13070 Results
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Reference number:
PHCON2003:0005:129:001
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. Inscriptions read: "ABC NEWS Rolls 63-65." Double perforated acetate roll.
PHCON2003:0005:129:001
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. Inscriptions read: "ABC NEWS Rolls 63-65." Double perforated acetate roll.
People:
Date:
1989
1989
Title:
16mm film recording of a Matta-Clark retrospective held at the MAC
Actions:
PHCON2003:0005:129:001
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. Inscriptions read: "ABC NEWS Rolls 63-65." Double perforated acetate roll.
16mm film recording of a Matta-Clark retrospective held at the MAC
Actions:
PHCON2003:0005:129:001
Description:
Film was made for the 1989 Musée d'art contemporain de Montréal, Québec showing of the exhibition "Gordon Matta-Clark: A Retrospective", organized by, and also held at, the Museum of Contemporary Art in Chicago, Illinois. Inscriptions read: "ABC NEWS Rolls 63-65." Double perforated acetate roll.
Date:
1989
1989
People:
Form:
exhibitions
exhibitions
Actions:
Description:
In this exhibition, a selection of contemporary publications and critical investigations lay the groundwork through which to explore the relationship between travel and design today, while selected items from the CCA collection offer a historiography of tourism.
In this exhibition, a selection of contemporary publications and critical investigations lay the groundwork through which to explore the relationship between travel and design today, while selected items from the CCA collection offer a historiography of tourism.
Date:
12 December 2019 to 15 November 2020
12 December 2019 to 15 November 2020
Title:
Detour: Alternative Readings of Travel
Actions:
Description:
In this exhibition, a selection of contemporary publications and critical investigations lay the groundwork through which to explore the relationship between travel and design today, while selected items from the CCA collection offer a historiography of tourism.
Detour: Alternative Readings of Travel
Actions:
Description:
In this exhibition, a selection of contemporary publications and critical investigations lay the groundwork through which to explore the relationship between travel and design today, while selected items from the CCA collection offer a historiography of tourism.
Form:
exhibitions
exhibitions
Date:
12 December 2019 to
15 November 2020
12 December 2019 to
15 November 2020
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1999.002
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, the Stedelijk Museum in Amsterdam, The Netherlands, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains working details and sketches of people.
AP178.S2.1999.002
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, the Stedelijk Museum in Amsterdam, The Netherlands, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains working details and sketches of people.
People:
Date:
February 1999
February 1999
Title:
Sketchbook 457: Hannover - Ceuta - Av. Ponte - Serralves
Actions:
AP178.S2.1999.002
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, the Stedelijk Museum in Amsterdam, The Netherlands, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains working details and sketches of people.
Sketchbook 457: Hannover - Ceuta - Av. Ponte - Serralves
Actions:
AP178.S2.1999.002
Description:
This sketchbook includes sketches and notes for the Museum of Contemporary Art of the Serralves Foundation in Porto, Portugal, the Stedelijk Museum in Amsterdam, The Netherlands, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains working details and sketches of people.
Form:
drawings
drawings
Date:
February 1999
February 1999
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
People:
Date:
1925
1925
Title:
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Level of archival description:
project
project
Date:
1925
1925
People:
Level of archival description:
Project
Project
Title:
Human Space (2012)
Human Space (2012)
Actions:
Reference number:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
People:
Date:
2011-2015
2011-2015
Title:
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Human Space (2012)
Actions:
AP207.S1.2012.PR06
Description:
The project series documents the installation "Human Wall", designed by Pettena for the Galleria Enrico Fornello in Milan in 2012. The installation consists of a wall made of handmade balls of clay on which the handprints from making the clay balls intentionally remain. "The physicality and action of constructing is also accentuated here by the use of a natural material, clay, whose malleability and lack of homogeneity in themselves generate architecture, an architecture that can however be directed toward a mental use of space." [1] Another edition of this installation was presented at the Utah Museum of Contemporary Art in Salt Lake City in 2012. The project series contains drawings showing the construction of the installation and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-space-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1983:0451:001-029
Description:
- Contemporary binding consists of purple, marbled, paper-covered boards and purple leather-covered spine and corners. There are gold gilt inscriptions and accents on the spine and cover. Endleaves are of blue marbled paper. Pages are of light brownish white paper. The album is comprised of 29 photographs.
PH1983:0451:001-029
Description:
- Contemporary binding consists of purple, marbled, paper-covered boards and purple leather-covered spine and corners. There are gold gilt inscriptions and accents on the spine and cover. Endleaves are of blue marbled paper. Pages are of light brownish white paper. The album is comprised of 29 photographs.
People:
Subject:
architecture, landscape architecture, sculpture
architecture, landscape architecture, sculpture
Date:
between ca. 1860 and 1880s
between ca. 1860 and 1880s
Title:
Album of views of palaces and gardens in Russia, including photographs of drawings
Actions:
PH1983:0451:001-029
Description:
- Contemporary binding consists of purple, marbled, paper-covered boards and purple leather-covered spine and corners. There are gold gilt inscriptions and accents on the spine and cover. Endleaves are of blue marbled paper. Pages are of light brownish white paper. The album is comprised of 29 photographs.
Album of views of palaces and gardens in Russia, including photographs of drawings
Actions:
PH1983:0451:001-029
Description:
- Contemporary binding consists of purple, marbled, paper-covered boards and purple leather-covered spine and corners. There are gold gilt inscriptions and accents on the spine and cover. Endleaves are of blue marbled paper. Pages are of light brownish white paper. The album is comprised of 29 photographs.
Form:
photographs
photographs
Date:
between ca. 1860 and 1880s
between ca. 1860 and 1880s
People:
Subject:
architecture, landscape architecture, sculpture
architecture, landscape architecture, sculpture
Form:
drawings
drawings
Actions:
Reference number:
ARCH288568
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art in Santiago de Compostela, for the Vilanova de Arousa Sport complex in Spain, for the Reconstruction of Portal di Riquer in Alcoy, for the La Defensa Cultural Centre in Madrid, and for the Library of the University of Aveiro in Portugal.
ARCH288568
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art in Santiago de Compostela, for the Vilanova de Arousa Sport complex in Spain, for the Reconstruction of Portal di Riquer in Alcoy, for the La Defensa Cultural Centre in Madrid, and for the Library of the University of Aveiro in Portugal.
People:
Date:
May 1988
May 1988
Title:
Sketchbook 269: Madrid 1º Idea - Alcoy - Santiago - Arousa
Actions:
ARCH288568
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art in Santiago de Compostela, for the Vilanova de Arousa Sport complex in Spain, for the Reconstruction of Portal di Riquer in Alcoy, for the La Defensa Cultural Centre in Madrid, and for the Library of the University of Aveiro in Portugal.
Sketchbook 269: Madrid 1º Idea - Alcoy - Santiago - Arousa
Actions:
ARCH288568
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art in Santiago de Compostela, for the Vilanova de Arousa Sport complex in Spain, for the Reconstruction of Portal di Riquer in Alcoy, for the La Defensa Cultural Centre in Madrid, and for the Library of the University of Aveiro in Portugal.
Form:
drawings
drawings
Date:
May 1988
May 1988
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
ARCH278394
Description:
File's title: Expo AA: contemporary techniques = new landscape [...] four competitions. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish.
ARCH278394
Description:
File's title: Expo AA: contemporary techniques = new landscape [...] four competitions. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish.
People:
Date:
ca. 2003
ca. 2003
Title:
Correspondence, design development drawings and project description for an exhibition held at Architectural Association School of Architecture, in London, England
Actions:
ARCH278394
Description:
File's title: Expo AA: contemporary techniques = new landscape [...] four competitions. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish.
Correspondence, design development drawings and project description for an exhibition held at Architectural Association School of Architecture, in London, England
Actions:
ARCH278394
Description:
File's title: Expo AA: contemporary techniques = new landscape [...] four competitions. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish.
Form:
drawings, textual records
drawings, textual records
Date:
ca. 2003
ca. 2003
People:
Form:
events
events
Actions:
Description:
Reading between the books of anyone’s library can reveal process, influences, ways of thinking, and surprises in their work. While historians disentangle archives, CCA invites contemporary architects to select ten books that reflect themselves today.
Reading between the books of anyone’s library can reveal process, influences, ways of thinking, and surprises in their work. While historians disentangle archives, CCA invites contemporary architects to select ten books that reflect themselves today.
Date:
27 March 2019, 1:30pm
27 March 2019, 1:30pm
Title:
The talking bookshelf: with Konstantinos Pantazis
Actions:
Description:
Reading between the books of anyone’s library can reveal process, influences, ways of thinking, and surprises in their work. While historians disentangle archives, CCA invites contemporary architects to select ten books that reflect themselves today.
The talking bookshelf: with Konstantinos Pantazis
Actions:
Description:
Reading between the books of anyone’s library can reveal process, influences, ways of thinking, and surprises in their work. While historians disentangle archives, CCA invites contemporary architects to select ten books that reflect themselves today.
Form:
events
events
Date:
27 March 2019
1:30pm
27 March 2019
1:30pm
Form:
drawings
drawings
Reference number:
AP178.S2.1988.005
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art in Santiago de Compostela, for the Vilanova de Arousa Sport complex in Spain, for the Reconstruction of Portal di Riquer in Alcoy, for the La Defensa Cultural Centre in Madrid, and for the Library of the University of Aveiro in Portugal.
AP178.S2.1988.005
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art in Santiago de Compostela, for the Vilanova de Arousa Sport complex in Spain, for the Reconstruction of Portal di Riquer in Alcoy, for the La Defensa Cultural Centre in Madrid, and for the Library of the University of Aveiro in Portugal.
People:
Date:
May 1988
May 1988
Title:
Sketchbook 269: Madrid 1º Idea - Alcoy - Santiago - Arousa
Actions:
AP178.S2.1988.005
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art in Santiago de Compostela, for the Vilanova de Arousa Sport complex in Spain, for the Reconstruction of Portal di Riquer in Alcoy, for the La Defensa Cultural Centre in Madrid, and for the Library of the University of Aveiro in Portugal.
Sketchbook 269: Madrid 1º Idea - Alcoy - Santiago - Arousa
Actions:
AP178.S2.1988.005
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art in Santiago de Compostela, for the Vilanova de Arousa Sport complex in Spain, for the Reconstruction of Portal di Riquer in Alcoy, for the La Defensa Cultural Centre in Madrid, and for the Library of the University of Aveiro in Portugal.
Form:
drawings
drawings
Date:
May 1988
May 1988
People:
