14780 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
People:
Date:
1994-2004
1994-2004
Title:
Neil Denari Interrupted Projections project records
Actions:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Neil Denari Interrupted Projections project records
Actions:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1994-2004
1994-2004
People:
Form:
events
events
Actions:
Description:
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
5 November 2015
5 November 2015
Title:
John Palmesino: Territorial Agency
Actions:
Description:
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
John Palmesino: Territorial Agency
Actions:
Description:
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
Form:
events
events
Date:
5 November 2015
5 November 2015
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Sub-series
Sub-series
Title:
Il Ritorno Dei Re (1980)
Il Ritorno Dei Re (1980)
Actions:
Reference number:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
People:
Date:
circa 1980
circa 1980
Title:
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Il Ritorno Dei Re (1980)
Actions:
AP207.S2.SS01
Description:
The sub-series documents the exhibition "Il Ritorno Dei Re" designed by Pettena and presented at the Refettorio di Santa Maria Novella, in Florence in 1980. The exhibition presented the heads of the Carolingian kings statues, originally part of the facade of Notre-Dame de Paris cathedral, that were removed after the French Revolution and later replaced by new sculptures by Viollet-le-Duc. The statues heads, rediscovered during excavation work in Paris, then toured museums in Europe and in the United States, including in Florence. Pettena's design managed "to evoke, through a cunning use of light, the “presence” of the kings, as the heads stood out as the only illuminated elements in a setting that, precisely because of its imposing character, was kept in semidarkness." [1] The sub-series contains Pettena's draft exhibition proposal, with plans, concept development notes, research and a section of the Refettorio di Santa Maria Novella showing the exhibition space. Source: [1] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Level of archival description:
Subseries
Subseries
Date:
circa 1980
circa 1980
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
People:
Date:
2003-2006
2003-2006
Title:
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
Level of archival description:
Project
Project
Date:
2003-2006
2003-2006
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
People:
Subject:
architecture
architecture
Date:
1870s-1880s
1870s-1880s
Title:
Album of photographs showing views of Germany and of Prague (Czech Republic)
Actions:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
Album of photographs showing views of Germany and of Prague (Czech Republic)
Actions:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
Form:
photographs
photographs
Date:
1870s-1880s
1870s-1880s
People:
Subject:
architecture
architecture
Level of archival description:
Project
Project
Reference number:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
People:
Date:
1996-2009, predominant 1999
1996-2009, predominant 1999
Title:
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Museo arqueológico Alicante, Spain (1999)
Actions:
AP164.S1.1999.D2
Description:
The project series documents an open competition. Abalos & Herreros, in collaboration with Queca Ortiz and Empty, S.L., won second place for their design. The firm identified this project as number 115. The intention of their entry was to “[…] answer to the task with an authentic installation, a mellowed and independent equipment independent of the container, which absolutely never provokes a conflict or pretends to improve it, which accepts the value of its configuration and extracts the maximum possibilities of the spatial qualities that the intervention has pretended to enhance. Therefore, it is pretended to develop a program which adds an offer of pedagogic-cultural piece of the town to the basic spaces of the museum. The challenge is to make people live together with the scientific aspects, which interests the cultivated popular-pedagogy visitor, connoisseurs of, and which acts with the intention of excinting, surprising and attracting attention of a mostly youthful and infantile audience. […] The museum’s basic program is completed with temporary exhibition halls, library, lecture room and didactic workshops, assembly hall, café, gift shop and offices.” (ARCH270975) Documenting this project are digital and reference materials, project descriptions, and specifications.
Level of archival description:
Project
Project
Date:
1996-2009, predominant 1999
1996-2009, predominant 1999
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Location:
Main galleries
Main galleries
Date:
19 July 1994 to 25 September 1994
19 July 1994 to 25 September 1994
Title:
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Form:
exhibitions
exhibitions
Date:
19 July 1994 to
25 September 1994
19 July 1994 to
25 September 1994
Location:
Main galleries
Main galleries
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP116.S3.SS20
Description:
Sub-series documents the planning and production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May) and its accompanying In ANY Event Symposium, held January 25, 1997 at the Guggenheim Museum, New York City, New York. Sub-series is arranged into seven files, by object type. Material in sub-series was produced between 1996 and 1997. Sub-series contains drafts, research materials, documents relating to publicity, articles, illustrations and photographs, mock-ups, videocassettes and audiocassettes of symposium and copies of the issue.
AP116.S3.SS20
Description:
Sub-series documents the planning and production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May) and its accompanying In ANY Event Symposium, held January 25, 1997 at the Guggenheim Museum, New York City, New York. Sub-series is arranged into seven files, by object type. Material in sub-series was produced between 1996 and 1997. Sub-series contains drafts, research materials, documents relating to publicity, articles, illustrations and photographs, mock-ups, videocassettes and audiocassettes of symposium and copies of the issue.
People:
Date:
1996-1997
1996-1997
Title:
Public Fear: What's So Scary About Architecture?
Actions:
AP116.S3.SS20
Description:
Sub-series documents the planning and production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May) and its accompanying In ANY Event Symposium, held January 25, 1997 at the Guggenheim Museum, New York City, New York. Sub-series is arranged into seven files, by object type. Material in sub-series was produced between 1996 and 1997. Sub-series contains drafts, research materials, documents relating to publicity, articles, illustrations and photographs, mock-ups, videocassettes and audiocassettes of symposium and copies of the issue.
Public Fear: What's So Scary About Architecture?
Actions:
AP116.S3.SS20
Description:
Sub-series documents the planning and production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May) and its accompanying In ANY Event Symposium, held January 25, 1997 at the Guggenheim Museum, New York City, New York. Sub-series is arranged into seven files, by object type. Material in sub-series was produced between 1996 and 1997. Sub-series contains drafts, research materials, documents relating to publicity, articles, illustrations and photographs, mock-ups, videocassettes and audiocassettes of symposium and copies of the issue.
Level of archival description:
Sub-series 20
Sub-series 20
Date:
1996-1997
1996-1997
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1997.D2
Description:
The project series documents the competition entry for an interactive centre and an ecomuseum in La Cabrera, Spain, designed by Abalos & Herreros and Angel Jaramillo (Sanchez?). The project was submitted to the competition for the Centro Comarcal de las Humanidades y de las Ciencias de la Cabrera (Regional Center for Humanities and Sciences), organised by the La Cabrera City Council in 1997. The firm's entry finished in third place. Their project included an auditorium, a museum, a library, and activity rooms. The firm identified this project as number 101. Documenting the project are photographic materials and a few printouts.
AP164.S1.1997.D2
Description:
The project series documents the competition entry for an interactive centre and an ecomuseum in La Cabrera, Spain, designed by Abalos & Herreros and Angel Jaramillo (Sanchez?). The project was submitted to the competition for the Centro Comarcal de las Humanidades y de las Ciencias de la Cabrera (Regional Center for Humanities and Sciences), organised by the La Cabrera City Council in 1997. The firm's entry finished in third place. Their project included an auditorium, a museum, a library, and activity rooms. The firm identified this project as number 101. Documenting the project are photographic materials and a few printouts.
People:
Date:
circa 1997
circa 1997
Title:
Centro interactivo y ecomuseo de La Cabrera, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D2
Description:
The project series documents the competition entry for an interactive centre and an ecomuseum in La Cabrera, Spain, designed by Abalos & Herreros and Angel Jaramillo (Sanchez?). The project was submitted to the competition for the Centro Comarcal de las Humanidades y de las Ciencias de la Cabrera (Regional Center for Humanities and Sciences), organised by the La Cabrera City Council in 1997. The firm's entry finished in third place. Their project included an auditorium, a museum, a library, and activity rooms. The firm identified this project as number 101. Documenting the project are photographic materials and a few printouts.
Centro interactivo y ecomuseo de La Cabrera, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D2
Description:
The project series documents the competition entry for an interactive centre and an ecomuseum in La Cabrera, Spain, designed by Abalos & Herreros and Angel Jaramillo (Sanchez?). The project was submitted to the competition for the Centro Comarcal de las Humanidades y de las Ciencias de la Cabrera (Regional Center for Humanities and Sciences), organised by the La Cabrera City Council in 1997. The firm's entry finished in third place. Their project included an auditorium, a museum, a library, and activity rooms. The firm identified this project as number 101. Documenting the project are photographic materials and a few printouts.
Level of archival description:
Project
Project
Date:
circa 1997
circa 1997
People:
Level of archival description:
Project
Project
Title:
Mostra Osaka 1995
Mostra Osaka 1995
Actions:
Reference number:
AP142.S2.D5
Description:
File documents an exhibition on Aldo Rossi that was held in 1995 at ATC Design Gallery in Osaka, Japan. The exhibition included works probably shown in 1993 at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (see AP142.S2.D4). Material in this file was produced in 1995. File contains textual records, including drawings, photographs of drawings and models, correspondence, an architect's statement, a proposal, estimates, appraisals, administrative records, financial records, flyers, exhibition plans and layouts, lists of exhibited works, and photocopies of views of drawings and models, of pages of a book, and of an exhibition.
AP142.S2.D5
Description:
File documents an exhibition on Aldo Rossi that was held in 1995 at ATC Design Gallery in Osaka, Japan. The exhibition included works probably shown in 1993 at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (see AP142.S2.D4). Material in this file was produced in 1995. File contains textual records, including drawings, photographs of drawings and models, correspondence, an architect's statement, a proposal, estimates, appraisals, administrative records, financial records, flyers, exhibition plans and layouts, lists of exhibited works, and photocopies of views of drawings and models, of pages of a book, and of an exhibition.
People:
Date:
1995
1995
Title:
Mostra Osaka 1995
Actions:
AP142.S2.D5
Description:
File documents an exhibition on Aldo Rossi that was held in 1995 at ATC Design Gallery in Osaka, Japan. The exhibition included works probably shown in 1993 at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (see AP142.S2.D4). Material in this file was produced in 1995. File contains textual records, including drawings, photographs of drawings and models, correspondence, an architect's statement, a proposal, estimates, appraisals, administrative records, financial records, flyers, exhibition plans and layouts, lists of exhibited works, and photocopies of views of drawings and models, of pages of a book, and of an exhibition.
Mostra Osaka 1995
Actions:
AP142.S2.D5
Description:
File documents an exhibition on Aldo Rossi that was held in 1995 at ATC Design Gallery in Osaka, Japan. The exhibition included works probably shown in 1993 at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (see AP142.S2.D4). Material in this file was produced in 1995. File contains textual records, including drawings, photographs of drawings and models, correspondence, an architect's statement, a proposal, estimates, appraisals, administrative records, financial records, flyers, exhibition plans and layouts, lists of exhibited works, and photocopies of views of drawings and models, of pages of a book, and of an exhibition.
Level of archival description:
File 5
File 5
Date:
1995
1995
People:
