5369 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
John Hejduk fonds
John Hejduk fonds
Reference number:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
People:
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
Title:
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
People:
Date:
1991-1994
1991-1994
Title:
Personal and professional correspondence for names L-T from 1991-1994
Actions:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
Personal and professional correspondence for names L-T from 1991-1994
Actions:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
Form:
textual records
textual records
Date:
1991-1994
1991-1994
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Douglas Kelbaugh fonds
Douglas Kelbaugh fonds
Reference number:
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
People:
Date:
1970-2008
1970-2008
Title:
Douglas Kelbaugh fonds
Actions:
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
Douglas Kelbaugh fonds
Actions:
AP153
Synopsis:
The Douglas Kelbaugh fonds documents the professional practice of architect Douglas Kelbaugh from the beginning of his carreer in 1973, his partnership in the Kelbaugh + Lee Architects firm, in 1978, to his late projects in the 1990s. The documents in the fonds consist of drawings, textual records, photographs and panels relating to over 20 projects, predominantly his work in sustainable architecture in the United States from the early 1970s to the mid 1990s.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1970-2008
1970-2008
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
People:
Date:
1971-2017
1971-2017
Title:
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Level of archival description:
Project
Project
Date:
1971-2017
1971-2017
People:
Form:
events
events
Actions:
Description:
As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
Location:
Paul Demarais Theatre
Paul Demarais Theatre
Date:
1 December 2016, 6pm
1 December 2016, 6pm
Title:
In the Frontiers of Climate Change (Toward a Politics of Nonhuman Rights)
Actions:
Description:
As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
In the Frontiers of Climate Change (Toward a Politics of Nonhuman Rights)
Actions:
Description:
As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
Form:
events
events
Date:
1 December 2016
6pm
1 December 2016
6pm
Location:
Paul Demarais Theatre
Paul Demarais Theatre
Level of archival description:
Project
Project
Actions:
Reference number:
AP163.S2.SS1.D3
Description:
File documents Victor Prus's project for the International Calvert House Competition for the Canadian Home of Tomorrow, sponsored by the School of Architecture of McGill University and for which he obtained an honorable mention. Material in this file was produced in 1954. The file contains originals drawings and a presentation panel.
AP163.S2.SS1.D3
Description:
File documents Victor Prus's project for the International Calvert House Competition for the Canadian Home of Tomorrow, sponsored by the School of Architecture of McGill University and for which he obtained an honorable mention. Material in this file was produced in 1954. The file contains originals drawings and a presentation panel.
People:
Date:
1954
1954
Title:
International Calvert House Competition
Actions:
AP163.S2.SS1.D3
Description:
File documents Victor Prus's project for the International Calvert House Competition for the Canadian Home of Tomorrow, sponsored by the School of Architecture of McGill University and for which he obtained an honorable mention. Material in this file was produced in 1954. The file contains originals drawings and a presentation panel.
International Calvert House Competition
Actions:
AP163.S2.SS1.D3
Description:
File documents Victor Prus's project for the International Calvert House Competition for the Canadian Home of Tomorrow, sponsored by the School of Architecture of McGill University and for which he obtained an honorable mention. Material in this file was produced in 1954. The file contains originals drawings and a presentation panel.
Level of archival description:
File 3
File 3
Date:
1954
1954
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Max Wolfe Roth fonds
Max Wolfe Roth fonds
Actions:
Reference number:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
People:
Date:
1933-2000
1933-2000
Title:
Max Wolfe Roth fonds
Actions:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Max Wolfe Roth fonds
Actions:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-2000
1933-2000
People:
Form:
photographs
Quantity:
57 photographic material(s)
photographs
Quantity:
57 photographic material(s)
Title:
David S. Ingalls Rink, Yale University, New Haven, Connecticut: Model and construction photographs
David S. Ingalls Rink, Yale University, New Haven, Connecticut: Model and construction photographs
Actions:
Reference number:
DR2007:0082
Description:
Group includes: 37 photographs and the corresponding negatives (on 7 strips) of the construction of the Yale University hockey rink (1957); 8 photographs and 9 negatives (on 3 strips) of a presentation model of the same hockey rink (1956); and 2 photographs of students from the University of Toronto`s School of Architecture visiting Phillip Johnson at the Glass House (1948).
DR2007:0082
Description:
Group includes: 37 photographs and the corresponding negatives (on 7 strips) of the construction of the Yale University hockey rink (1957); 8 photographs and 9 negatives (on 3 strips) of a presentation model of the same hockey rink (1956); and 2 photographs of students from the University of Toronto`s School of Architecture visiting Phillip Johnson at the Glass House (1948).
People:
Date:
1948, 1956-1957
1948, 1956-1957
Title:
David S. Ingalls Rink, Yale University, New Haven, Connecticut: Model and construction photographs
Actions:
DR2007:0082
Description:
Group includes: 37 photographs and the corresponding negatives (on 7 strips) of the construction of the Yale University hockey rink (1957); 8 photographs and 9 negatives (on 3 strips) of a presentation model of the same hockey rink (1956); and 2 photographs of students from the University of Toronto`s School of Architecture visiting Phillip Johnson at the Glass House (1948).
David S. Ingalls Rink, Yale University, New Haven, Connecticut: Model and construction photographs
Actions:
DR2007:0082
Description:
Group includes: 37 photographs and the corresponding negatives (on 7 strips) of the construction of the Yale University hockey rink (1957); 8 photographs and 9 negatives (on 3 strips) of a presentation model of the same hockey rink (1956); and 2 photographs of students from the University of Toronto`s School of Architecture visiting Phillip Johnson at the Glass House (1948).
Form:
photographs
Quantity:
57 photographic material(s)
photographs
Quantity:
57 photographic material(s)
Date:
1948, 1956-1957
1948, 1956-1957
People:
Level of archival description:
Project
Project
Title:
Venic
Venic
Reference number:
AP144.S2.D184
Description:
File documents Price's involvement in the 7th International Architectural Exhibition (also known as the Venice Biennale of Architecture) in Venice, Italy in 2000. Price was invited to participate and initially accepted, but later declined after reading the list of other participants. He subsequently made a presentation based on the work he had already done for the Biennale exhibits. This file includes material related to both the exhibits and the presentation. Material in this file was produced between 1999 and 2000. File contains conceptual drawings, presentation panels and textual records.
AP144.S2.D184
Description:
File documents Price's involvement in the 7th International Architectural Exhibition (also known as the Venice Biennale of Architecture) in Venice, Italy in 2000. Price was invited to participate and initially accepted, but later declined after reading the list of other participants. He subsequently made a presentation based on the work he had already done for the Biennale exhibits. This file includes material related to both the exhibits and the presentation. Material in this file was produced between 1999 and 2000. File contains conceptual drawings, presentation panels and textual records.
People:
Date:
1999-2000
1999-2000
Title:
Venic
Actions:
AP144.S2.D184
Description:
File documents Price's involvement in the 7th International Architectural Exhibition (also known as the Venice Biennale of Architecture) in Venice, Italy in 2000. Price was invited to participate and initially accepted, but later declined after reading the list of other participants. He subsequently made a presentation based on the work he had already done for the Biennale exhibits. This file includes material related to both the exhibits and the presentation. Material in this file was produced between 1999 and 2000. File contains conceptual drawings, presentation panels and textual records.
Venic
Actions:
AP144.S2.D184
Description:
File documents Price's involvement in the 7th International Architectural Exhibition (also known as the Venice Biennale of Architecture) in Venice, Italy in 2000. Price was invited to participate and initially accepted, but later declined after reading the list of other participants. He subsequently made a presentation based on the work he had already done for the Biennale exhibits. This file includes material related to both the exhibits and the presentation. Material in this file was produced between 1999 and 2000. File contains conceptual drawings, presentation panels and textual records.
Level of archival description:
File 184
File 184
Date:
1999-2000
1999-2000
People:
Form:
exhibitions
exhibitions
Description:
The exhibition presents a work by American artist Lewis Baltz that provokes critical thought on the relationships between architecture, landscape, and photography. The New Industrial Parks is part of a monographic series developed in the 1970s (The Tract Houses, Maryland, Nevada and Park City) that deals with wide-ranging cultural and philosophical questions about(...)
The exhibition presents a work by American artist Lewis Baltz that provokes critical thought on the relationships between architecture, landscape, and photography. The New Industrial Parks is part of a monographic series developed in the 1970s (The Tract Houses, Maryland, Nevada and Park City) that deals with wide-ranging cultural and philosophical questions about(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
18 April 2002 to 29 September 2002
18 April 2002 to 29 September 2002
Title:
Lewis Baltz: The New Industrial Parks Near Irvine, California
Actions:
Description:
The exhibition presents a work by American artist Lewis Baltz that provokes critical thought on the relationships between architecture, landscape, and photography. The New Industrial Parks is part of a monographic series developed in the 1970s (The Tract Houses, Maryland, Nevada and Park City) that deals with wide-ranging cultural and philosophical questions about(...)
Lewis Baltz: The New Industrial Parks Near Irvine, California
Actions:
Description:
The exhibition presents a work by American artist Lewis Baltz that provokes critical thought on the relationships between architecture, landscape, and photography. The New Industrial Parks is part of a monographic series developed in the 1970s (The Tract Houses, Maryland, Nevada and Park City) that deals with wide-ranging cultural and philosophical questions about(...)
Form:
exhibitions
exhibitions
Date:
18 April 2002 to
29 September 2002
18 April 2002 to
29 September 2002
Location:
Octagonal gallery
Octagonal gallery
