4194 Results
Form:
journals and magazines, photographs
journals and magazines, photographs
Title:
Periodicals
Periodicals
Actions:
Reference number:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
People:
Date:
circa 1957-2015
circa 1957-2015
Title:
Periodicals
Actions:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Periodicals
Actions:
AP197.S2.035
Description:
This box consists of journals and magazines. Publications include: Architectural Competitions in Finland (1985); Journal of the Potlatch Lab, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (2011), Avery News, Columbia Graduate School of Architecture, Planning and Preservation (GSAPP) (1988); Arata Isozaki, GA Gallery (1983); Publication de arquitectura, Barcelona (1983); Garland Art and Architecture(1991); Papeles de Campanar (1987); ICA Bulletin (1966); the RSA Journal (1988); le Carré Bleu (1962-1963); the Concrete Quarterly (1957); and more.
Form:
journals and magazines, photographs
journals and magazines, photographs
Date:
circa 1957-2015
circa 1957-2015
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP149
Synopsis:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
AP149
Synopsis:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
People:
Date:
1947, 1970-2012
1947, 1970-2012
Title:
Minimum Cost Housing Group fonds
Actions:
AP149
Synopsis:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
Minimum Cost Housing Group fonds
Actions:
AP149
Synopsis:
The Minimum Cost Housing Group fonds documents the publications related to the research projects for low-cost housing and energy conservation undertaken by the Minimum Cost Housing Group of the McGill School of Architecture from the early 1970s to the early 2000s. The documents in the fonds consist of textual records, photographs and artefacts relating to over 20 of the group's publications, theses, research papers, offices records and reference material.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947, 1970-2012
1947, 1970-2012
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Actions:
Reference number:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
People:
Date:
2003-2008
2003-2008
Title:
Aldo Cibic Microrealities project collection
Actions:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Aldo Cibic Microrealities project collection
Actions:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Form:
archives
Level of archival description:
collection
archives
Level of archival description:
collection
Date:
2003-2008
2003-2008
People:
Level of archival description:
Series
Series
Title:
Academic works
Academic works
Actions:
Reference number:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
People:
Date:
1995-2011
1995-2011
Title:
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Academic works
Actions:
AP169.S3
Description:
Series 3, Academic works, 1995 - 2011, relates to Bernard Cache’s work as a scholar and author. This series includes born-digital material and chiefly dates from 1999 to 2007. Cache pursued and academic career, teaching and lecturing at many universities while also publishing books and articles. His area of interest revolves around computational architecture, geometrics, history of geometric, stereotomy, engineering and philosophy. These records depict his investment in the study of the relation between ancient theory and the field of computational architecture drawings with CAD or BIM software. His work concentrates on prominent figures such as Greek mathematician Euclid to Roman architect Vitruvius and German painter and theorist Albrecht Dürer. Materials in this series reflect Bernard Cache’s work as a scholar. This includes notes for his articles and lectures as well as drafts for different lectures and texts. It also contains syllabi and planning materials for classes given by Cache on Non-Standard Design and Production in Architecture. The series holds a significant amount of images used for presentation or as examples during those lectures and classes (in JPEG and BMP formats). Those images are for the most part derived from CAD original drawings in TopSolid.
Level of archival description:
Series
Series
Date:
1995-2011
1995-2011
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
People:
Date:
2001-2016
2001-2016
Title:
Preston Scott Cohen Eyebeam project records
Actions:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Preston Scott Cohen Eyebeam project records
Actions:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2001-2016
2001-2016
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
People:
Date:
circa 1970-2015
circa 1970-2015
Title:
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Paper/Midwestern Ocean (1970)
Actions:
AP207.S1.1970.PR02
Description:
This project series documents Pettena's installation "Paper/Midwestern Ocean" initially presented in 1971 at the Minneapolis College of Art and Design. The installation consists of strips of paper hanging from strings that fill the entire room. Participants are invited to cut their way into the room with a pair of scissors and all join together in the centre of the room to create an open space. The participants then all gather in the central space where Pettena gives a lecture while the audience sits on the piles of cut paper covering the floor. This installation was also presented in seven other editions from 2009 to 2017, including in the exhibition "The Death of the Audience" in Vienna; Secession in 2009; in the exhibition "Erre. Variations Labyrinthiques" at the Centre Pompidou in Metz in 2011-2012; and in the exhibition "Architetture Naturali/Gianni Pettena" at Kunst Meran in 2017. The project series contains a drawing, photographs of the first edition of the installation at the Minneapolis College of Art and Design, and photographs of the five following editions from 2009 to 2013. Source: Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-paper-midwestern-1971-1/ (last accessed 4 November 2019)
Level of archival description:
Project
Project
Date:
circa 1970-2015
circa 1970-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
People:
Date:
1973-2017
1973-2017
Title:
Spazio Vuoto Riservato A Gianni Pettena [Empty Space Reserved for Gianni Pettena] (1973)
Actions:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Spazio Vuoto Riservato A Gianni Pettena [Empty Space Reserved for Gianni Pettena] (1973)
Actions:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Level of archival description:
Project
Project
Date:
1973-2017
1973-2017
People:
Form:
articles
articles
Title:
Unintended Memories
Unintended Memories
Actions:
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Keyword(s):
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Naoya Hatakeyama, conversation, oral history
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Naoya Hatakeyama, conversation, oral history
Published:
11 September 2023
11 September 2023
Title:
Unintended Memories
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Actions:
Unintended Memories
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Actions:
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Reference number:
AP197.S4.007
Description:
The box contains personal and professional photographs of Kenneth Frampton with family and architects at various events as well as professional headshots. Included in this box are photographs of Frampton with Mario Botta, Glenn Murcutt and Jospeph Rykwert as well as photographs of Frampton presenting at the Chandigarh conference (1999) and a picture of his great grandfather. Also included are certificates such as UIA 2011 Jean Tschumi prize and the Architectural League President's medal citation. The last several files in this box consist of drawings by various architects that were given to Frampton as gifts.
AP197.S4.007
Description:
The box contains personal and professional photographs of Kenneth Frampton with family and architects at various events as well as professional headshots. Included in this box are photographs of Frampton with Mario Botta, Glenn Murcutt and Jospeph Rykwert as well as photographs of Frampton presenting at the Chandigarh conference (1999) and a picture of his great grandfather. Also included are certificates such as UIA 2011 Jean Tschumi prize and the Architectural League President's medal citation. The last several files in this box consist of drawings by various architects that were given to Frampton as gifts.
People:
Date:
circa 1960-2016
circa 1960-2016
Title:
Kenneth Frampton photographs, certificates, and gifts
Actions:
AP197.S4.007
Description:
The box contains personal and professional photographs of Kenneth Frampton with family and architects at various events as well as professional headshots. Included in this box are photographs of Frampton with Mario Botta, Glenn Murcutt and Jospeph Rykwert as well as photographs of Frampton presenting at the Chandigarh conference (1999) and a picture of his great grandfather. Also included are certificates such as UIA 2011 Jean Tschumi prize and the Architectural League President's medal citation. The last several files in this box consist of drawings by various architects that were given to Frampton as gifts.
Kenneth Frampton photographs, certificates, and gifts
Actions:
AP197.S4.007
Description:
The box contains personal and professional photographs of Kenneth Frampton with family and architects at various events as well as professional headshots. Included in this box are photographs of Frampton with Mario Botta, Glenn Murcutt and Jospeph Rykwert as well as photographs of Frampton presenting at the Chandigarh conference (1999) and a picture of his great grandfather. Also included are certificates such as UIA 2011 Jean Tschumi prize and the Architectural League President's medal citation. The last several files in this box consist of drawings by various architects that were given to Frampton as gifts.
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Date:
circa 1960-2016
circa 1960-2016
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Kiran Mukerji Collection
Kiran Mukerji Collection
Actions:
Reference number:
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
People:
Date:
1972-2013
1972-2013
Title:
Kiran Mukerji Collection
Actions:
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
Kiran Mukerji Collection
Actions:
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1972-2013
1972-2013
People:
