearch.net/index.php/exhibitions-mainmenu-120/list-of-exhibitions FRAC, “Catalog, OCEAN.” Accessed November 2017, http://www.archilab.org/public/2000/catalog/ocean/oceanen.htm OCEAN CN Consultancy Network, “Projects.” Accessed November 2017, http://ocean-cn.org/projects/
Level of archival description:
Series
Series
Date:
1998
1998
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Marcel Parizeau fonds
Marcel Parizeau fonds
Actions:
Reference number:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
People:
Date:
1917-1955
1917-1955
Title:
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1917-1955
1917-1955
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
People:
Date:
1969-1971
1969-1971
Title:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Level of archival description:
Project
Project
Date:
1969-1971
1969-1971
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
People:
Date:
2001-2016
2001-2016
Title:
Preston Scott Cohen Eyebeam project records
Actions:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Preston Scott Cohen Eyebeam project records
Actions:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2001-2016
2001-2016
People:
