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In the spring of 2010, the Brooklyn-based quarterly magazine Cabinet invited poet and cultural critic Wayne Koestenbaum to begin writing a regular column. Entitled "Legend," the column had a highly unusual premise. Every three months, the editors of the magazine would ask Koestenbaum to write one or more extended captions for a single photograph with which they had(...)
Notes on glaze: 18 photographic investigations
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In the spring of 2010, the Brooklyn-based quarterly magazine Cabinet invited poet and cultural critic Wayne Koestenbaum to begin writing a regular column. Entitled "Legend," the column had a highly unusual premise. Every three months, the editors of the magazine would ask Koestenbaum to write one or more extended captions for a single photograph with which they had provided him; drawn from obscure vernacular, commercial and scientific sources, all of the images were unfamiliar to the author. After 18 installments, Koestenbaum concluded his column in the winter of 2015. 'Notes on Glaze', featuring an introductory essay by the author, collects all the "Legend" columns, as well as their accompanying photographs. Refusing the distancing language of critical disinterest, Koestenbaum’s columns always locate the author in intimate proximity to the subjects portrayed in the photographs and to the impossibly variegated cast of characters—ranging from Debbie Reynolds to Duccio, the Dalai Lama to Barbra Streisand; from Hegel to Pee-wee Herman, and Emily Dickinson to Cicciolina—that pass through these texts.
Theory of Photography
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Jill Johnston- cultural critic, auto/biographer, and lesbian icon- began her career at the Village Voice as a critic of dance and performance, writing about Merce Cunningham, Martha Graham, the activities at Judson Church, Allan Kaprow and Happenings, Fluxus, and the downtown New York art scene. The column eventually became more personal than critical, allowing her to(...)
The disintegration of a critic
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Jill Johnston- cultural critic, auto/biographer, and lesbian icon- began her career at the Village Voice as a critic of dance and performance, writing about Merce Cunningham, Martha Graham, the activities at Judson Church, Allan Kaprow and Happenings, Fluxus, and the downtown New York art scene. The column eventually became more personal than critical, allowing her to discuss her life, her sexuality, and her politics. This book brings together thirty texts Johnston wrote for the Voice between 1960 and 1974, beginning with her early dance coverage and continuing though the time when, as she put it, "the column moved from the theatre of dance and happenings toward the theatre of my life." As Johnston abandoned an objective critical standpoint, her column interwove forms and formats, and political, literary, art-historical, and critical perspectives, taking turns and loops, reflecting its time and contexts- with the one constant being Johnston's unmistakable, witty, intimate voice. As a person and as a writer she pioneered a model that not only challenged notions of writerly appropriateness but also performed and created a new lesbian identity.
Art Theory
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76 pages, 1 leaf illustrations 33 cm
A Lyon, Par Iean Dvrant, 1572.
Oevvre de la diversite des termes, dont on vse en archítecture, reduict en ordre. Par Maistre Huges Sambin ...
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76 pages, 1 leaf illustrations 33 cm
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A Lyon, Par Iean Dvrant, 1572.
audio
Rahel Aima.
Description:
1 online resource.
[Place of publication not identified] : Momus, 2022.
audio
[Place of publication not identified] : Momus, 2022.
books
Description:
2 unnumbered pages, 196, [6] columns. illustrations, 16 plates
Kjøbenhavn, E. Baerentzen, 1870.
Ribe Domkirke; undersøgt og beskreven af Jacob Helms. Med XVI lithograferede tavler og traesnit i texten efter tegninger af Heinr. Hansen, Theophil. Hansen og V. Dahlerup. Udgivet med understøttelse af Kultusministeriet og af det Kongelige danske videnskabernes selskab.
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2 unnumbered pages, 196, [6] columns. illustrations, 16 plates
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Kjøbenhavn, E. Baerentzen, 1870.
books
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xvi pages, 1 leaf, 378 pages color frontispiece, plates (2 columns, 1 music) diagrams 24 cm
New York, Thomas Y. Crowell Company [©1929]
Aesthetic judgment, by D.W. Prall.
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xvi pages, 1 leaf, 378 pages color frontispiece, plates (2 columns, 1 music) diagrams 24 cm
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New York, Thomas Y. Crowell Company [©1929]
books
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2 volumes 246 plates (1 columns, including plans) 51 cm
Paris, Bance, 1857-64.
Parallèle des maisons de Paris construites depuis 1830 jusqu'à nos jours, dessiné et publié par Victor Calliat, architecte.
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2 volumes 246 plates (1 columns, including plans) 51 cm
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Paris, Bance, 1857-64.
books
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141 pages : color illustrations, plans (some color) ; 24 cm
Barcelona (Spain) : Monsa Publications, 2023., ©2023
A-frame : new concept / editor and project director, Anna Minguet.
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141 pages : color illustrations, plans (some color) ; 24 cm
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Barcelona (Spain) : Monsa Publications, 2023., ©2023
books
Description:
169, [2] pages, 33 unnumbered leaves of plates (1 columns, 1 folded) : illustrations, plans ; 30 cm
Moskva : Gos. arkhitekturnoe izd-vo, 1949.
Архитектура парков Кавказа и Крыма / А.И. Колесников. Arkhitektura parkov Kavkaza i Kryma / A.I. Kolesnikov.
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169, [2] pages, 33 unnumbered leaves of plates (1 columns, 1 folded) : illustrations, plans ; 30 cm
books
Moskva : Gos. arkhitekturnoe izd-vo, 1949.
books
Description:
x, 230 pages : illustrations, maps ; 24 cm.
New York : Guilford Press, ©1995.
Lewis Mumford and the ecological region : the politics of planning / Mark Luccarelli.
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x, 230 pages : illustrations, maps ; 24 cm.
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New York : Guilford Press, ©1995.