2322 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Robert Duchesnay fonds
Robert Duchesnay fonds
Actions:
Reference number:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
People:
Date:
1985-1992
1985-1992
Title:
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1985-1992
1985-1992
People:
Form:
exhibitions
exhibitions
Title:
Starting From... The Suburbs
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Location:
Hall cases
Hall cases
Date:
16 February 2012 to 10 June 2012
16 February 2012 to 10 June 2012
Title:
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Form:
exhibitions
exhibitions
Date:
16 February 2012 to
10 June 2012
16 February 2012 to
10 June 2012
Location:
Hall cases
Hall cases
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre Jeanneret fonds
Pierre Jeanneret fonds
Reference number:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
People:
Date:
1870s-2011
1870s-2011
Title:
Pierre Jeanneret fonds
Actions:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Pierre Jeanneret fonds
Actions:
AP156
Synopsis:
Le Fonds Pierre Jeanneret documente la pratique professionnelle et la vie personnelle de l'architect Pierre Jeanneret de ses études et ses projets professionels en Europe à ses projets architecturaux à Chandigarh, en Inde. Les documents du Fonds consistent en des photographies, des dessins et des documents textuels relatifs à plus de 100 projets, principalement son travail pour le projet de la nouvelle ville de Chandigarh, en Inde, en 1951 à 1965. *** The Pierre Jeanneret fonds documents the professional practice and the personal life of architect Pierre Jeanneret from student and professional work in Europe to architectural projects in Chandigarh, India. The documents in the fonds consist of photographs, drawings and textual records relating to over 100 projects, predominantly his work for the project of the new city of Chandigarh, in India, in 1951 to 1965.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1870s-2011
1870s-2011
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
26 March 1997 to 1 June 1997
26 March 1997 to 1 June 1997
Title:
Richard Pare – Tadao Ando: The Colours of Light
Actions:
Description:
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Richard Pare – Tadao Ando: The Colours of Light
Actions:
Description:
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Form:
exhibitions
exhibitions
Date:
26 March 1997 to
1 June 1997
26 March 1997 to
1 June 1997
Location:
Octagonal gallery
Octagonal gallery
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Bauhaus in America fonds
Bauhaus in America fonds
Actions:
Reference number:
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
People:
Date:
circa 1930 - 2011
circa 1930 - 2011
Title:
Bauhaus in America fonds
Actions:
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Bauhaus in America fonds
Actions:
AP217
Synopsis:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1930 - 2011
circa 1930 - 2011
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Location:
Main galleries
Main galleries
Date:
25 January 1995 to 23 April 1995
25 January 1995 to 23 April 1995
Title:
The Photographs of Édouard Baldus: Landscapes and Monuments of France
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
The Photographs of Édouard Baldus: Landscapes and Monuments of France
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Form:
exhibitions
exhibitions
Date:
25 January 1995 to
23 April 1995
25 January 1995 to
23 April 1995
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Arrivals
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Location:
Hall cases
Hall cases
Date:
24 January 2008 to 23 March 2008
24 January 2008 to 23 March 2008
Title:
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Form:
exhibitions
exhibitions
Date:
24 January 2008 to
23 March 2008
24 January 2008 to
23 March 2008
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Location:
Hall cases
Hall cases
Date:
17 January 1990 to 22 April 1990
17 January 1990 to 22 April 1990
Title:
Process as Interpretation: Photographs from the CCA
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Process as Interpretation: Photographs from the CCA
Actions:
Description:
Process as Interpretation seeks to sharpen the viewer’s awareness through consideration of nearly identical but subtly different images. The exhibition presents seven pairs of images from the CCA collection. Although these pairs are printed from the same negative, careful comparison of the subtleties of cropping, scale, tonal gradations, and medium reveal the printing and(...)
Form:
exhibitions
exhibitions
Date:
17 January 1990 to
22 April 1990
17 January 1990 to
22 April 1990
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
Location:
Hall cases
Hall cases
Date:
22 April 2015 to 30 November 2015
22 April 2015 to 30 November 2015
Title:
The CCA in Photographs, 1987–2015
Actions:
Description:
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
The CCA in Photographs, 1987–2015
Actions:
Description:
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
Form:
exhibitions
exhibitions
Date:
22 April 2015 to
30 November 2015
22 April 2015 to
30 November 2015
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
21 April 1999 to 26 September 1999
21 April 1999 to 26 September 1999
Title:
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Form:
exhibitions
exhibitions
Date:
21 April 1999 to
26 September 1999
21 April 1999 to
26 September 1999
Location:
Octagonal gallery
Octagonal gallery
