archives
Level of archival description:
Fonds
Ernest Isbell Barott fonds
AP003
Synopsis:
The Ernest Isbell Barott fonds, 1912-1983, documents architect Ernest Isbell Barott’s design and construction of over 380 built projects in Canada. The fonds comprises of materials relating to projects executed by Ernest Isbell Barott during his active years at the firm, 1912-1962, as well as projects exclusively completed by the firm after Barott’s retirement, 1962-1983. Materials in this fonds consist of approximately 11 764 drawings (including reprographic copies), approximately 1795 photographic materials, 8.75 l.m. of textual records, 4 medals, and 1 key.
1912-1983
Ernest Isbell Barott fonds
Actions:
AP003
Synopsis:
The Ernest Isbell Barott fonds, 1912-1983, documents architect Ernest Isbell Barott’s design and construction of over 380 built projects in Canada. The fonds comprises of materials relating to projects executed by Ernest Isbell Barott during his active years at the firm, 1912-1962, as well as projects exclusively completed by the firm after Barott’s retirement, 1962-1983. Materials in this fonds consist of approximately 11 764 drawings (including reprographic copies), approximately 1795 photographic materials, 8.75 l.m. of textual records, 4 medals, and 1 key.
archives
Level of archival description:
Fonds
1912-1983
archives
Level of archival description:
Fonds
Richard Henriquez fonds
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
1962-2002
Richard Henriquez fonds
Actions:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
archives
Level of archival description:
Fonds
1962-2002
DR1988:0394
Description:
- This plan shows a bedroom and drawing room suite, part of the Electric House showrooms. The placement of the furniture is indicated on the plan, as is the pale rose and lilac colour scheme of the drawing room and the pale orange colour scheme for the bedroom. Elevations of the drawing room and bedroom windows appear to the right of the plan. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture, interior design
printed March 1927
Plan and details for the model drawing room and bedroom, Electric House, Battersea Borough
Actions:
DR1988:0394
Description:
- This plan shows a bedroom and drawing room suite, part of the Electric House showrooms. The placement of the furniture is indicated on the plan, as is the pale rose and lilac colour scheme of the drawing room and the pale orange colour scheme for the bedroom. Elevations of the drawing room and bedroom windows appear to the right of the plan. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
architecture, interior design
textual records
DR2001:0029
Description:
documents include correspondence to colleagues and universities for 1991-1992: Coop Himmelblau, UMRISS - Coop Himmelblauk Stephanie Dudek, Kurt Forster, Frank O. Gehry & Assoc., Fabio Ghersi (architect), David Goldblatt - Journal of Aesthetics and Art Criticism, Zaha Hadid, Philip Johnson, Philip Johnson 85th Birthday Invoices, Libeskind, Daniel and Nina, Macklowe - CMRI (drawings for exhibition), Rick Mandell, Edith Miller, David Neuman, Peter Noever - Architecture in Transition, John Rajchman, Renato Rizzi, Zoran Sladoljev, Antoine Predock, Antonia Soulez, Mark Taylor, Massimo Vignelli and Faruk Yorgancioglu. University Publications: University of California - Riverside, The Cooper Union, Cornell University, The Chicago Institute (for Architecture and Urbanism), Columbia High School, Columbia University, Universitat Hanover, Harvard Graduate school of Design, The University of Illinois at Chicago, Oberlin (College), Ohio State University, Pratt Institute, Princeton University, Rice School of Architecture, College of William and Mary and Richard Bland College.
Correspondence to colleagues and universities
Actions:
DR2001:0029
Description:
documents include correspondence to colleagues and universities for 1991-1992: Coop Himmelblau, UMRISS - Coop Himmelblauk Stephanie Dudek, Kurt Forster, Frank O. Gehry & Assoc., Fabio Ghersi (architect), David Goldblatt - Journal of Aesthetics and Art Criticism, Zaha Hadid, Philip Johnson, Philip Johnson 85th Birthday Invoices, Libeskind, Daniel and Nina, Macklowe - CMRI (drawings for exhibition), Rick Mandell, Edith Miller, David Neuman, Peter Noever - Architecture in Transition, John Rajchman, Renato Rizzi, Zoran Sladoljev, Antoine Predock, Antonia Soulez, Mark Taylor, Massimo Vignelli and Faruk Yorgancioglu. University Publications: University of California - Riverside, The Cooper Union, Cornell University, The Chicago Institute (for Architecture and Urbanism), Columbia High School, Columbia University, Universitat Hanover, Harvard Graduate school of Design, The University of Illinois at Chicago, Oberlin (College), Ohio State University, Pratt Institute, Princeton University, Rice School of Architecture, College of William and Mary and Richard Bland College.
textual records
drawings
DR2007:0018:001
Description:
Page bound essay, "The Positive and Negative Influences of Electronic Systems on Architecture", 8 1/2" x 14", April 1983; summary presented at international conference in Warsaw, Poland, spring 1983; essay published as "Enjoying Electronic Mannerisms" in the journal CRIT, Fall 1984, pp. 14-18, as part of a special issue on "The Next Architecture" by Aaron Betsky; essay also published as "Sony Walkman-Adorned Teleriders Moving Through Cable Networks of Computerized Cottage Land, Under the Skies of Overcrowded Orbital Slots: Enjoying Electronic Mannerisms", The Fifth Column, Vo. 5, winter 1984 (Montreal); and parts of this project were discussed by Christopher Hume in The Toronto Star, January 19, 1985. Also, five original collage and colour pencil drawings on illustration board, each 8 1/2" x 14" that were the source of illustrations for the bound essay and the subsequent publications.
1983
Untitled work for the essay "The Positive and Negative Influences of Electronic Systems on Architecture"
Actions:
DR2007:0018:001
Description:
Page bound essay, "The Positive and Negative Influences of Electronic Systems on Architecture", 8 1/2" x 14", April 1983; summary presented at international conference in Warsaw, Poland, spring 1983; essay published as "Enjoying Electronic Mannerisms" in the journal CRIT, Fall 1984, pp. 14-18, as part of a special issue on "The Next Architecture" by Aaron Betsky; essay also published as "Sony Walkman-Adorned Teleriders Moving Through Cable Networks of Computerized Cottage Land, Under the Skies of Overcrowded Orbital Slots: Enjoying Electronic Mannerisms", The Fifth Column, Vo. 5, winter 1984 (Montreal); and parts of this project were discussed by Christopher Hume in The Toronto Star, January 19, 1985. Also, five original collage and colour pencil drawings on illustration board, each 8 1/2" x 14" that were the source of illustrations for the bound essay and the subsequent publications.
drawings
1983
Series
Professional work in Canada
AP163.S2
Description:
Series documents Victor Prus's projects, including his early work when he arrived in Canada, in 1952, and his projects dating from the time that he created his own pratice in Montréal in 1954 to the mid 1990s. Material includes competition entries, built and unbuilt projects and conceptual projects. The series contains commissions from the early 1950s, such as single-family residences for individual clients or friends, housing design competitions and building design competitions, including unrealized projects. The majority of the documents in the series are related to his major projects such as the Centre commercial Rockland (1960), the Mont-Royal and Bonaventure Metro Stations (1966), the Expo'67 Stadium (1967), St. Augustine's Church and James Lyng High School (1968), the Royal Canadian Air Force Memorial (1969), Brudenell River Recreational Park (1970), the Langelier Metro Station (1971), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983). The series also documents Victor Prus's activities as visiting professor or professor at the École d'architecture de Québec or at McGill University as well as his lectures. Promotional documents from Victor Prus and Associates are also included in the series. The series contains conceptual, design development, working and presentation drawings, presentation panels (particularly for competitions), study and presentation models and photographs. A significant amount of textual records related to most of his projects are included. The series also contains publications, such as issues of periodicals, and index cards and microfiches listing some of Prus's architectural projects.
1952-1993
Professional work in Canada
Actions:
AP163.S2
Description:
Series documents Victor Prus's projects, including his early work when he arrived in Canada, in 1952, and his projects dating from the time that he created his own pratice in Montréal in 1954 to the mid 1990s. Material includes competition entries, built and unbuilt projects and conceptual projects. The series contains commissions from the early 1950s, such as single-family residences for individual clients or friends, housing design competitions and building design competitions, including unrealized projects. The majority of the documents in the series are related to his major projects such as the Centre commercial Rockland (1960), the Mont-Royal and Bonaventure Metro Stations (1966), the Expo'67 Stadium (1967), St. Augustine's Church and James Lyng High School (1968), the Royal Canadian Air Force Memorial (1969), Brudenell River Recreational Park (1970), the Langelier Metro Station (1971), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983). The series also documents Victor Prus's activities as visiting professor or professor at the École d'architecture de Québec or at McGill University as well as his lectures. Promotional documents from Victor Prus and Associates are also included in the series. The series contains conceptual, design development, working and presentation drawings, presentation panels (particularly for competitions), study and presentation models and photographs. A significant amount of textual records related to most of his projects are included. The series also contains publications, such as issues of periodicals, and index cards and microfiches listing some of Prus's architectural projects.
Series 2
1952-1993
Project
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
1977-1989
Wexner Center for the Visual Arts
Actions:
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
File 22
1977-1989
Project
Tone Vale Hospital, Taunton
AP144.S2.D47
Description:
File documents an executed renovation project for the Tone Vale Hospital in Taunton, Somerset, England, United Kingdom. The clients are the South Western Regional Hospital Board and the Tone Vale Group Hospital Management Committee. The renovation includes modifications to the entrance, lobby, and several corridors of the Hospital. Existing conditions drawings, survey drawings, and field notes include a ground plan of the hospital and dimensioned drawings of hospital office furniture and cabinets. Design development and working drawings show alterations to the corridors, the main entrance hall, and porch. Other drawings include: axonometric drawings for the main entrance hall and corridors; perspectives of corridors and proposed alterations, main entrance hall and porch; and interior elevations of new display and notice boards. Detail drawings include an elevation of recessed display areas for the corridor walls, a new freestanding information booth, and lighting reflectors for the corridors. Also included are three sets of annotated reprographic copies which may have been used by consulting engineers for preliminary review and reference purposes (DR1995:0210:061-063); annotated reprographic copies of original design development and working drawings; and a mock-up of details for publication, with dimensions for reduction purposes (DR1995:0210:088). Material in this file was produced between 1962 and 1967. A 1963 invoice by Cedric Price is on Lyster & Grillet letterhead. File contains measured drawings, design development drawings, working drawings, photographic materials, and textual records.
1962-1967
Tone Vale Hospital, Taunton
Actions:
AP144.S2.D47
Description:
File documents an executed renovation project for the Tone Vale Hospital in Taunton, Somerset, England, United Kingdom. The clients are the South Western Regional Hospital Board and the Tone Vale Group Hospital Management Committee. The renovation includes modifications to the entrance, lobby, and several corridors of the Hospital. Existing conditions drawings, survey drawings, and field notes include a ground plan of the hospital and dimensioned drawings of hospital office furniture and cabinets. Design development and working drawings show alterations to the corridors, the main entrance hall, and porch. Other drawings include: axonometric drawings for the main entrance hall and corridors; perspectives of corridors and proposed alterations, main entrance hall and porch; and interior elevations of new display and notice boards. Detail drawings include an elevation of recessed display areas for the corridor walls, a new freestanding information booth, and lighting reflectors for the corridors. Also included are three sets of annotated reprographic copies which may have been used by consulting engineers for preliminary review and reference purposes (DR1995:0210:061-063); annotated reprographic copies of original design development and working drawings; and a mock-up of details for publication, with dimensions for reduction purposes (DR1995:0210:088). Material in this file was produced between 1962 and 1967. A 1963 invoice by Cedric Price is on Lyster & Grillet letterhead. File contains measured drawings, design development drawings, working drawings, photographic materials, and textual records.
File 47
1962-1967
Series
CD041.S1
Description:
This series documents eight projects that Eva Hollo Vecsei worked on while at the firm Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (Arcop). Vecsei worked for the firm from 1959 to 1971 and was made an associate in 1964. She was the designer in charge of several Massey Award winning projects such as: Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). This series includes documents related to the following projects: Tifereth Jerusalem Synagogue, Côte-Saint-Luc, Québec (circa 1959-1971); Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Centre civique Chomedey, Chomedey [now Laval], Québec (1962-1965); Place des Arts, Montréal, Québec (1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). Collection material in this series was produced between 1959 and 2017. Documenting the series are photographs, presentation drawings, slides, publications, clippings, correspondence, and digital material (mainly photographs and versions of a filmed interview). Records are predominantly related to Place Bonaventure, a large multi-functional complex comprised of exhibition and convention halls, an international trade centre, shopping concourses, offices, and a 400-room hotel with rooftop gardens. Mostly constructed of concrete, the building is connected to an underground pedestrian network and the Place Bonaventure metro station.
1959-2017
Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (1959-1971)
Actions:
CD041.S1
Description:
This series documents eight projects that Eva Hollo Vecsei worked on while at the firm Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (Arcop). Vecsei worked for the firm from 1959 to 1971 and was made an associate in 1964. She was the designer in charge of several Massey Award winning projects such as: Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). This series includes documents related to the following projects: Tifereth Jerusalem Synagogue, Côte-Saint-Luc, Québec (circa 1959-1971); Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Centre civique Chomedey, Chomedey [now Laval], Québec (1962-1965); Place des Arts, Montréal, Québec (1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). Collection material in this series was produced between 1959 and 2017. Documenting the series are photographs, presentation drawings, slides, publications, clippings, correspondence, and digital material (mainly photographs and versions of a filmed interview). Records are predominantly related to Place Bonaventure, a large multi-functional complex comprised of exhibition and convention halls, an international trade centre, shopping concourses, offices, and a 400-room hotel with rooftop gardens. Mostly constructed of concrete, the building is connected to an underground pedestrian network and the Place Bonaventure metro station.
Series
1959-2017
textual records
PDE publication files
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
PDE publication files
Actions:
DR2001:0033
Description:
documents include PDE publication files, 1980-1985: building design - 10 June 1983 - Ohio State Visual Arts Centre, Bauwelt - 3/9/81 - Berlin, Harpers - July, 1981, New Brunswick Daily News, OSU News Releases, PA (Progressive Architecture) 9/80 - Portland, Peter Eisenman - New York Times - July 16, 1983. OP/ED USFL, OSU Alumni magazine, House VI (inluces original drawings and notes), Quaderns Review - (IBA project Berlin), Newspaper clippings - Berlin competition, Aug. 22-Spet. 20, 1981, Die Zeit - July 24, 1981, Berlin competition, Archetype - (City of Artificial Excavation), APA News 2/81 - Pioneer Sqare, Financial Times 12/22/80 - PDE, Europeo 3/2/81 - Berlin, Domus - 3 Texts for Venice, Building Design, July 1982 - Eisenman interview. File Folder - "Old Articles": House VI, NY Times, April 8/82 - Eisenman, Artists & Architects in Collaboration, A+U, 12/80 - "Houses For Sale", A+U - Peter Eisenman Reprints, AA - L'Architecture D'aujourd'hui, - "Modeles d'architecture 1970-1980".
textual records