56712 Results
Form:
research
research
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Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Date:
June 2016 to August 2016
June 2016 to August 2016
Title:
Doctoral Students Program 2016
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Doctoral Students Program 2016
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Form:
research
research
Date:
June 2016 to
August 2016
June 2016 to
August 2016
Form:
research
research
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook (Queen’s(...)
TD Bank Group-CCA Collection Research Grant Recipients: Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook (Queen’s(...)
Date:
June 2015 to September 2015
June 2015 to September 2015
Title:
Doctoral Students Program 2015
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook (Queen’s(...)
Doctoral Students Program 2015
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook (Queen’s(...)
Form:
research
research
Date:
June 2015 to
September 2015
June 2015 to
September 2015
Level of archival description:
Project
Project
Reference number:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
People:
Date:
1976
1976
Title:
Les maisons de la rue Sherbrooke, Montréal, Québec
Actions:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
Les maisons de la rue Sherbrooke, Montréal, Québec
Actions:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
Level of archival description:
Project
Project
Date:
1976
1976
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH158261
Description:
Cette chemise contient de la correspondance relative au matériel de l'exposition tenue à Montréal en décembre 1958, telle une lettre du Montreal Construction Centre relative à la participation de Roger D'Astous à Exhibit of 1958 Planned Homes, des documents relatifs à d'autres expositions sur Frank Lloyd Wright qui se tinrent au Musée des Arts décoratifs de Montréal ainsi qu'un exemplaire du catalogue du Tribute to the United Nations - International Festival of Art, October 24 to November 23, 1958.
ARCH158261
Description:
Cette chemise contient de la correspondance relative au matériel de l'exposition tenue à Montréal en décembre 1958, telle une lettre du Montreal Construction Centre relative à la participation de Roger D'Astous à Exhibit of 1958 Planned Homes, des documents relatifs à d'autres expositions sur Frank Lloyd Wright qui se tinrent au Musée des Arts décoratifs de Montréal ainsi qu'un exemplaire du catalogue du Tribute to the United Nations - International Festival of Art, October 24 to November 23, 1958.
People:
Date:
1958-1995
1958-1995
Title:
Correspondance relative au matériel de l'exposition
Actions:
ARCH158261
Description:
Cette chemise contient de la correspondance relative au matériel de l'exposition tenue à Montréal en décembre 1958, telle une lettre du Montreal Construction Centre relative à la participation de Roger D'Astous à Exhibit of 1958 Planned Homes, des documents relatifs à d'autres expositions sur Frank Lloyd Wright qui se tinrent au Musée des Arts décoratifs de Montréal ainsi qu'un exemplaire du catalogue du Tribute to the United Nations - International Festival of Art, October 24 to November 23, 1958.
Correspondance relative au matériel de l'exposition
Actions:
ARCH158261
Description:
Cette chemise contient de la correspondance relative au matériel de l'exposition tenue à Montréal en décembre 1958, telle une lettre du Montreal Construction Centre relative à la participation de Roger D'Astous à Exhibit of 1958 Planned Homes, des documents relatifs à d'autres expositions sur Frank Lloyd Wright qui se tinrent au Musée des Arts décoratifs de Montréal ainsi qu'un exemplaire du catalogue du Tribute to the United Nations - International Festival of Art, October 24 to November 23, 1958.
Form:
textual records
textual records
Date:
1958-1995
1958-1995
People:
Form:
born digital
Quantity:
4122 digital file(s)
born digital
Quantity:
4122 digital file(s)
Actions:
Reference number:
AP174.S1.2006.D2.005
Description:
Contains digital photographs of Strand Tower physical models in the process of being produced at 3D Systems Germany; on display at the Museum of Contemporary Art, Los Angeles; and professionally photographed from a number of angles. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Extensible Markup Language, Rich Text Format
AP174.S1.2006.D2.005
Description:
Contains digital photographs of Strand Tower physical models in the process of being produced at 3D Systems Germany; on display at the Museum of Contemporary Art, Los Angeles; and professionally photographed from a number of angles. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Extensible Markup Language, Rich Text Format
People:
Date:
2006-2013
2006-2013
Title:
Photographs of 3D printed models
Actions:
AP174.S1.2006.D2.005
Description:
Contains digital photographs of Strand Tower physical models in the process of being produced at 3D Systems Germany; on display at the Museum of Contemporary Art, Los Angeles; and professionally photographed from a number of angles. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Extensible Markup Language, Rich Text Format
Photographs of 3D printed models
Actions:
AP174.S1.2006.D2.005
Description:
Contains digital photographs of Strand Tower physical models in the process of being produced at 3D Systems Germany; on display at the Museum of Contemporary Art, Los Angeles; and professionally photographed from a number of angles. Original directory name: "MODEL PHOTOS". Most common file formats: Exchangeable Image File Format (Compressed), Canon RAW, DS_store file (MAC), Extensible Markup Language, Rich Text Format
Form:
born digital
Quantity:
4122 digital file(s)
born digital
Quantity:
4122 digital file(s)
Date:
2006-2013
2006-2013
People:
Form:
works of art
works of art
Reference number:
PH1979:0162.06:014
Description:
Gérard Fontaine writes about the inscriptions in this print: "L'inscription en caractères grecs du VIIIe siècle (byzantins) signifie: 'La Mosaïque décorative a été appliquée pour la première fois en France pour l'ornementation de cette voûte et la vulgarisation de cet art. Les figures peintes par de Curzon ont été exécutées par Salviati, les ornements par Facchina. L'architecture est de Charles Garnier'." (op.cit. p. 127).
PH1979:0162.06:014
Description:
Gérard Fontaine writes about the inscriptions in this print: "L'inscription en caractères grecs du VIIIe siècle (byzantins) signifie: 'La Mosaïque décorative a été appliquée pour la première fois en France pour l'ornementation de cette voûte et la vulgarisation de cet art. Les figures peintes par de Curzon ont été exécutées par Salviati, les ornements par Facchina. L'architecture est de Charles Garnier'." (op.cit. p. 127).
People:
Subject:
architecture
architecture
Date:
1880
1880
Title:
Le Nouvel Opéra de Paris. Avant-foyer : détails de la voûte
Actions:
PH1979:0162.06:014
Description:
Gérard Fontaine writes about the inscriptions in this print: "L'inscription en caractères grecs du VIIIe siècle (byzantins) signifie: 'La Mosaïque décorative a été appliquée pour la première fois en France pour l'ornementation de cette voûte et la vulgarisation de cet art. Les figures peintes par de Curzon ont été exécutées par Salviati, les ornements par Facchina. L'architecture est de Charles Garnier'." (op.cit. p. 127).
Le Nouvel Opéra de Paris. Avant-foyer : détails de la voûte
Actions:
PH1979:0162.06:014
Description:
Gérard Fontaine writes about the inscriptions in this print: "L'inscription en caractères grecs du VIIIe siècle (byzantins) signifie: 'La Mosaïque décorative a été appliquée pour la première fois en France pour l'ornementation de cette voûte et la vulgarisation de cet art. Les figures peintes par de Curzon ont été exécutées par Salviati, les ornements par Facchina. L'architecture est de Charles Garnier'." (op.cit. p. 127).
Form:
works of art
works of art
Date:
1880
1880
People:
Subject:
architecture
architecture
Level of archival description:
Project
Project
Reference number:
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
People:
Date:
2006-2017
2006-2017
Title:
Architecture Forgiven by Nature (2017)
Actions:
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
Architecture Forgiven by Nature (2017)
Actions:
AP207.S1.2017.PR02
Description:
The project series documents "Architecture Forgiven by Nature", an installation design by Pettena in 2017. The installation consists of an old water tower at the top of a hill in Brufa, covered with a metal grill. The intention is for plants to grow from the grill and hide the tower behind vegetation. The installation also included a staircase hidden behind the metal grill to give access to the top of the tower, so it could be used as a belvedere. "An additional function therefore joins the usual one, as nature helps to integrate a banal architecture into the landscape while also changing it into a place of consciousness and better understanding of both the environment and the art world." [1] The project is also known as "Torre di Brufa". The project series contains a drawing, printouts of digital renderings, plans of the structure surrounding the water tower, and video of Pettena showing the model of the tower. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-tower-in-brufa-2017/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
2006-2017
2006-2017
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH257051
Description:
22 files of "Promo Material" consisting of written data and photos - California Plaza, King's Landing Condominiums, Medinah University, Napp Laboratories, University of Arizona School of Business, Roy Thompson Hall, Vancouver Art Gallery, Bank of Canada, Canadian Chancery, Rideau Hall Renovations (Ottawa), Teck Corporation offices, Robson Square, Simon Fraser Universty, Provincial Court Building (Thunder Bay), Banff School of Fine Arts, Markham Civic Centre, Robert McLaughlin Gallery, Promotional Material, AEA brochure covers, title pages, resumes
ARCH257051
Description:
22 files of "Promo Material" consisting of written data and photos - California Plaza, King's Landing Condominiums, Medinah University, Napp Laboratories, University of Arizona School of Business, Roy Thompson Hall, Vancouver Art Gallery, Bank of Canada, Canadian Chancery, Rideau Hall Renovations (Ottawa), Teck Corporation offices, Robson Square, Simon Fraser Universty, Provincial Court Building (Thunder Bay), Banff School of Fine Arts, Markham Civic Centre, Robert McLaughlin Gallery, Promotional Material, AEA brochure covers, title pages, resumes
People:
Title:
Project photographs and projects descriptions for promotion
Actions:
ARCH257051
Description:
22 files of "Promo Material" consisting of written data and photos - California Plaza, King's Landing Condominiums, Medinah University, Napp Laboratories, University of Arizona School of Business, Roy Thompson Hall, Vancouver Art Gallery, Bank of Canada, Canadian Chancery, Rideau Hall Renovations (Ottawa), Teck Corporation offices, Robson Square, Simon Fraser Universty, Provincial Court Building (Thunder Bay), Banff School of Fine Arts, Markham Civic Centre, Robert McLaughlin Gallery, Promotional Material, AEA brochure covers, title pages, resumes
Project photographs and projects descriptions for promotion
Actions:
ARCH257051
Description:
22 files of "Promo Material" consisting of written data and photos - California Plaza, King's Landing Condominiums, Medinah University, Napp Laboratories, University of Arizona School of Business, Roy Thompson Hall, Vancouver Art Gallery, Bank of Canada, Canadian Chancery, Rideau Hall Renovations (Ottawa), Teck Corporation offices, Robson Square, Simon Fraser Universty, Provincial Court Building (Thunder Bay), Banff School of Fine Arts, Markham Civic Centre, Robert McLaughlin Gallery, Promotional Material, AEA brochure covers, title pages, resumes
Form:
textual records
textual records
People:
Form:
exhibitions
exhibitions
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Location:
Main galleries
Main galleries
Date:
19 October 1994 to 8 January 1995
19 October 1994 to 8 January 1995
Title:
Urban Revisions: Current Projects for the Public Realm
Actions:
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Urban Revisions: Current Projects for the Public Realm
Actions:
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Form:
exhibitions
exhibitions
Date:
19 October 1994 to
8 January 1995
19 October 1994 to
8 January 1995
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Date:
15 September 1982 to 16 October 1982
15 September 1982 to 16 October 1982
Title:
Photography and Architecture: 1839–1939
Actions:
Description:
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Photography and Architecture: 1839–1939
Actions:
Description:
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Form:
exhibitions
exhibitions
Date:
15 September 1982 to
16 October 1982
15 September 1982 to
16 October 1982
