5141 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Álvaro Siza fonds
Álvaro Siza fonds
Reference number:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
People:
Date:
1958-2002
1958-2002
Title:
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1958-2002
1958-2002
People:
Form:
events
events
Actions:
Description:
On New Year’s Eve 1987, the people of Gonaïves, an impoverished port town on Haiti’s west coast, awoke to 4,000 tons of toxic ash. Amidst political turmoil in Haiti, officials had approved the import of toxic waste from the United States classified as “fertilizer.” In this case, the ash came from Philadelphia, which was facing a waste management crisis brought on by the(...)
On New Year’s Eve 1987, the people of Gonaïves, an impoverished port town on Haiti’s west coast, awoke to 4,000 tons of toxic ash. Amidst political turmoil in Haiti, officials had approved the import of toxic waste from the United States classified as “fertilizer.” In this case, the ash came from Philadelphia, which was facing a waste management crisis brought on by the(...)
Keyword(s):
Canada, environment, Jodoin, Müller, It's all happening so fast, toxic, Haiti, voluntary exchange, garbage imperialism, Gonaives
Canada, environment, Jodoin, Müller, It's all happening so fast, toxic, Haiti, voluntary exchange, garbage imperialism, Gonaives
Date:
16 March 2017
16 March 2017
Title:
Here It Is Toxic, There It Is Not
Actions:
Description:
On New Year’s Eve 1987, the people of Gonaïves, an impoverished port town on Haiti’s west coast, awoke to 4,000 tons of toxic ash. Amidst political turmoil in Haiti, officials had approved the import of toxic waste from the United States classified as “fertilizer.” In this case, the ash came from Philadelphia, which was facing a waste management crisis brought on by the(...)
Here It Is Toxic, There It Is Not
Actions:
Description:
On New Year’s Eve 1987, the people of Gonaïves, an impoverished port town on Haiti’s west coast, awoke to 4,000 tons of toxic ash. Amidst political turmoil in Haiti, officials had approved the import of toxic waste from the United States classified as “fertilizer.” In this case, the ash came from Philadelphia, which was facing a waste management crisis brought on by the(...)
Form:
events
events
Date:
16 March 2017
16 March 2017
Keyword(s):
Canada, environment, Jodoin, Müller, It's all happening so fast, toxic, Haiti, voluntary exchange, garbage imperialism, Gonaives
Canada, environment, Jodoin, Müller, It's all happening so fast, toxic, Haiti, voluntary exchange, garbage imperialism, Gonaives
Form:
events
events
Description:
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
Location:
Travessa do Cabo, 10-12. Lisbon
Travessa do Cabo, 10-12. Lisbon
Date:
22 October 2016
22 October 2016
Title:
An Afternoon with Cedric Price no. 1
Actions:
Description:
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
An Afternoon with Cedric Price no. 1
Actions:
Description:
The CCA hosts an afternoon of discussion in Lisbon around the work of Cedric Price on the occasion of the exhibition Obra / Building Site, which features Price’s McAppy project as part of the fourth Lisbon Triennale, The Form of Form, and of the publication of Cedric Price Works 1952–2003: A Forward-Minded Retrospective. A launch of the book will follow at 6pm. This event(...)
Form:
events
events
Date:
22 October 2016
22 October 2016
Location:
Travessa do Cabo, 10-12. Lisbon
Travessa do Cabo, 10-12. Lisbon
Form:
events
events
Title:
Gilles Clément
Gilles Clément
Actions:
Description:
French horticultural engineer and landscape architect Gilles Clément presents his projects and theories in the context of the CCA exhibition Environment: Approaches for Tomorrow (2006). The exhibition proposes a shift in perspective that takes the environment, and not human demands on the environment, as the starting point for reflection. Clément has designed numerous(...)
French horticultural engineer and landscape architect Gilles Clément presents his projects and theories in the context of the CCA exhibition Environment: Approaches for Tomorrow (2006). The exhibition proposes a shift in perspective that takes the environment, and not human demands on the environment, as the starting point for reflection. Clément has designed numerous(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
19 October 2006
19 October 2006
Title:
Gilles Clément
Actions:
Description:
French horticultural engineer and landscape architect Gilles Clément presents his projects and theories in the context of the CCA exhibition Environment: Approaches for Tomorrow (2006). The exhibition proposes a shift in perspective that takes the environment, and not human demands on the environment, as the starting point for reflection. Clément has designed numerous(...)
Gilles Clément
Actions:
Description:
French horticultural engineer and landscape architect Gilles Clément presents his projects and theories in the context of the CCA exhibition Environment: Approaches for Tomorrow (2006). The exhibition proposes a shift in perspective that takes the environment, and not human demands on the environment, as the starting point for reflection. Clément has designed numerous(...)
Form:
events
events
Date:
19 October 2006
19 October 2006
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
People:
Date:
1936-2021
1936-2021
Title:
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1936-2021
1936-2021
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
People:
Date:
1998-2014
1998-2014
Title:
Karl Chu X Phylum project records
Actions:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Karl Chu X Phylum project records
Actions:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1998-2014
1998-2014
People:
Form:
events
events
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Date:
21 September 2017, 6:30pm
21 September 2017, 6:30pm
Title:
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Form:
events
events
Date:
21 September 2017
6:30pm
21 September 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Form:
articles
articles
Title:
The Sensory Interior
The Sensory Interior
Actions:
Presentation by David Howes
Issue:
The rest of your senses
The rest of your senses
Form:
articles
articles
Issue:
A history of references
A history of references
Form:
events
events
Actions:
Description:
In this talk, titled Design the place for people to meet, Manabu Chiba will explain his approach to design with an emphasis on realizing architecture as a facilitator for new place-to-place, person-to-person and people-to-place interactions. His work attempts to reveal the context of a site and create formal simplicity, in order to nurture relationships among(...)
In this talk, titled Design the place for people to meet, Manabu Chiba will explain his approach to design with an emphasis on realizing architecture as a facilitator for new place-to-place, person-to-person and people-to-place interactions. His work attempts to reveal the context of a site and create formal simplicity, in order to nurture relationships among(...)
Date:
11 February 2016
11 February 2016
Title:
Manabu Chiba wants to speak with you
Actions:
Description:
In this talk, titled Design the place for people to meet, Manabu Chiba will explain his approach to design with an emphasis on realizing architecture as a facilitator for new place-to-place, person-to-person and people-to-place interactions. His work attempts to reveal the context of a site and create formal simplicity, in order to nurture relationships among(...)
Manabu Chiba wants to speak with you
Actions:
Description:
In this talk, titled Design the place for people to meet, Manabu Chiba will explain his approach to design with an emphasis on realizing architecture as a facilitator for new place-to-place, person-to-person and people-to-place interactions. His work attempts to reveal the context of a site and create formal simplicity, in order to nurture relationships among(...)
Form:
events
events
Date:
11 February 2016
11 February 2016
