The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
Octagonal gallery
11 November 2010 to 6 February 2011
404 ERROR: The object is not online
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The internet was invented as the ultimate standard; it is literally made of rules. Online content abides by some intentional and unintentional rules, and texture, smell, weight, flavour, and time are flattened together for the screen. Computers appear to instantaneously transform objects into images and meaning into information. 404 ERROR: The object is not online brings(...)
Octagonal gallery
3 May 2018
articles
Origins of the digital
articles
Cyanotopia
Origins of the digital
articles
Origins of the digital
articles
Cloud and Forest
Origins of the digital
articles
Embryological House
Origins of the digital
Starting from... People
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Hall cases
5 October 2011 to 22 January 2012
Starting from... People
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One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Hall cases
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Paul Desmarais Theatre
22 September 2016, 6pm
Nicholas de Monchaux: Local Code
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When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Paul Desmarais Theatre
Talking Pictures, a Circuit
In an nine-part circuit of installations and interventions travelling throughout the spaces of the CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela, and Peter Sealy invite us to reflect on photography’s critical and creative relationship with architecture. With funding from The Andrew W. Mellon Foundation,(...)
Andrew W. Mellon Foundation, photography, photographs, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela, Peter Sealy
14 October 2017, 4pm
Talking Pictures, a Circuit
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Description:
In an nine-part circuit of installations and interventions travelling throughout the spaces of the CCA, Francesca Ammon, Davide Deriu, Reto Geiser, Sara Goldsmith, Catalina Mejía Moreno, Bas Princen, Mika Savela, and Peter Sealy invite us to reflect on photography’s critical and creative relationship with architecture. With funding from The Andrew W. Mellon Foundation,(...)