None
14 December 2017
Eve Blau, Richard Pare, and Phyllis Lambert on Photographic Evidence
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None
articles
articles
Information Archaeologies
Origins of the digital
Molly Wright Steenson, Cedric Price, Oxford Corner House, Generator, digital, archaeology of the digital, information
21 September 2020
Information Archaeologies
Molly Wright Steenson on Cedric Price's Oxford Corner House and Generator projects
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Origins of the digital
Cedric Price: Mean Time
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Octagonal gallery
19 October 1999 to 27 February 2000
Cedric Price: Mean Time
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British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Octagonal gallery
By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Octagonal gallery
30 January 2014 to 25 May 2014
Photographing the Arab City in the Nineteenth Century
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By the latter half of the nineteenth century, several pioneer photographers had travelled to the Middle East and North Africa, bringing back to Europe and North America images that captured the idea of the exotic. Whether in search of Nile temples, the Holy Land or Berber costumes; whether amateurs or pilgrims; whether part of scientific missions or commercial ventures,(...)
Octagonal gallery
3 August 2023, 6pm to 7:30pm
Documents of Displacement proposes to explore the notion of displacement and its diverse meanings and effects in photographic and video works of artists through the subjects documented or through their methodologies and processes. The artists invited for this series all live in North America, but develop work from a sense of displacement, whether by their cultural or(...)
Paul Desmarais Theatre Keyword(s):
Victor Arroyo, Documents of Displacement, Hester Keijser, photography, Cherán, P’urhépecha
7 December 2023, 6:30pm
Documents of Displacement III
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Documents of Displacement proposes to explore the notion of displacement and its diverse meanings and effects in photographic and video works of artists through the subjects documented or through their methodologies and processes. The artists invited for this series all live in North America, but develop work from a sense of displacement, whether by their cultural or(...)
Paul Desmarais Theatre Keyword(s):
Victor Arroyo, Documents of Displacement, Hester Keijser, photography, Cherán, P’urhépecha
articles
Near Documentary
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Jeff Wall, conversation, oral history
5 June 2023
Shaughnessy House
15 August 2018 to 21 August 2018
Shaughnessy House
This talk revisits the contested visual legacy of Michelangelo Antonioni’s 1972 documentary Chung Kuo, Cina by placing it within a broader network of Cold War–era encounters between Western filmmakers and a carefully stage-managed People’s Republic of China. Connecting Antonioni’s state-sanctioned visit with projects by Shirley MacLaine, Jean Painlevé, and Canadian(...)
Paul-Desmarais Theatre
22 January 2026, 6pm to 7:30pm
Screening of film excerpts and live annotation: Antonioni’s Chung Kuo, Cina (1972)
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Description:
This talk revisits the contested visual legacy of Michelangelo Antonioni’s 1972 documentary Chung Kuo, Cina by placing it within a broader network of Cold War–era encounters between Western filmmakers and a carefully stage-managed People’s Republic of China. Connecting Antonioni’s state-sanctioned visit with projects by Shirley MacLaine, Jean Painlevé, and Canadian(...)
Paul-Desmarais Theatre