16754 Results
Form:
drawings
drawings
Actions:
Reference number:
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
People:
Subject:
architecture
architecture
Date:
1952-1953
1952-1953
Title:
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Form:
drawings
drawings
Date:
1952-1953
1952-1953
People:
Subject:
architecture
architecture
Form:
drawings
drawings
Actions:
Reference number:
DR1996:0010
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0010
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
People:
Subject:
architecture
architecture
Date:
1952-1953
1952-1953
Title:
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0010
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0010
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Form:
drawings
drawings
Date:
1952-1953
1952-1953
People:
Subject:
architecture
architecture
Form:
drawings
drawings
Reference number:
DR1996:0012
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0012
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
People:
Subject:
architecture
architecture
Date:
May 1953
May 1953
Title:
Specifications for Village Polychrome, near Biot, France
Actions:
DR1996:0012
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Specifications for Village Polychrome, near Biot, France
Actions:
DR1996:0012
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Form:
drawings
drawings
Date:
May 1953
May 1953
People:
Subject:
architecture
architecture
Form:
textual records
textual records
Title:
Portfolio of projects
Portfolio of projects
Actions:
Reference number:
ARCH270979
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1986 to 2006. It includes these projects: - Colegio oficial de architecturos Extremadura, Badajoz; - Viviendas, locales y garajes en la M-30, Madrid (AP164.S1.1988.D3); - Edificio de oficinas de RENFE (AP164.S1.1989.D3); - Edificio administrativo por el Ministerio del Interior, Madrid (AP164.S1.1990.D3); - Palencia Parque Europa (AP164.S1.1991.D2); - Casa Gordillo (AP164.S1.1993.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez (AP164.S1.1996.D4); - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Museo arqueológico Alicante (AP164.S1.1999.D2); - Centro universitario en Mérida (AP164.S1.1999.D4); - Estación Zaragoza (AP164.S1.1999.D5); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Jardines Valdemingómez, Madrid (AP164.S1.2000.D4); - Es Pil•larí (AP164.S1.2000.D5); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Barcelona Forum 2004 : Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Barcelona Forum 2004: Bancos Xurret (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Bancos Pep (AP164.S1.2000.D9.SD1); - Complejo de justicia, Aachen (AP164.S1.2001.D1); - Casa Marina Collazo (AP164.S1.2001.D3); - Southbank Londres (AP164.S1.2001.D4); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Ciudad Real (AP164.S1.2001.D8); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Parque Cristina Enea, San Sebastián (AP164.S1.2002.D3); - Parque Igara, San Sebastián (AP164.S1.2002.D4); - Operación Chamartin (AP164.S1.2002.D9); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Fira 2000 - Barcelona (AP164.S1.2002.D14); - Fisur-Getafe (AP164.S1.2002.D16); - New Museum de Arte Contemporaneo, New York (AP164.S1.2003.D1); - Casa Luna, Chile (AP164.S1.2003.D4); - Sagüés, San Sebastián (AP164.S1.2003.D5); - Reordenación del Max-Reinhardt Platz, Salzburg (AP164.S1.2003.D6); - Biblioteca de México, México D.F. (AP164.S1.2003.D7); - Metro de Málaga (AP164.S1.2003.D9); - Urbanización, ajardinamiento y paisajismo en el sector "La Lastra", León (AP164.S1.2003.D10); - Helipuerto Forum (AP164.S1.2003.D11); - The Collection building, Miami (AP164.S1.2003.D12); - Laboratorios de ciencias moleculares para la Universidad de Puerto Rico, San Juan (AP164.S1.2003.D13); - + Madrid. Desarrollo urbanistico del centro historico de Madrid y de las Orillas del rio Manzanares, Madrid (AP164.S1.2004.D16); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - Plan de ordenación territorial, Costa del Sol (AP164.S1.2004.D3); - Pepe Cobo II, galería de arte (AP164.S1.2004.D7); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Integración del Ferrocarril, Logroño (AP164.S1.2004.D10); - APTM Construmat (AP164.S1.2004.D14); - Colina artificial, International Architecture Biennale Rotterdam (AP164.S1.2005.D3); - 200 viviendas para jóvenes en la Sagrera; - 1000 viviendas en la Maquinista, Barcelona.
ARCH270979
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1986 to 2006. It includes these projects: - Colegio oficial de architecturos Extremadura, Badajoz; - Viviendas, locales y garajes en la M-30, Madrid (AP164.S1.1988.D3); - Edificio de oficinas de RENFE (AP164.S1.1989.D3); - Edificio administrativo por el Ministerio del Interior, Madrid (AP164.S1.1990.D3); - Palencia Parque Europa (AP164.S1.1991.D2); - Casa Gordillo (AP164.S1.1993.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez (AP164.S1.1996.D4); - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Museo arqueológico Alicante (AP164.S1.1999.D2); - Centro universitario en Mérida (AP164.S1.1999.D4); - Estación Zaragoza (AP164.S1.1999.D5); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Jardines Valdemingómez, Madrid (AP164.S1.2000.D4); - Es Pil•larí (AP164.S1.2000.D5); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Barcelona Forum 2004 : Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Barcelona Forum 2004: Bancos Xurret (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Bancos Pep (AP164.S1.2000.D9.SD1); - Complejo de justicia, Aachen (AP164.S1.2001.D1); - Casa Marina Collazo (AP164.S1.2001.D3); - Southbank Londres (AP164.S1.2001.D4); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Ciudad Real (AP164.S1.2001.D8); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Parque Cristina Enea, San Sebastián (AP164.S1.2002.D3); - Parque Igara, San Sebastián (AP164.S1.2002.D4); - Operación Chamartin (AP164.S1.2002.D9); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Fira 2000 - Barcelona (AP164.S1.2002.D14); - Fisur-Getafe (AP164.S1.2002.D16); - New Museum de Arte Contemporaneo, New York (AP164.S1.2003.D1); - Casa Luna, Chile (AP164.S1.2003.D4); - Sagüés, San Sebastián (AP164.S1.2003.D5); - Reordenación del Max-Reinhardt Platz, Salzburg (AP164.S1.2003.D6); - Biblioteca de México, México D.F. (AP164.S1.2003.D7); - Metro de Málaga (AP164.S1.2003.D9); - Urbanización, ajardinamiento y paisajismo en el sector "La Lastra", León (AP164.S1.2003.D10); - Helipuerto Forum (AP164.S1.2003.D11); - The Collection building, Miami (AP164.S1.2003.D12); - Laboratorios de ciencias moleculares para la Universidad de Puerto Rico, San Juan (AP164.S1.2003.D13); - + Madrid. Desarrollo urbanistico del centro historico de Madrid y de las Orillas del rio Manzanares, Madrid (AP164.S1.2004.D16); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - Plan de ordenación territorial, Costa del Sol (AP164.S1.2004.D3); - Pepe Cobo II, galería de arte (AP164.S1.2004.D7); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Integración del Ferrocarril, Logroño (AP164.S1.2004.D10); - APTM Construmat (AP164.S1.2004.D14); - Colina artificial, International Architecture Biennale Rotterdam (AP164.S1.2005.D3); - 200 viviendas para jóvenes en la Sagrera; - 1000 viviendas en la Maquinista, Barcelona.
People:
Date:
circa 2005
circa 2005
Title:
Portfolio of projects
Actions:
ARCH270979
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1986 to 2006. It includes these projects: - Colegio oficial de architecturos Extremadura, Badajoz; - Viviendas, locales y garajes en la M-30, Madrid (AP164.S1.1988.D3); - Edificio de oficinas de RENFE (AP164.S1.1989.D3); - Edificio administrativo por el Ministerio del Interior, Madrid (AP164.S1.1990.D3); - Palencia Parque Europa (AP164.S1.1991.D2); - Casa Gordillo (AP164.S1.1993.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez (AP164.S1.1996.D4); - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Museo arqueológico Alicante (AP164.S1.1999.D2); - Centro universitario en Mérida (AP164.S1.1999.D4); - Estación Zaragoza (AP164.S1.1999.D5); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Jardines Valdemingómez, Madrid (AP164.S1.2000.D4); - Es Pil•larí (AP164.S1.2000.D5); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Barcelona Forum 2004 : Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Barcelona Forum 2004: Bancos Xurret (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Bancos Pep (AP164.S1.2000.D9.SD1); - Complejo de justicia, Aachen (AP164.S1.2001.D1); - Casa Marina Collazo (AP164.S1.2001.D3); - Southbank Londres (AP164.S1.2001.D4); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Ciudad Real (AP164.S1.2001.D8); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Parque Cristina Enea, San Sebastián (AP164.S1.2002.D3); - Parque Igara, San Sebastián (AP164.S1.2002.D4); - Operación Chamartin (AP164.S1.2002.D9); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Fira 2000 - Barcelona (AP164.S1.2002.D14); - Fisur-Getafe (AP164.S1.2002.D16); - New Museum de Arte Contemporaneo, New York (AP164.S1.2003.D1); - Casa Luna, Chile (AP164.S1.2003.D4); - Sagüés, San Sebastián (AP164.S1.2003.D5); - Reordenación del Max-Reinhardt Platz, Salzburg (AP164.S1.2003.D6); - Biblioteca de México, México D.F. (AP164.S1.2003.D7); - Metro de Málaga (AP164.S1.2003.D9); - Urbanización, ajardinamiento y paisajismo en el sector "La Lastra", León (AP164.S1.2003.D10); - Helipuerto Forum (AP164.S1.2003.D11); - The Collection building, Miami (AP164.S1.2003.D12); - Laboratorios de ciencias moleculares para la Universidad de Puerto Rico, San Juan (AP164.S1.2003.D13); - + Madrid. Desarrollo urbanistico del centro historico de Madrid y de las Orillas del rio Manzanares, Madrid (AP164.S1.2004.D16); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - Plan de ordenación territorial, Costa del Sol (AP164.S1.2004.D3); - Pepe Cobo II, galería de arte (AP164.S1.2004.D7); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Integración del Ferrocarril, Logroño (AP164.S1.2004.D10); - APTM Construmat (AP164.S1.2004.D14); - Colina artificial, International Architecture Biennale Rotterdam (AP164.S1.2005.D3); - 200 viviendas para jóvenes en la Sagrera; - 1000 viviendas en la Maquinista, Barcelona.
Portfolio of projects
Actions:
ARCH270979
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1986 to 2006. It includes these projects: - Colegio oficial de architecturos Extremadura, Badajoz; - Viviendas, locales y garajes en la M-30, Madrid (AP164.S1.1988.D3); - Edificio de oficinas de RENFE (AP164.S1.1989.D3); - Edificio administrativo por el Ministerio del Interior, Madrid (AP164.S1.1990.D3); - Palencia Parque Europa (AP164.S1.1991.D2); - Casa Gordillo (AP164.S1.1993.D2); - Ordenación del área de Abandoibarra, Bilbao (AP164.S1.1993.D5); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Planta de reciclaje de residuos urbanos de Valdemingómez (AP164.S1.1996.D4); - Recualificación del espacio público de Ramos, Rio de Janeiro (AP164.S1.1997.D7); - Delegación de hacienda, Almería (AP164.S1.1997.D8); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Sala municipal y plaza en Colmenarejo, Madrid (AP164.S1.1997.D11); - Museo arqueológico Alicante (AP164.S1.1999.D2); - Centro universitario en Mérida (AP164.S1.1999.D4); - Estación Zaragoza (AP164.S1.1999.D5); - El mirador: torre mixta en la bahía de Algeciras (AP164.S1.1999.D10); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Jardines Valdemingómez, Madrid (AP164.S1.2000.D4); - Es Pil•larí (AP164.S1.2000.D5); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Barcelona Forum 2004 : Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Barcelona Forum 2004: Bancos Xurret (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Bancos Pep (AP164.S1.2000.D9.SD1); - Complejo de justicia, Aachen (AP164.S1.2001.D1); - Casa Marina Collazo (AP164.S1.2001.D3); - Southbank Londres (AP164.S1.2001.D4); - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Ciudad Real (AP164.S1.2001.D8); - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria (AP164.S1.2002.D2); - Parque Cristina Enea, San Sebastián (AP164.S1.2002.D3); - Parque Igara, San Sebastián (AP164.S1.2002.D4); - Operación Chamartin (AP164.S1.2002.D9); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Fira 2000 - Barcelona (AP164.S1.2002.D14); - Fisur-Getafe (AP164.S1.2002.D16); - New Museum de Arte Contemporaneo, New York (AP164.S1.2003.D1); - Casa Luna, Chile (AP164.S1.2003.D4); - Sagüés, San Sebastián (AP164.S1.2003.D5); - Reordenación del Max-Reinhardt Platz, Salzburg (AP164.S1.2003.D6); - Biblioteca de México, México D.F. (AP164.S1.2003.D7); - Metro de Málaga (AP164.S1.2003.D9); - Urbanización, ajardinamiento y paisajismo en el sector "La Lastra", León (AP164.S1.2003.D10); - Helipuerto Forum (AP164.S1.2003.D11); - The Collection building, Miami (AP164.S1.2003.D12); - Laboratorios de ciencias moleculares para la Universidad de Puerto Rico, San Juan (AP164.S1.2003.D13); - + Madrid. Desarrollo urbanistico del centro historico de Madrid y de las Orillas del rio Manzanares, Madrid (AP164.S1.2004.D16); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - Plan de ordenación territorial, Costa del Sol (AP164.S1.2004.D3); - Pepe Cobo II, galería de arte (AP164.S1.2004.D7); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Integración del Ferrocarril, Logroño (AP164.S1.2004.D10); - APTM Construmat (AP164.S1.2004.D14); - Colina artificial, International Architecture Biennale Rotterdam (AP164.S1.2005.D3); - 200 viviendas para jóvenes en la Sagrera; - 1000 viviendas en la Maquinista, Barcelona.
Form:
textual records
textual records
Date:
circa 2005
circa 2005
People:
Form:
textual records
textual records
Reference number:
AP197.S1.SS9.004
Description:
The box is comprised of notes, drafts, articles and lectures by Kenneth Frampton. The materials are organized alphabetetically by either title or the architect's last name, from MO-Z. Subjects and architects explored in these texts include: William Morris; Robert Moses; Lewis Mumford; Glenn Murcutt; Museum of Modern Art; New York architecture; Oppositions and after; Felix Partner; Claude Perrault; Dimitri Pikionis; Alberto Ponis; purism; the rise and fall of the vernacular; the Rotterdam report; Scarborough College; SHIM Sutcliffe; Alvaro Siza; Luigi Snozzi; Spain's architecture; James Stirling; the street; style; Team 10; O.M. Ungers; and Harry Wolf.
AP197.S1.SS9.004
Description:
The box is comprised of notes, drafts, articles and lectures by Kenneth Frampton. The materials are organized alphabetetically by either title or the architect's last name, from MO-Z. Subjects and architects explored in these texts include: William Morris; Robert Moses; Lewis Mumford; Glenn Murcutt; Museum of Modern Art; New York architecture; Oppositions and after; Felix Partner; Claude Perrault; Dimitri Pikionis; Alberto Ponis; purism; the rise and fall of the vernacular; the Rotterdam report; Scarborough College; SHIM Sutcliffe; Alvaro Siza; Luigi Snozzi; Spain's architecture; James Stirling; the street; style; Team 10; O.M. Ungers; and Harry Wolf.
People:
Date:
circa 1967-2015
circa 1967-2015
Title:
Kenneth Frampton texts, articles and notes MO-Z
Actions:
AP197.S1.SS9.004
Description:
The box is comprised of notes, drafts, articles and lectures by Kenneth Frampton. The materials are organized alphabetetically by either title or the architect's last name, from MO-Z. Subjects and architects explored in these texts include: William Morris; Robert Moses; Lewis Mumford; Glenn Murcutt; Museum of Modern Art; New York architecture; Oppositions and after; Felix Partner; Claude Perrault; Dimitri Pikionis; Alberto Ponis; purism; the rise and fall of the vernacular; the Rotterdam report; Scarborough College; SHIM Sutcliffe; Alvaro Siza; Luigi Snozzi; Spain's architecture; James Stirling; the street; style; Team 10; O.M. Ungers; and Harry Wolf.
Kenneth Frampton texts, articles and notes MO-Z
Actions:
AP197.S1.SS9.004
Description:
The box is comprised of notes, drafts, articles and lectures by Kenneth Frampton. The materials are organized alphabetetically by either title or the architect's last name, from MO-Z. Subjects and architects explored in these texts include: William Morris; Robert Moses; Lewis Mumford; Glenn Murcutt; Museum of Modern Art; New York architecture; Oppositions and after; Felix Partner; Claude Perrault; Dimitri Pikionis; Alberto Ponis; purism; the rise and fall of the vernacular; the Rotterdam report; Scarborough College; SHIM Sutcliffe; Alvaro Siza; Luigi Snozzi; Spain's architecture; James Stirling; the street; style; Team 10; O.M. Ungers; and Harry Wolf.
Form:
textual records
textual records
Date:
circa 1967-2015
circa 1967-2015
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
People:
Subject:
interior design
interior design
Date:
1953
1953
Title:
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Form:
drawings
drawings
Date:
1953
1953
People:
Subject:
interior design
interior design
Form:
drawings
drawings
Actions:
Reference number:
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
People:
Subject:
interior design
interior design
Date:
1952-1953
1952-1953
Title:
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Form:
drawings
drawings
Date:
1952-1953
1952-1953
People:
Subject:
interior design
interior design
Form:
photographs
Quantity:
183 photograph(s)
photographs
Quantity:
183 photograph(s)
Actions:
Reference number:
PH1987:0633-0815
Description:
- This group of 183 photographs documents the study trip of September 1932 to the Soviet Union organized by André Bloc, editor of L'Architecture d'aujourd'hui (PH1987:0633-PH1987:0815). There are 162 views of buildings, 20 portraits, and one photograph of a perspective drawing for the House of Political Prisoners of Tsarism in Kharkov, Soviet Union (now Ukraine) (PH1987:0700). - There are 77 views of buildings in Kharkov, Zaporozhe and Kiev [?], Soviet Union (now Ukraine). The 32 views of buildings in Kharkov include: 14 views of Dzerzhinskaya Square showing the Department of Industry and Planning (Gosprom) buildings and/or the House of Planning Organizations buildings; six views of the Head Post Office; six views of workers' housing and the club-cafeteria of the Kharkov Tractor Plant (KhTZ) Settlement; four views of the Automated Telephone Station (ATS); and one view each of Revolution Theatre and industrial housing. Also included is one photograph of a perspective drawing for the House of Political Prisoners of Tsarism. -- The 44 views of buildings in Zaporozhe include: 28 views of the Dnieper Hydroelectric Power Station, one an interior view; one view of the Dneprostroi Head Office building; 12 views of communal housing, two showing the cafeteria; two views of an apartment house, and one view of a store entrance. -- There is one view of an entrance to a Dinamo Stadium, possibly in Kiev. - There are 55 views of buildings in Moscow and Leningrad (now Saint Petersburg), Soviet Union (now Russia). The 49 views of buildings in Moscow include: 20 views of the All-Union Electro-Technical Association administration building; 10 views of the VTsIK residential complex, including two views of the clubhouse; five views of the Narkomfin (People's Commissariat for Finance) Apartment Building; three views of Dinamo Stadium; two views of the Zuev Club (club for communal services workers); and one view each of Udarnik Cinema, Mechanized Canteen no. 1, a square with the Kremlin in the background, and the Hotel Octobre. There are also five views of communal housing in Moscow. -- The six views of buildings in Leningrad, Soviet Union (now Saint Petersburg, Russia) include four views of the Vyborgskaya Mechanized Canteen, one view of an apartment house, and one view of a park [?] entrance with the Admiralty in the background. - There are six views of buildings in Poland including: four views of the Central Institute of Physical Education in Warsaw, Poland and two views of an unidentified building. - There are 23 views of buildings whose location has not been determined including: 14 views of apartment houses, one of which is possibly a medical clinic; three views of communal services [?] building, two of which may be apartment houses; two views of a multifunctional building showing stores and apartments; and one view each of a Modernist house, a kiosk and church, an office or government office building, and an unidentified building. Also included is a view of a landscape showing a lake with mountains in the background. - There are 20 portraits of study tour partipants including 10 portraits taken in the train, four group portraits taken on a train stop in Hannover, Germany, two group portraits taken after a meeting of the Society for Foreign Cultural Relations (VOKS), and group portraits of study tour members in the Building Museum, Leningrad (now Saint Petersburg), at dinner in Warsaw, Poland, and in a garden pavilion. There is one portrait of Professor Einhorn delivering a lecture on Kharkov urbanisation in Kharkov.
PH1987:0633-0815
Description:
- This group of 183 photographs documents the study trip of September 1932 to the Soviet Union organized by André Bloc, editor of L'Architecture d'aujourd'hui (PH1987:0633-PH1987:0815). There are 162 views of buildings, 20 portraits, and one photograph of a perspective drawing for the House of Political Prisoners of Tsarism in Kharkov, Soviet Union (now Ukraine) (PH1987:0700). - There are 77 views of buildings in Kharkov, Zaporozhe and Kiev [?], Soviet Union (now Ukraine). The 32 views of buildings in Kharkov include: 14 views of Dzerzhinskaya Square showing the Department of Industry and Planning (Gosprom) buildings and/or the House of Planning Organizations buildings; six views of the Head Post Office; six views of workers' housing and the club-cafeteria of the Kharkov Tractor Plant (KhTZ) Settlement; four views of the Automated Telephone Station (ATS); and one view each of Revolution Theatre and industrial housing. Also included is one photograph of a perspective drawing for the House of Political Prisoners of Tsarism. -- The 44 views of buildings in Zaporozhe include: 28 views of the Dnieper Hydroelectric Power Station, one an interior view; one view of the Dneprostroi Head Office building; 12 views of communal housing, two showing the cafeteria; two views of an apartment house, and one view of a store entrance. -- There is one view of an entrance to a Dinamo Stadium, possibly in Kiev. - There are 55 views of buildings in Moscow and Leningrad (now Saint Petersburg), Soviet Union (now Russia). The 49 views of buildings in Moscow include: 20 views of the All-Union Electro-Technical Association administration building; 10 views of the VTsIK residential complex, including two views of the clubhouse; five views of the Narkomfin (People's Commissariat for Finance) Apartment Building; three views of Dinamo Stadium; two views of the Zuev Club (club for communal services workers); and one view each of Udarnik Cinema, Mechanized Canteen no. 1, a square with the Kremlin in the background, and the Hotel Octobre. There are also five views of communal housing in Moscow. -- The six views of buildings in Leningrad, Soviet Union (now Saint Petersburg, Russia) include four views of the Vyborgskaya Mechanized Canteen, one view of an apartment house, and one view of a park [?] entrance with the Admiralty in the background. - There are six views of buildings in Poland including: four views of the Central Institute of Physical Education in Warsaw, Poland and two views of an unidentified building. - There are 23 views of buildings whose location has not been determined including: 14 views of apartment houses, one of which is possibly a medical clinic; three views of communal services [?] building, two of which may be apartment houses; two views of a multifunctional building showing stores and apartments; and one view each of a Modernist house, a kiosk and church, an office or government office building, and an unidentified building. Also included is a view of a landscape showing a lake with mountains in the background. - There are 20 portraits of study tour partipants including 10 portraits taken in the train, four group portraits taken on a train stop in Hannover, Germany, two group portraits taken after a meeting of the Society for Foreign Cultural Relations (VOKS), and group portraits of study tour members in the Building Museum, Leningrad (now Saint Petersburg), at dinner in Warsaw, Poland, and in a garden pavilion. There is one portrait of Professor Einhorn delivering a lecture on Kharkov urbanisation in Kharkov.
People:
Subject:
architecture, engineering, portrait, urban planning
architecture, engineering, portrait, urban planning
Date:
September 1932
September 1932
Title:
Photographs of buildings and urban development taken during the Study Tour of September 1932 organized by André Bloc of L'Architecture d'aujourd'hui magazine, Soviet Union (now in Russia and Ukraine)
Actions:
PH1987:0633-0815
Description:
- This group of 183 photographs documents the study trip of September 1932 to the Soviet Union organized by André Bloc, editor of L'Architecture d'aujourd'hui (PH1987:0633-PH1987:0815). There are 162 views of buildings, 20 portraits, and one photograph of a perspective drawing for the House of Political Prisoners of Tsarism in Kharkov, Soviet Union (now Ukraine) (PH1987:0700). - There are 77 views of buildings in Kharkov, Zaporozhe and Kiev [?], Soviet Union (now Ukraine). The 32 views of buildings in Kharkov include: 14 views of Dzerzhinskaya Square showing the Department of Industry and Planning (Gosprom) buildings and/or the House of Planning Organizations buildings; six views of the Head Post Office; six views of workers' housing and the club-cafeteria of the Kharkov Tractor Plant (KhTZ) Settlement; four views of the Automated Telephone Station (ATS); and one view each of Revolution Theatre and industrial housing. Also included is one photograph of a perspective drawing for the House of Political Prisoners of Tsarism. -- The 44 views of buildings in Zaporozhe include: 28 views of the Dnieper Hydroelectric Power Station, one an interior view; one view of the Dneprostroi Head Office building; 12 views of communal housing, two showing the cafeteria; two views of an apartment house, and one view of a store entrance. -- There is one view of an entrance to a Dinamo Stadium, possibly in Kiev. - There are 55 views of buildings in Moscow and Leningrad (now Saint Petersburg), Soviet Union (now Russia). The 49 views of buildings in Moscow include: 20 views of the All-Union Electro-Technical Association administration building; 10 views of the VTsIK residential complex, including two views of the clubhouse; five views of the Narkomfin (People's Commissariat for Finance) Apartment Building; three views of Dinamo Stadium; two views of the Zuev Club (club for communal services workers); and one view each of Udarnik Cinema, Mechanized Canteen no. 1, a square with the Kremlin in the background, and the Hotel Octobre. There are also five views of communal housing in Moscow. -- The six views of buildings in Leningrad, Soviet Union (now Saint Petersburg, Russia) include four views of the Vyborgskaya Mechanized Canteen, one view of an apartment house, and one view of a park [?] entrance with the Admiralty in the background. - There are six views of buildings in Poland including: four views of the Central Institute of Physical Education in Warsaw, Poland and two views of an unidentified building. - There are 23 views of buildings whose location has not been determined including: 14 views of apartment houses, one of which is possibly a medical clinic; three views of communal services [?] building, two of which may be apartment houses; two views of a multifunctional building showing stores and apartments; and one view each of a Modernist house, a kiosk and church, an office or government office building, and an unidentified building. Also included is a view of a landscape showing a lake with mountains in the background. - There are 20 portraits of study tour partipants including 10 portraits taken in the train, four group portraits taken on a train stop in Hannover, Germany, two group portraits taken after a meeting of the Society for Foreign Cultural Relations (VOKS), and group portraits of study tour members in the Building Museum, Leningrad (now Saint Petersburg), at dinner in Warsaw, Poland, and in a garden pavilion. There is one portrait of Professor Einhorn delivering a lecture on Kharkov urbanisation in Kharkov.
Photographs of buildings and urban development taken during the Study Tour of September 1932 organized by André Bloc of L'Architecture d'aujourd'hui magazine, Soviet Union (now in Russia and Ukraine)
Actions:
PH1987:0633-0815
Description:
- This group of 183 photographs documents the study trip of September 1932 to the Soviet Union organized by André Bloc, editor of L'Architecture d'aujourd'hui (PH1987:0633-PH1987:0815). There are 162 views of buildings, 20 portraits, and one photograph of a perspective drawing for the House of Political Prisoners of Tsarism in Kharkov, Soviet Union (now Ukraine) (PH1987:0700). - There are 77 views of buildings in Kharkov, Zaporozhe and Kiev [?], Soviet Union (now Ukraine). The 32 views of buildings in Kharkov include: 14 views of Dzerzhinskaya Square showing the Department of Industry and Planning (Gosprom) buildings and/or the House of Planning Organizations buildings; six views of the Head Post Office; six views of workers' housing and the club-cafeteria of the Kharkov Tractor Plant (KhTZ) Settlement; four views of the Automated Telephone Station (ATS); and one view each of Revolution Theatre and industrial housing. Also included is one photograph of a perspective drawing for the House of Political Prisoners of Tsarism. -- The 44 views of buildings in Zaporozhe include: 28 views of the Dnieper Hydroelectric Power Station, one an interior view; one view of the Dneprostroi Head Office building; 12 views of communal housing, two showing the cafeteria; two views of an apartment house, and one view of a store entrance. -- There is one view of an entrance to a Dinamo Stadium, possibly in Kiev. - There are 55 views of buildings in Moscow and Leningrad (now Saint Petersburg), Soviet Union (now Russia). The 49 views of buildings in Moscow include: 20 views of the All-Union Electro-Technical Association administration building; 10 views of the VTsIK residential complex, including two views of the clubhouse; five views of the Narkomfin (People's Commissariat for Finance) Apartment Building; three views of Dinamo Stadium; two views of the Zuev Club (club for communal services workers); and one view each of Udarnik Cinema, Mechanized Canteen no. 1, a square with the Kremlin in the background, and the Hotel Octobre. There are also five views of communal housing in Moscow. -- The six views of buildings in Leningrad, Soviet Union (now Saint Petersburg, Russia) include four views of the Vyborgskaya Mechanized Canteen, one view of an apartment house, and one view of a park [?] entrance with the Admiralty in the background. - There are six views of buildings in Poland including: four views of the Central Institute of Physical Education in Warsaw, Poland and two views of an unidentified building. - There are 23 views of buildings whose location has not been determined including: 14 views of apartment houses, one of which is possibly a medical clinic; three views of communal services [?] building, two of which may be apartment houses; two views of a multifunctional building showing stores and apartments; and one view each of a Modernist house, a kiosk and church, an office or government office building, and an unidentified building. Also included is a view of a landscape showing a lake with mountains in the background. - There are 20 portraits of study tour partipants including 10 portraits taken in the train, four group portraits taken on a train stop in Hannover, Germany, two group portraits taken after a meeting of the Society for Foreign Cultural Relations (VOKS), and group portraits of study tour members in the Building Museum, Leningrad (now Saint Petersburg), at dinner in Warsaw, Poland, and in a garden pavilion. There is one portrait of Professor Einhorn delivering a lecture on Kharkov urbanisation in Kharkov.
Form:
photographs
Quantity:
183 photograph(s)
photographs
Quantity:
183 photograph(s)
Date:
September 1932
September 1932
People:
Subject:
architecture, engineering, portrait, urban planning
architecture, engineering, portrait, urban planning
Reference number:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
People:
Date:
1978-1980
1978-1980
Title:
Reviews, Announcements, Catalogues 1978-80
Actions:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
Reviews, Announcements, Catalogues 1978-80
Actions:
PHCON2002:0016:006
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence prior to his death in August 1978, as well as correspondence addressed to Jane Crawford, his widow, and Holly Solomon, the art dealer responsible for selling Matta-Clark's work following his death. Additionally, the binder includes exhibition catalogues and reviews, periodicals, memorabilia, photographic materials, and published interviews. Documents related to the following projects are included: The Caribbean Orange (1978); Untitled Cutting (Summer 1978) for Alanna Heiss's Twentieth Century Ruins; Jacob's Ladder (1977); Office Baroque (1977); Plaza Culturale (1977); and Untitled Cutting (Museum of Modern Art) (1978). Binder contains textual records, photographs, slides, and reprographic copies.
Date:
1978-1980
1978-1980
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP009
Synopsis:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
AP009
Synopsis:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
People:
Date:
1979-1983
1979-1983
Title:
Arcop Associates Maison Alcan project records
Actions:
AP009
Synopsis:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Arcop Associates Maison Alcan project records
Actions:
AP009
Synopsis:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1979-1983
1979-1983
People:
