5737 Results
Level of archival description:
Series
Series
Reference number:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
People:
Date:
1996-2014
1996-2014
Title:
RUR Architecture working files
Actions:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
RUR Architecture working files
Actions:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
Level of archival description:
Series
Series
Date:
1996-2014
1996-2014
People:
Form:
drawings
Quantity:
2 drawing(s)
drawings
Quantity:
2 drawing(s)
Reference number:
DR1995:0269:001-002
Description:
These conceptual design sketches for the RIBA exhibition at the Heinz Gallery show the forms of piles used in coastline development in various configurations. These sketches do not represent a particular project, but rather depict an exploration of ideas which were of interest to Price from 1967 [?] to 1975 (Shubert, with Price).
DR1995:0269:001-002
Description:
These conceptual design sketches for the RIBA exhibition at the Heinz Gallery show the forms of piles used in coastline development in various configurations. These sketches do not represent a particular project, but rather depict an exploration of ideas which were of interest to Price from 1967 [?] to 1975 (Shubert, with Price).
People:
Date:
1975
1975
Title:
RIBA exhibition, Heinz Gallery: Diagrams
Actions:
DR1995:0269:001-002
Description:
These conceptual design sketches for the RIBA exhibition at the Heinz Gallery show the forms of piles used in coastline development in various configurations. These sketches do not represent a particular project, but rather depict an exploration of ideas which were of interest to Price from 1967 [?] to 1975 (Shubert, with Price).
RIBA exhibition, Heinz Gallery: Diagrams
Actions:
DR1995:0269:001-002
Description:
These conceptual design sketches for the RIBA exhibition at the Heinz Gallery show the forms of piles used in coastline development in various configurations. These sketches do not represent a particular project, but rather depict an exploration of ideas which were of interest to Price from 1967 [?] to 1975 (Shubert, with Price).
Form:
drawings
Quantity:
2 drawing(s)
drawings
Quantity:
2 drawing(s)
Date:
1975
1975
People:
Level of archival description:
Project
Project
Title:
Atta Unsar (1973)
Atta Unsar (1973)
Actions:
Reference number:
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
People:
Date:
1973-2015
1973-2015
Title:
Atta Unsar (1973)
Actions:
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Atta Unsar (1973)
Actions:
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Level of archival description:
Project
Project
Date:
1973-2015
1973-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
People:
Date:
circa 1987-2015
circa 1987-2015
Title:
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Level of archival description:
Project
Project
Date:
circa 1987-2015
circa 1987-2015
People:
Level of archival description:
Project
Project
Title:
Energy FREE TREE (2017)
Energy FREE TREE (2017)
Actions:
Reference number:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
People:
Date:
2017-2018
2017-2018
Title:
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
2017-2018
2017-2018
People:
Form:
works of art
works of art
Reference number:
DR1988:0437:015
Description:
- This etching for a fireworks construction or macchina in the form of a small single-storey tempietto is dedicated to peace. The tempietto is raised up on clouds and surrounded by various mythological figures including satyrs, and other animals such as a camel and a horse. The four women at the lower left and lower right might represent the four continents.
DR1988:0437:015
Description:
- This etching for a fireworks construction or macchina in the form of a small single-storey tempietto is dedicated to peace. The tempietto is raised up on clouds and surrounded by various mythological figures including satyrs, and other animals such as a camel and a horse. The four women at the lower left and lower right might represent the four continents.
People:
Subject:
temporary architecture
temporary architecture
Date:
printed 1749
printed 1749
Title:
Etching of Specchi's design for the "prima macchina" of 1749
Actions:
DR1988:0437:015
Description:
- This etching for a fireworks construction or macchina in the form of a small single-storey tempietto is dedicated to peace. The tempietto is raised up on clouds and surrounded by various mythological figures including satyrs, and other animals such as a camel and a horse. The four women at the lower left and lower right might represent the four continents.
Etching of Specchi's design for the "prima macchina" of 1749
Actions:
DR1988:0437:015
Description:
- This etching for a fireworks construction or macchina in the form of a small single-storey tempietto is dedicated to peace. The tempietto is raised up on clouds and surrounded by various mythological figures including satyrs, and other animals such as a camel and a horse. The four women at the lower left and lower right might represent the four continents.
Form:
works of art
works of art
Date:
printed 1749
printed 1749
People:
Subject:
temporary architecture
temporary architecture
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Jean Michaud fonds
Jean Michaud fonds
Actions:
Reference number:
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
People:
Date:
1852, 1916, 1938-1981, surtout 1950-1974
1852, 1916, 1938-1981, surtout 1950-1974
Title:
Jean Michaud fonds
Actions:
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Jean Michaud fonds
Actions:
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1852, 1916, 1938-1981, surtout 1950-1974
1852, 1916, 1938-1981, surtout 1950-1974
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
DR1988:0018:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes letters and drawings which made up part of the Die gläserne Kette correspondence. The documents were accessioned as received in a beige folder.
DR1988:0018:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes letters and drawings which made up part of the Die gläserne Kette correspondence. The documents were accessioned as received in a beige folder.
People:
Date:
circa 1919-1920
circa 1919-1920
Title:
Material from Wenzel Hablik mostly for Die gläserne Kette
Actions:
DR1988:0018:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes letters and drawings which made up part of the Die gläserne Kette correspondence. The documents were accessioned as received in a beige folder.
Material from Wenzel Hablik mostly for Die gläserne Kette
Actions:
DR1988:0018:001-005
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily theoretical and visionary in content, this group includes letters and drawings which made up part of the Die gläserne Kette correspondence. The documents were accessioned as received in a beige folder.
Form:
drawings, textual records
drawings, textual records
Date:
circa 1919-1920
circa 1919-1920
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1967.PR01
Description:
This project series documents the "Rumble" Sofa, a couch designed by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. The "Rumble" Sofa was part of the furniture at Pettena's studio-home." […] The design of this couch […] derives from the experience of living in a spacious place, originally a 19th century studio for artists, in which the furnishings had to suit the scale of the place and not that of the being." [1] The project series contains sketches, plans and details of the couch, as well as videos and photographs of the couch showing its various possible shapes and usages. It also includes a small wooden model with movable blocks, each block represents one of the cushions of the couch. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-rumble-couch-1967/ (last accessed 16 October 2019)
AP207.S1.1967.PR01
Description:
This project series documents the "Rumble" Sofa, a couch designed by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. The "Rumble" Sofa was part of the furniture at Pettena's studio-home." […] The design of this couch […] derives from the experience of living in a spacious place, originally a 19th century studio for artists, in which the furnishings had to suit the scale of the place and not that of the being." [1] The project series contains sketches, plans and details of the couch, as well as videos and photographs of the couch showing its various possible shapes and usages. It also includes a small wooden model with movable blocks, each block represents one of the cushions of the couch. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-rumble-couch-1967/ (last accessed 16 October 2019)
People:
Date:
circa 1967
circa 1967
Title:
“Rumble” Sofa [“Rumble” Couch] (1967)
Actions:
AP207.S1.1967.PR01
Description:
This project series documents the "Rumble" Sofa, a couch designed by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. The "Rumble" Sofa was part of the furniture at Pettena's studio-home." […] The design of this couch […] derives from the experience of living in a spacious place, originally a 19th century studio for artists, in which the furnishings had to suit the scale of the place and not that of the being." [1] The project series contains sketches, plans and details of the couch, as well as videos and photographs of the couch showing its various possible shapes and usages. It also includes a small wooden model with movable blocks, each block represents one of the cushions of the couch. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-rumble-couch-1967/ (last accessed 16 October 2019)
“Rumble” Sofa [“Rumble” Couch] (1967)
Actions:
AP207.S1.1967.PR01
Description:
This project series documents the "Rumble" Sofa, a couch designed by Pettena in 1967 and produced in 1968 by Gufram, an Italian seat and furniture manufacturer based in Barolo. The "Rumble" Sofa was part of the furniture at Pettena's studio-home." […] The design of this couch […] derives from the experience of living in a spacious place, originally a 19th century studio for artists, in which the furnishings had to suit the scale of the place and not that of the being." [1] The project series contains sketches, plans and details of the couch, as well as videos and photographs of the couch showing its various possible shapes and usages. It also includes a small wooden model with movable blocks, each block represents one of the cushions of the couch. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/design-rumble-couch-1967/ (last accessed 16 October 2019)
Level of archival description:
Project
Project
Date:
circa 1967
circa 1967
People:
Level of archival description:
Series
Series
Reference number:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
People:
Date:
1998-2002
1998-2002
Title:
Karl: An Architectural Narrative (2000-2002)
Actions:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
Karl: An Architectural Narrative (2000-2002)
Actions:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
Level of archival description:
Series
Series
Date:
1998-2002
1998-2002
People:
