8497 Results
Form:
articles
articles
Title:
Architecting a Change
Architecting a Change
Actions:
Federica Zambeletti in conversation with Arno Brandlhuber and Olaf Grawert
Issue:
Forces of Friction
Forces of Friction
Published:
9 December 2024
9 December 2024
Title:
Architecting a Change
Federica Zambeletti in conversation with Arno Brandlhuber and Olaf Grawert
Actions:
Architecting a Change
Federica Zambeletti in conversation with Arno Brandlhuber and Olaf Grawert
Actions:
Issue:
Forces of Friction
Forces of Friction
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Kenneth Frampton fonds
Kenneth Frampton fonds
Reference number:
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
People:
Date:
1958-2016
1958-2016
Title:
Kenneth Frampton fonds
Actions:
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Kenneth Frampton fonds
Actions:
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1958-2016
1958-2016
People:
Form:
events
events
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Date:
21 September 2017, 6:30pm
21 September 2017, 6:30pm
Title:
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Form:
events
events
Date:
21 September 2017
6:30pm
21 September 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Level of archival description:
Project
Project
Reference number:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
People:
Date:
circa 1981 - 1990
circa 1981 - 1990
Title:
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Level of archival description:
Project
Project
Date:
circa 1981 - 1990
circa 1981 - 1990
People:
Form:
events
events
Description:
Meat and dairy products are ubiquitous ingredients in the globe’s diet. However, the buildings that transform living beings into commodities are usually hidden from the public eye. The architecture of factory farming may seem anonymous and banal, and yet it is made possible by sophisticated technologies and practices of biosecurity. How was the design of intensive animal(...)
Meat and dairy products are ubiquitous ingredients in the globe’s diet. However, the buildings that transform living beings into commodities are usually hidden from the public eye. The architecture of factory farming may seem anonymous and banal, and yet it is made possible by sophisticated technologies and practices of biosecurity. How was the design of intensive animal(...)
Date:
20 July 2023, 6pm to 7:30pm
20 July 2023, 6pm to 7:30pm
Title:
Cages for non-humans: An architectural history of animal farming
Actions:
Description:
Meat and dairy products are ubiquitous ingredients in the globe’s diet. However, the buildings that transform living beings into commodities are usually hidden from the public eye. The architecture of factory farming may seem anonymous and banal, and yet it is made possible by sophisticated technologies and practices of biosecurity. How was the design of intensive animal(...)
Cages for non-humans: An architectural history of animal farming
Actions:
Description:
Meat and dairy products are ubiquitous ingredients in the globe’s diet. However, the buildings that transform living beings into commodities are usually hidden from the public eye. The architecture of factory farming may seem anonymous and banal, and yet it is made possible by sophisticated technologies and practices of biosecurity. How was the design of intensive animal(...)
Form:
events
events
Date:
20 July 2023
6pm to 7:30pm
20 July 2023
6pm to 7:30pm
Form:
exhibitions
exhibitions
Actions:
Description:
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Location:
Main galleries
Main galleries
Date:
14 June 1995 to 14 September 1995
14 June 1995 to 14 September 1995
Title:
Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960
Actions:
Description:
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960
Actions:
Description:
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Form:
exhibitions
exhibitions
Date:
14 June 1995 to
14 September 1995
14 June 1995 to
14 September 1995
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Rooms You May Have Missed reclaims the significance of inhabitation and is for that reason a collection of domestic spaces—entry porticos, kitchens, bedrooms, closets, dining rooms, courtyards, gardens, vestibules, living rooms, offices, dens, and washrooms—as reinvented in the work of two very different architects: Umberto Riva in Milan and Bijoy Jain in Mumbai. Common(...)
Rooms You May Have Missed reclaims the significance of inhabitation and is for that reason a collection of domestic spaces—entry porticos, kitchens, bedrooms, closets, dining rooms, courtyards, gardens, vestibules, living rooms, offices, dens, and washrooms—as reinvented in the work of two very different architects: Umberto Riva in Milan and Bijoy Jain in Mumbai. Common(...)
Location:
Main galleries
Main galleries
Date:
4 November 2014 to 19 April 2015
4 November 2014 to 19 April 2015
Title:
Rooms You May Have Missed
Actions:
Description:
Rooms You May Have Missed reclaims the significance of inhabitation and is for that reason a collection of domestic spaces—entry porticos, kitchens, bedrooms, closets, dining rooms, courtyards, gardens, vestibules, living rooms, offices, dens, and washrooms—as reinvented in the work of two very different architects: Umberto Riva in Milan and Bijoy Jain in Mumbai. Common(...)
Rooms You May Have Missed
Actions:
Description:
Rooms You May Have Missed reclaims the significance of inhabitation and is for that reason a collection of domestic spaces—entry porticos, kitchens, bedrooms, closets, dining rooms, courtyards, gardens, vestibules, living rooms, offices, dens, and washrooms—as reinvented in the work of two very different architects: Umberto Riva in Milan and Bijoy Jain in Mumbai. Common(...)
Form:
exhibitions
exhibitions
Date:
4 November 2014 to
19 April 2015
4 November 2014 to
19 April 2015
Location:
Main galleries
Main galleries
Form:
articles
articles
Actions:
Simphiwe Mlambo on surveillance architecture in Johannesburg
Title:
Black Bodies, (un)Safe Spaces
Simphiwe Mlambo on surveillance architecture in Johannesburg
Actions:
Black Bodies, (un)Safe Spaces
Simphiwe Mlambo on surveillance architecture in Johannesburg
Actions:
Issue:
Keep Safe
Keep Safe
Form:
exhibitions
exhibitions
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Location:
Main galleries
Main galleries
Date:
19 October 1994 to 8 January 1995
19 October 1994 to 8 January 1995
Title:
Urban Revisions: Current Projects for the Public Realm
Actions:
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Urban Revisions: Current Projects for the Public Realm
Actions:
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Form:
exhibitions
exhibitions
Date:
19 October 1994 to
8 January 1995
19 October 1994 to
8 January 1995
Location:
Main galleries
Main galleries
Form:
events
events
Title:
Devices of Design
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
18 November 2004 to 19 November 2004
18 November 2004 to 19 November 2004
Title:
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Form:
events
events
Date:
18 November 2004 to
19 November 2004
18 November 2004 to
19 November 2004
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
