textual records, photographs
ARCH165238
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Installations dans le bar Directives pour l'installation Business, Octobre 1987 "Un bar de ville, un bar urbain" 19 feuillets:Notes et croquis 7 copies couleurs: photographies du bar 19 photocopies de photographies 14 photocopies: Plan de quartier 4 reproductions couleur: croquis 4 feuillets dactylographiés 16 photographies couleur (20x25,5cm): Quatre installations temporaires
Installations dans le bar Directives pour l'installation Business
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ARCH165238
Description:
Installations dans le bar Directives pour l'installation Business, Octobre 1987 "Un bar de ville, un bar urbain" 19 feuillets:Notes et croquis 7 copies couleurs: photographies du bar 19 photocopies de photographies 14 photocopies: Plan de quartier 4 reproductions couleur: croquis 4 feuillets dactylographiés 16 photographies couleur (20x25,5cm): Quatre installations temporaires
textual records, photographs
Series
Dessins et tableaux
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
1917-1955
Dessins et tableaux
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AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Série 1
1917-1955
Sense of the City
Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban(...)
Main galleries
26 October 2005 to 10 September 2006
Sense of the City
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Description:
Sense of the City explores urban phenomena and perceptions of the city which have traditionally been ignored, repressed, or maligned. Challenging the dominance of the visual in the urban environment, the exhibition proposes a re-thinking of latent qualities of the city, offering complex analyses of the comforts, communication systems, and sensory dimensions of urban(...)
Main galleries
textual records
ARCH276338
Description:
Détails structuraux des cheminées, bons de commande des matériaux, grilles de calculs pour les projets suivants : Belgo Canadian Pulp & Paper Co., Beatty Bros Ltd., Sanatorium de Sainte-Agathe-Des-Monts, Lamontagne Ltd., Impérial Tobacco, Mr. L. Duchaine, John Ritchie Co. Ltd., Brasserie Champlain, chaufferie de l'hôpital militaire d'Halifax, Dave Ship Building Co., Robert Simpson Co. Ltd., Ville d'Outremont, Chatham - Ontario et Gravel Lumber Ltd. Plan de référence type des cheminées produit par Considère, Pelnard & Caquot. Formule pour l'élaboration du béton fretté.
1918 - 1919
Détails du béton armé pour la construction des cheminées
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ARCH276338
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Détails structuraux des cheminées, bons de commande des matériaux, grilles de calculs pour les projets suivants : Belgo Canadian Pulp & Paper Co., Beatty Bros Ltd., Sanatorium de Sainte-Agathe-Des-Monts, Lamontagne Ltd., Impérial Tobacco, Mr. L. Duchaine, John Ritchie Co. Ltd., Brasserie Champlain, chaufferie de l'hôpital militaire d'Halifax, Dave Ship Building Co., Robert Simpson Co. Ltd., Ville d'Outremont, Chatham - Ontario et Gravel Lumber Ltd. Plan de référence type des cheminées produit par Considère, Pelnard & Caquot. Formule pour l'élaboration du béton fretté.
textual records
1918 - 1919
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Hall cases
5 September 2013 to 5 December 2013
H-BLOCK: Social Housing – Ilse Bing
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Description:
In 1929, Ilse Bing bought a Leica camera and started a photographic career that took her from Frankfurt to New York via Paris. While still in Frankfurt, she was commissioned by architect and urban planner Mart Stam to undertake a photographic survey of the modern buildings that were being erected in the city, including the Henry and Emma Budge-Heim H-block building. Built(...)
Hall cases
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Main galleries
18 March 1998 to 24 May 1998
Montréal Métropole, 1880–1930
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Description:
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Main galleries
No Parks?
Are parks bad? These quarantined bits of land and water speak to a confused desire for some kind of “nature”—and they might be good for our health—but do they also serve to excuse our continued bad behaviour? Parks are not innocent. City parks are real estate assets and urban “amenities” created by planners, landscape architects, hydrological engineers, police(...)
25 May 2017
No Parks?
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Description:
Are parks bad? These quarantined bits of land and water speak to a confused desire for some kind of “nature”—and they might be good for our health—but do they also serve to excuse our continued bad behaviour? Parks are not innocent. City parks are real estate assets and urban “amenities” created by planners, landscape architects, hydrological engineers, police(...)
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Main galleries
5 March 1997 to 25 May 1997
The New Spirit: Modern Architecture in Vancouver, 1938-1963
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Description:
The New Spirit: Modern Architecture in Vancouver, 1938–1963 looks at key buildings and projects from an exhilarating epoch in Vancouver’s history through design drawings, period photographs, furniture, and decoration. In the years following the Second World War, Vancouver emerged as a city with a particularly vital and progressive architectural culture, adapting the(...)
Main galleries
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
27 November 2013
In conversation: Yto Barrada & Takashi Homma
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On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
Ephemeral landscapes and pop-up settlements are continually increasing in scale and challenging the concept of the city as a stable and permanent entity. For this lecture Rahul Mehrotra, principal of architecture firm RMA Architects and Chair of Urban Planning and Design at the Harvard Graduate School of Design, presents his research on a pop-up settlement called the(...)
Shaughnessy House
13 February 2013 to 12 February 2013
Rahul Mehrota: The Case of the Kumbh Mela in India
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Description:
Ephemeral landscapes and pop-up settlements are continually increasing in scale and challenging the concept of the city as a stable and permanent entity. For this lecture Rahul Mehrotra, principal of architecture firm RMA Architects and Chair of Urban Planning and Design at the Harvard Graduate School of Design, presents his research on a pop-up settlement called the(...)
Shaughnessy House