3761 Results
Level of archival description:
Project
Project
Title:
Inter-Action Centre
Inter-Action Centre
Reference number:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
People:
Date:
1964-1992, predominant 1970-1981
1964-1992, predominant 1970-1981
Title:
Inter-Action Centre
Actions:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
Inter-Action Centre
Actions:
AP144.S2.D82
Description:
File documents Inter-Action Centre, a completed project for a community centre commissioned by Ed Berman and the Inter-Action Trust, for a disused site at Talacre Public Open Space in Kentish Town, Camden, London. The construction was divided into two phases. Foundations, steel frame and trusses were constructed first and could be used for open-air community events while funds were being raised for the second phase. Phase II included cladding, fittings, finishes, services prefabricated units, and log cabins. The building was intended as a flexible short life-span building in which the interior spaces would be independent of the roof and exterior walls. Functional areas suggested by Cedric Price include: assembly halls, classrooms, rehearsal rooms, studios, areas for performance, media resources, lounging and dining, and a gym and a nursery. Cedric Price had been engaged by the concepts of flexible architecture, indeterminacy, impermanence, and the fusion of information technology, entertainment, and educational activities in earlier unrealized projects such as Fun Palace (AP144.S2.D46) and Oxford Corner House (AP144.S2.D59). Existing conditions drawings include photographs of the site; reprographic copies of electrical and drainage systems; ordinance surveys of Kentish Town; and landscape and playground layout. Conceptual drawings include sketches of overall massing; diagrammatic plans; drawings and diagrams of site conditions; notes for the structural framework; rendered interior elevations; plans showing impact of site context on building design; diagrammatic sketches of relationship between functional requirements and structural form. Schematic drawings include diagrammatic plans; sections of structural system and exterior wall; cladding details; and axonometric views of supports. Design development drawings and working drawings include plans, elevations, sections, details and axonometric views. Presentation drawings include watercolours and other renderings; reprographic copies, possibly for publication; and perspectives drawings. Some material from this file was published in "Inter-action Centre." 'RIBA Journal'. (November 1977), 458-465; "Intervista A Cedric Price: London Interaction Centre." 'Domus'. (April 1978), 17-21; "Kentish Town West Amalgam, London." 'Architectural Record'. (January 1973), 19; Lyall, Sutherland. 'The State of British Architecture'. (London: Architectural Press, 1980), 107-109; 130 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 62-63. Material in this file was produced between 1964 and 1992, but predominantly between 1970 and 1981. File contains technical drawings that are attributed to the following consultants, contractors, and manufacturers: Coseley Buildings Ltd; H.G. Deacon Ltd; Kayanson Engineers; H.J. Knights & Co. Ltd; Woodcemair; Metal Sections Ltd; Spaceway; Gascoigne, Gush & Dent (Engineering Ltd); UBM Engineering; J. Murphy & Sons Ltd; Maurice Pickering Associates, Architects & Landscape Consultants; David Lee Architect & Landscape Architect; J. Starkie Gardner Ltd; Dibben Structural Engineers; Zisman, Bowyer & Partners; Felix J. Samuely and Partners; Ruberoid Contracts Ltd; Whitbread London Limited; and Portakabin. Paul Hyett and Will Alsop were Cedric Price's main assistants for this project. 'Inter-Action Trust Limited', 'Inter-Action Centre', and 'Talacre Centre Limited' appear as the client(s) at various stages of this project. File contains cartographic materials, conceptual drawings, consultant drawings, design development drawings, models, panels, photographic materials, presentation drawings, an illustration, textual records, and working drawings.
Level of archival description:
File 82
File 82
Date:
1964-1992, predominant 1970-1981
1964-1992, predominant 1970-1981
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
People:
Date:
1970-2015
1970-2015
Title:
Institute for Architecture and Urban Studies (IAUS) (1970-1982)
Actions:
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
Institute for Architecture and Urban Studies (IAUS) (1970-1982)
Actions:
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
Level of archival description:
Subseries
Subseries
Date:
1970-2015
1970-2015
People:
Form:
events
events
Actions:
Description:
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Date:
28 January 2016
28 January 2016
Title:
Practicing Advocacy: Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Practicing Advocacy: Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Form:
events
events
Date:
28 January 2016
28 January 2016
Level of archival description:
Project
Project
Title:
Study of human settlements
Study of human settlements
Reference number:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
People:
Date:
1985-1993
1985-1993
Title:
Study of human settlements
Actions:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Study of human settlements
Actions:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Level of archival description:
Project
Project
Date:
1985-1993
1985-1993
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
People:
Date:
1914-2008
1914-2008
Title:
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1914-2008
1914-2008
People:
Level of archival description:
Project
Project
Reference number:
AP166.S1.1990.PR1
Description:
This file documents the design and construction of the Galaxy Toyama Gymnasium in Imizu, Toyama, Japan. The project was developed as a theme pavilion for the 1st Japan Expo Toyama in 1992. The roof of the gymnasium is an undulating space frame structure with ball joints. Computers were used to find an optimum form for the roof and to calculate the dimensions of each component. The file contains approximately 200 design development drawings. There are also working drawings, including 72 numbered architectural drawings and 44 structural drawings. Digital material includes a 3-dimensional model of the roof and sections from a photoelasticity experiment. The remainder of the digital files consist of digital images of the built work and scans of drawings.There are a number of images printed out from computer files, including photoelasticity models and 3-D perspectives of the roof and of the building interior. There is a series of images from computer simulations of the roof dating from 1996. A set of 12 presentation panels contain wireframe images of the roof. There is a small amount of textual material, including proposal documents, graphics for the name of the building, publications and facsimile transmissions. Material in this file was created between 1990 and 2012, but predominantly between 1990 and 1992.
AP166.S1.1990.PR1
Description:
This file documents the design and construction of the Galaxy Toyama Gymnasium in Imizu, Toyama, Japan. The project was developed as a theme pavilion for the 1st Japan Expo Toyama in 1992. The roof of the gymnasium is an undulating space frame structure with ball joints. Computers were used to find an optimum form for the roof and to calculate the dimensions of each component. The file contains approximately 200 design development drawings. There are also working drawings, including 72 numbered architectural drawings and 44 structural drawings. Digital material includes a 3-dimensional model of the roof and sections from a photoelasticity experiment. The remainder of the digital files consist of digital images of the built work and scans of drawings.There are a number of images printed out from computer files, including photoelasticity models and 3-D perspectives of the roof and of the building interior. There is a series of images from computer simulations of the roof dating from 1996. A set of 12 presentation panels contain wireframe images of the roof. There is a small amount of textual material, including proposal documents, graphics for the name of the building, publications and facsimile transmissions. Material in this file was created between 1990 and 2012, but predominantly between 1990 and 1992.
People:
Date:
1990-1996, 2012
1990-1996, 2012
Title:
Galaxy Toyama Gymnasium, Imizu, Japan (1990-1992)
Actions:
AP166.S1.1990.PR1
Description:
This file documents the design and construction of the Galaxy Toyama Gymnasium in Imizu, Toyama, Japan. The project was developed as a theme pavilion for the 1st Japan Expo Toyama in 1992. The roof of the gymnasium is an undulating space frame structure with ball joints. Computers were used to find an optimum form for the roof and to calculate the dimensions of each component. The file contains approximately 200 design development drawings. There are also working drawings, including 72 numbered architectural drawings and 44 structural drawings. Digital material includes a 3-dimensional model of the roof and sections from a photoelasticity experiment. The remainder of the digital files consist of digital images of the built work and scans of drawings.There are a number of images printed out from computer files, including photoelasticity models and 3-D perspectives of the roof and of the building interior. There is a series of images from computer simulations of the roof dating from 1996. A set of 12 presentation panels contain wireframe images of the roof. There is a small amount of textual material, including proposal documents, graphics for the name of the building, publications and facsimile transmissions. Material in this file was created between 1990 and 2012, but predominantly between 1990 and 1992.
Galaxy Toyama Gymnasium, Imizu, Japan (1990-1992)
Actions:
AP166.S1.1990.PR1
Description:
This file documents the design and construction of the Galaxy Toyama Gymnasium in Imizu, Toyama, Japan. The project was developed as a theme pavilion for the 1st Japan Expo Toyama in 1992. The roof of the gymnasium is an undulating space frame structure with ball joints. Computers were used to find an optimum form for the roof and to calculate the dimensions of each component. The file contains approximately 200 design development drawings. There are also working drawings, including 72 numbered architectural drawings and 44 structural drawings. Digital material includes a 3-dimensional model of the roof and sections from a photoelasticity experiment. The remainder of the digital files consist of digital images of the built work and scans of drawings.There are a number of images printed out from computer files, including photoelasticity models and 3-D perspectives of the roof and of the building interior. There is a series of images from computer simulations of the roof dating from 1996. A set of 12 presentation panels contain wireframe images of the roof. There is a small amount of textual material, including proposal documents, graphics for the name of the building, publications and facsimile transmissions. Material in this file was created between 1990 and 2012, but predominantly between 1990 and 1992.
Level of archival description:
project
project
Date:
1990-1996, 2012
1990-1996, 2012
People:
Form:
events
events
Title:
Learning from... Los Angeles
Learning from... Los Angeles
Actions:
Description:
Los Angeles-based historian and tour guide Richard Schave examines developments in Los Angeles in the 35 years since the landmark urban tour film Reyner Banham Loves Los Angeles (UK,1972). Schave, a former student of Banham, elaborates on his professor’s research by showing excerpts of the film in comparison with his own documentary photography. In particular, he explores(...)
Los Angeles-based historian and tour guide Richard Schave examines developments in Los Angeles in the 35 years since the landmark urban tour film Reyner Banham Loves Los Angeles (UK,1972). Schave, a former student of Banham, elaborates on his professor’s research by showing excerpts of the film in comparison with his own documentary photography. In particular, he explores(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
28 May 2009
28 May 2009
Title:
Learning from... Los Angeles
Actions:
Description:
Los Angeles-based historian and tour guide Richard Schave examines developments in Los Angeles in the 35 years since the landmark urban tour film Reyner Banham Loves Los Angeles (UK,1972). Schave, a former student of Banham, elaborates on his professor’s research by showing excerpts of the film in comparison with his own documentary photography. In particular, he explores(...)
Learning from... Los Angeles
Actions:
Description:
Los Angeles-based historian and tour guide Richard Schave examines developments in Los Angeles in the 35 years since the landmark urban tour film Reyner Banham Loves Los Angeles (UK,1972). Schave, a former student of Banham, elaborates on his professor’s research by showing excerpts of the film in comparison with his own documentary photography. In particular, he explores(...)
Form:
events
events
Date:
28 May 2009
28 May 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Level of archival description:
Project
Project
Title:
Un dictionnaire
Un dictionnaire
Actions:
Reference number:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
People:
Date:
1970-2001
1970-2001
Title:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Level of archival description:
Project
Project
Date:
1970-2001
1970-2001
People:
Form:
textual records
textual records
Title:
Toyama ’92 JET 92 CG graphic
Toyama ’92 JET 92 CG graphic
Actions:
Reference number:
ARCH269524
Description:
This group is composed of a copy of an article from an unidentified publication and 2 presentation drawings. The article is about 4 "performing" spaces by Shoei Yoh: Prospecta '92, Aspecta, Pyramid of the Sea and the Seibu Gas Phenomenart Museum. The presentation drawings are renderings of the Galaxy Toyama Gymnasium and the Toyama Prospecta '92 Observatory Tower.
ARCH269524
Description:
This group is composed of a copy of an article from an unidentified publication and 2 presentation drawings. The article is about 4 "performing" spaces by Shoei Yoh: Prospecta '92, Aspecta, Pyramid of the Sea and the Seibu Gas Phenomenart Museum. The presentation drawings are renderings of the Galaxy Toyama Gymnasium and the Toyama Prospecta '92 Observatory Tower.
People:
Title:
Toyama ’92 JET 92 CG graphic
Actions:
ARCH269524
Description:
This group is composed of a copy of an article from an unidentified publication and 2 presentation drawings. The article is about 4 "performing" spaces by Shoei Yoh: Prospecta '92, Aspecta, Pyramid of the Sea and the Seibu Gas Phenomenart Museum. The presentation drawings are renderings of the Galaxy Toyama Gymnasium and the Toyama Prospecta '92 Observatory Tower.
Toyama ’92 JET 92 CG graphic
Actions:
ARCH269524
Description:
This group is composed of a copy of an article from an unidentified publication and 2 presentation drawings. The article is about 4 "performing" spaces by Shoei Yoh: Prospecta '92, Aspecta, Pyramid of the Sea and the Seibu Gas Phenomenart Museum. The presentation drawings are renderings of the Galaxy Toyama Gymnasium and the Toyama Prospecta '92 Observatory Tower.
Form:
textual records
textual records
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Bernard Tschumi fonds
Bernard Tschumi fonds
Actions:
Reference number:
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
People:
Date:
circa 1964-2015
circa 1964-2015
Title:
Bernard Tschumi fonds
Actions:
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1964-2015
circa 1964-2015
People:
