56729 Results
Form:
events
events
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Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
22 September 2016, 6pm
22 September 2016, 6pm
Title:
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Form:
events
events
Date:
22 September 2016
6pm
22 September 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
textual records
textual records
Actions:
Reference number:
PHCON2002:0016:093:016.1
Description:
Ticket is for the event "A Valentine for Marcel Duchamp: Evening event for students", held Friday, 1 February, 1974 at the Museum of Modern Art. This ticket was used as a bookmark in book PHCON2002:0016:093:016 "Programming and Metaprogramming in the Human Biocomputer".
PHCON2002:0016:093:016.1
Description:
Ticket is for the event "A Valentine for Marcel Duchamp: Evening event for students", held Friday, 1 February, 1974 at the Museum of Modern Art. This ticket was used as a bookmark in book PHCON2002:0016:093:016 "Programming and Metaprogramming in the Human Biocomputer".
People:
Date:
1974
1974
Title:
Ticket for "A Valentine for Marcel Duchamp: Evening event for students
Actions:
PHCON2002:0016:093:016.1
Description:
Ticket is for the event "A Valentine for Marcel Duchamp: Evening event for students", held Friday, 1 February, 1974 at the Museum of Modern Art. This ticket was used as a bookmark in book PHCON2002:0016:093:016 "Programming and Metaprogramming in the Human Biocomputer".
Ticket for "A Valentine for Marcel Duchamp: Evening event for students
Actions:
PHCON2002:0016:093:016.1
Description:
Ticket is for the event "A Valentine for Marcel Duchamp: Evening event for students", held Friday, 1 February, 1974 at the Museum of Modern Art. This ticket was used as a bookmark in book PHCON2002:0016:093:016 "Programming and Metaprogramming in the Human Biocomputer".
Form:
textual records
textual records
Date:
1974
1974
People:
Form:
events
events
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
8 May 2003
8 May 2003
Title:
Hubert Damisch: “Effacer l’architecture?”
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Hubert Damisch: “Effacer l’architecture?”
Actions:
Description:
Hubert Damisch, 2003-2004 CCA Mellon Senior Fellow, examines Blur – the cloud building created by New York architects Diller + Scofidio on lake Neuchâtel in Switzerland, which is the most recent and radical expression of the desire for fluidity and evanescence in architecture – and the consequences that it might have on the future of structural thought. Damisch examines(...)
Form:
events
events
Date:
8 May 2003
8 May 2003
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Kenneth Frampton fonds
Kenneth Frampton fonds
Reference number:
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
People:
Date:
1958-2016
1958-2016
Title:
Kenneth Frampton fonds
Actions:
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Kenneth Frampton fonds
Actions:
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1958-2016
1958-2016
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Alessandro Poli fonds
Alessandro Poli fonds
Reference number:
AP148
Synopsis:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
AP148
Synopsis:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
People:
Date:
1963-1996
1963-1996
Title:
Alessandro Poli fonds
Actions:
AP148
Synopsis:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Alessandro Poli fonds
Actions:
AP148
Synopsis:
The Alessandro Poli fonds documents the work of Italian architect, designer and artist Alessandro Poli. Born in Fiesole in 1941, Poli studied architecture at the University of Florence, and was a member of Superstudio from 1970 to 1972. Poli’s involvement with Superstudio and engaged research on material culture constitute two strong components of his archive.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1963-1996
1963-1996
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre Dionne fonds
Pierre Dionne fonds
Actions:
Reference number:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
People:
Date:
1948-1976
1948-1976
Title:
Pierre Dionne fonds
Actions:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Pierre Dionne fonds
Actions:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1948-1976
1948-1976
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH276176
Description:
43 files - Group contains subject working files, project files, press materials, professional organizations and honours and files related to book and film projects. Files are generally organized alphabetically, A-P, and include: Association of International Architects; Arthur Erickson Commercial Buildings (large scale developments); AIA Gold Medal Certificate, Honours, Awards and C.V.; Avon; Architect License - Washington; AIBC Learning Units and Correspondence; AIBC Notice of Inquiry; Book - "Works in Concrete"; Canada Council - Architecture Office; Changsha/Weihai 2004; China Trip 2003; Concord Pacific; Contacts; Edmonton Art Gallery; Evelyn Drive; Evergreen/Coal Harbour; Gastown Canopy; Governor General - Correspondence; International Academy of Architecture; Kunming Trip June 2003; Life & Times Doc.; Lethbridge - Larry Paterson; Museum of Anthropology Expansion files; Oberlander, Cornelia; Onley, Yukiko - book; Order of British Columbia; "Passions"- Documentary.
ARCH276176
Description:
43 files - Group contains subject working files, project files, press materials, professional organizations and honours and files related to book and film projects. Files are generally organized alphabetically, A-P, and include: Association of International Architects; Arthur Erickson Commercial Buildings (large scale developments); AIA Gold Medal Certificate, Honours, Awards and C.V.; Avon; Architect License - Washington; AIBC Learning Units and Correspondence; AIBC Notice of Inquiry; Book - "Works in Concrete"; Canada Council - Architecture Office; Changsha/Weihai 2004; China Trip 2003; Concord Pacific; Contacts; Edmonton Art Gallery; Evelyn Drive; Evergreen/Coal Harbour; Gastown Canopy; Governor General - Correspondence; International Academy of Architecture; Kunming Trip June 2003; Life & Times Doc.; Lethbridge - Larry Paterson; Museum of Anthropology Expansion files; Oberlander, Cornelia; Onley, Yukiko - book; Order of British Columbia; "Passions"- Documentary.
People:
Date:
ca. 2000-2005
ca. 2000-2005
Title:
Project files, press materials, and various office files
Actions:
ARCH276176
Description:
43 files - Group contains subject working files, project files, press materials, professional organizations and honours and files related to book and film projects. Files are generally organized alphabetically, A-P, and include: Association of International Architects; Arthur Erickson Commercial Buildings (large scale developments); AIA Gold Medal Certificate, Honours, Awards and C.V.; Avon; Architect License - Washington; AIBC Learning Units and Correspondence; AIBC Notice of Inquiry; Book - "Works in Concrete"; Canada Council - Architecture Office; Changsha/Weihai 2004; China Trip 2003; Concord Pacific; Contacts; Edmonton Art Gallery; Evelyn Drive; Evergreen/Coal Harbour; Gastown Canopy; Governor General - Correspondence; International Academy of Architecture; Kunming Trip June 2003; Life & Times Doc.; Lethbridge - Larry Paterson; Museum of Anthropology Expansion files; Oberlander, Cornelia; Onley, Yukiko - book; Order of British Columbia; "Passions"- Documentary.
Project files, press materials, and various office files
Actions:
ARCH276176
Description:
43 files - Group contains subject working files, project files, press materials, professional organizations and honours and files related to book and film projects. Files are generally organized alphabetically, A-P, and include: Association of International Architects; Arthur Erickson Commercial Buildings (large scale developments); AIA Gold Medal Certificate, Honours, Awards and C.V.; Avon; Architect License - Washington; AIBC Learning Units and Correspondence; AIBC Notice of Inquiry; Book - "Works in Concrete"; Canada Council - Architecture Office; Changsha/Weihai 2004; China Trip 2003; Concord Pacific; Contacts; Edmonton Art Gallery; Evelyn Drive; Evergreen/Coal Harbour; Gastown Canopy; Governor General - Correspondence; International Academy of Architecture; Kunming Trip June 2003; Life & Times Doc.; Lethbridge - Larry Paterson; Museum of Anthropology Expansion files; Oberlander, Cornelia; Onley, Yukiko - book; Order of British Columbia; "Passions"- Documentary.
Form:
textual records
textual records
Date:
ca. 2000-2005
ca. 2000-2005
People:
Level of archival description:
Project
Project
Reference number:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transportation network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transportation network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
People:
Date:
circa 1975-2003
circa 1975-2003
Title:
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transportation network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transportation network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Level of archival description:
Project
Project
Date:
circa 1975-2003
circa 1975-2003
People:
Form:
textual records
textual records
Title:
Correspondence files
Correspondence files
Actions:
Reference number:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
People:
Title:
Correspondence files
Actions:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
Correspondence files
Actions:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
Form:
textual records
textual records
People:
Level of archival description:
Series
Series
Title:
George Rohault de Fleury
George Rohault de Fleury
Reference number:
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
People:
Date:
1866, 1874
1866, 1874
Title:
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Level of archival description:
Series 3
Series 3
Date:
1866, 1874
1866, 1874
People:
