1806 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1977.PR08
Description:
This project series documents the design and construction of the Bank of Montreal Central Computer Complex Two in Scarborough, Ontario from 1977-1982. The office identified the project number as 7709. The Central Computer Complex Two was built to be used by the Bank of Montreal as a data processing centre with offices for staff on site. The complex consisted of three octagonal buildings joined by tunnels and skywalks. The first building, Central Computer Complex Two (CCC2), was a three-storey data processing equipment building. The second building, Central Facilities Building (CUB), was a three-storey building devoted to shipping and receiving and employee spaces such as a library, exercise room, cafeteria and lounge, and a medical exam area. The third building, Staff Support Offices, was a four-storey building that contained employee offices. In addition, each building had a penthouse that contained mechanical and electrical equipment. A large part of the project was administered through John C. Parkin’s engineering firm, Parkin Engineers limited, with Paul Keenan acting as president. The project is recorded through drawings, photographs, presentation boards and textual records dating from 1977-1982. The majority of reprographic copies are drawings used in the construction phase of the project. The photographs show the construction of the building. The textual records include design planning notes, client and contractor correspondence, site reports, change orders, supplementary instructions, specifications, detail drawings, meeting minutes, schedules, and invoices for work completed. Box AP018.S1.1977.PR08.074 contains an index to the textual records, which was created by the office.
AP018.S1.1977.PR08
Description:
This project series documents the design and construction of the Bank of Montreal Central Computer Complex Two in Scarborough, Ontario from 1977-1982. The office identified the project number as 7709. The Central Computer Complex Two was built to be used by the Bank of Montreal as a data processing centre with offices for staff on site. The complex consisted of three octagonal buildings joined by tunnels and skywalks. The first building, Central Computer Complex Two (CCC2), was a three-storey data processing equipment building. The second building, Central Facilities Building (CUB), was a three-storey building devoted to shipping and receiving and employee spaces such as a library, exercise room, cafeteria and lounge, and a medical exam area. The third building, Staff Support Offices, was a four-storey building that contained employee offices. In addition, each building had a penthouse that contained mechanical and electrical equipment. A large part of the project was administered through John C. Parkin’s engineering firm, Parkin Engineers limited, with Paul Keenan acting as president. The project is recorded through drawings, photographs, presentation boards and textual records dating from 1977-1982. The majority of reprographic copies are drawings used in the construction phase of the project. The photographs show the construction of the building. The textual records include design planning notes, client and contractor correspondence, site reports, change orders, supplementary instructions, specifications, detail drawings, meeting minutes, schedules, and invoices for work completed. Box AP018.S1.1977.PR08.074 contains an index to the textual records, which was created by the office.
People:
Date:
1977-1982
1977-1982
Title:
Bank of Montreal Central Computer Complex Two, Scarborough, Ontario (1977-1982)
Actions:
AP018.S1.1977.PR08
Description:
This project series documents the design and construction of the Bank of Montreal Central Computer Complex Two in Scarborough, Ontario from 1977-1982. The office identified the project number as 7709. The Central Computer Complex Two was built to be used by the Bank of Montreal as a data processing centre with offices for staff on site. The complex consisted of three octagonal buildings joined by tunnels and skywalks. The first building, Central Computer Complex Two (CCC2), was a three-storey data processing equipment building. The second building, Central Facilities Building (CUB), was a three-storey building devoted to shipping and receiving and employee spaces such as a library, exercise room, cafeteria and lounge, and a medical exam area. The third building, Staff Support Offices, was a four-storey building that contained employee offices. In addition, each building had a penthouse that contained mechanical and electrical equipment. A large part of the project was administered through John C. Parkin’s engineering firm, Parkin Engineers limited, with Paul Keenan acting as president. The project is recorded through drawings, photographs, presentation boards and textual records dating from 1977-1982. The majority of reprographic copies are drawings used in the construction phase of the project. The photographs show the construction of the building. The textual records include design planning notes, client and contractor correspondence, site reports, change orders, supplementary instructions, specifications, detail drawings, meeting minutes, schedules, and invoices for work completed. Box AP018.S1.1977.PR08.074 contains an index to the textual records, which was created by the office.
Bank of Montreal Central Computer Complex Two, Scarborough, Ontario (1977-1982)
Actions:
AP018.S1.1977.PR08
Description:
This project series documents the design and construction of the Bank of Montreal Central Computer Complex Two in Scarborough, Ontario from 1977-1982. The office identified the project number as 7709. The Central Computer Complex Two was built to be used by the Bank of Montreal as a data processing centre with offices for staff on site. The complex consisted of three octagonal buildings joined by tunnels and skywalks. The first building, Central Computer Complex Two (CCC2), was a three-storey data processing equipment building. The second building, Central Facilities Building (CUB), was a three-storey building devoted to shipping and receiving and employee spaces such as a library, exercise room, cafeteria and lounge, and a medical exam area. The third building, Staff Support Offices, was a four-storey building that contained employee offices. In addition, each building had a penthouse that contained mechanical and electrical equipment. A large part of the project was administered through John C. Parkin’s engineering firm, Parkin Engineers limited, with Paul Keenan acting as president. The project is recorded through drawings, photographs, presentation boards and textual records dating from 1977-1982. The majority of reprographic copies are drawings used in the construction phase of the project. The photographs show the construction of the building. The textual records include design planning notes, client and contractor correspondence, site reports, change orders, supplementary instructions, specifications, detail drawings, meeting minutes, schedules, and invoices for work completed. Box AP018.S1.1977.PR08.074 contains an index to the textual records, which was created by the office.
Level of archival description:
Project
Project
Date:
1977-1982
1977-1982
People:
Form:
webpages
webpages
Title:
Living Lands
Living Lands
Actions:
Summary:
Details of ongoing commitments and projects that share the aims of providing support and resources to Indigenous communities and researchers to interrogate the built environment, and of reshaping our own institutional understanding of the work we do as a settler institution intent on pushing architectural thinking forward.
Title:
Living Lands
Actions:
Summary:
Living Lands
Actions:
Summary:
Details of ongoing commitments and projects that share the aims of providing support and resources to Indigenous communities and researchers to interrogate the built environment, and of reshaping our own institutional understanding of the work we do as a settler institution intent on pushing architectural thinking forward.
Form:
webpages
webpages
Form:
drawings
drawings
Title:
Details du hall principal
Details du hall principal
Actions:
Reference number:
ARCH273667
Description:
Hall principal : détails des horloges, des grilles de ventilation et des supports à luminaire. Détails des coffres de radiateur des pièces.
ARCH273667
Description:
Hall principal : détails des horloges, des grilles de ventilation et des supports à luminaire. Détails des coffres de radiateur des pièces.
People:
Date:
circa 1937
circa 1937
Title:
Details du hall principal
Actions:
ARCH273667
Description:
Hall principal : détails des horloges, des grilles de ventilation et des supports à luminaire. Détails des coffres de radiateur des pièces.
Details du hall principal
Actions:
ARCH273667
Description:
Hall principal : détails des horloges, des grilles de ventilation et des supports à luminaire. Détails des coffres de radiateur des pièces.
Form:
drawings
drawings
Date:
circa 1937
circa 1937
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
People:
Date:
1995-1996
1995-1996
Title:
Ulrich Königs Chemnitz Stadium project records
Actions:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Ulrich Königs Chemnitz Stadium project records
Actions:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1995-1996
1995-1996
People:
Actions:
Reference number:
ARCH250601
Description:
- 1 filtre rouge et 1 adapteur de marque Eastman Kodak assemblés; - 3 filtres de marque Agfa dans leurs boîtes; - 35 filtres de marque Kodak dans leurs étuis en plastique; - 2 filtres de marque Leika dans leurs boîtiers; - 4 filtres de marque Omag dans leurs étuis de cuir; - 1 support à filtre et 1 filtre jaune assemblés dans une boîte pour des produits de marque Tiffen; - 2 filtres dans leurs boîtes; - 1 adapteur Leica dans une boîte; - 1 fiche 5 x 8 pouces de notes manuscrites intitulée "COLOR SEPARATION" et notes manuscrites sur des bouts de papier
ARCH250601
Description:
- 1 filtre rouge et 1 adapteur de marque Eastman Kodak assemblés; - 3 filtres de marque Agfa dans leurs boîtes; - 35 filtres de marque Kodak dans leurs étuis en plastique; - 2 filtres de marque Leika dans leurs boîtiers; - 4 filtres de marque Omag dans leurs étuis de cuir; - 1 support à filtre et 1 filtre jaune assemblés dans une boîte pour des produits de marque Tiffen; - 2 filtres dans leurs boîtes; - 1 adapteur Leica dans une boîte; - 1 fiche 5 x 8 pouces de notes manuscrites intitulée "COLOR SEPARATION" et notes manuscrites sur des bouts de papier
People:
Title:
Équipement photographique et une note manuscrite intitulée "COLOR SEPARATION"
Actions:
ARCH250601
Description:
- 1 filtre rouge et 1 adapteur de marque Eastman Kodak assemblés; - 3 filtres de marque Agfa dans leurs boîtes; - 35 filtres de marque Kodak dans leurs étuis en plastique; - 2 filtres de marque Leika dans leurs boîtiers; - 4 filtres de marque Omag dans leurs étuis de cuir; - 1 support à filtre et 1 filtre jaune assemblés dans une boîte pour des produits de marque Tiffen; - 2 filtres dans leurs boîtes; - 1 adapteur Leica dans une boîte; - 1 fiche 5 x 8 pouces de notes manuscrites intitulée "COLOR SEPARATION" et notes manuscrites sur des bouts de papier
Équipement photographique et une note manuscrite intitulée "COLOR SEPARATION"
Actions:
ARCH250601
Description:
- 1 filtre rouge et 1 adapteur de marque Eastman Kodak assemblés; - 3 filtres de marque Agfa dans leurs boîtes; - 35 filtres de marque Kodak dans leurs étuis en plastique; - 2 filtres de marque Leika dans leurs boîtiers; - 4 filtres de marque Omag dans leurs étuis de cuir; - 1 support à filtre et 1 filtre jaune assemblés dans une boîte pour des produits de marque Tiffen; - 2 filtres dans leurs boîtes; - 1 adapteur Leica dans une boîte; - 1 fiche 5 x 8 pouces de notes manuscrites intitulée "COLOR SEPARATION" et notes manuscrites sur des bouts de papier
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
People:
Date:
2002-2015
2002-2015
Title:
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Il Mestiere Dell'Architetto [The Craft of the Architect] (2002)
Actions:
AP207.S1.2002.PR01
Description:
The project series documents a series of performances entitled "Il Mestiere Dell'Architetto". The first edition was performed by Pettena in Maiano, near Florence in 2002. It consisted of a series of images of Pettena rock climbing that represents the work of the architect "and the role of those who work in the discipline, what is represented here is the need to make choices and at the same time the difficulty of doing so, of taking routes that, while they may appear impassable, are actually the very essence of the artist’s thought and language [...]." [1] Another version was performed in 2004 at the Ex-Meccanotessile complex, in Florence, 2004, and consisted of a series of photographs of a man climbing the interior roof structure of the building. Unlike the 2002 edition of this performance, "not even nature offers its support to those who, despite moving with caution, often find themselves in a situation of impasse." [2] A final version of the performance was created in 2012 by Pettena. The digitally created installation consisted of a gradually fading shape of a climber drawn in leaves that slowly disperse. In this installation, compared to the two previous ones, the architect "seems to find here a solution and ultimate freedom through the final choice of ‘giving in’ to the prevalence of natural environment." [3] The project series contains a sketch and photographs of the 2002 performance, photographs of the 2004 performance, and a drawing for the 2012 performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-2002/ (last accessed 22 January 2020). [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-the-craft-ii-2004/ (last accessed 22 January 2020). [3] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-craft-of-the-architect-3-2012/ (last accessed 27 January 2020).
Level of archival description:
Project
Project
Date:
2002-2015
2002-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
People:
Date:
1988-1991
1988-1991
Title:
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Reisman-Jenkinson House, Richmond Hill, Ontario (1988-1991)
Actions:
AP056.S1.1988.PR10
Description:
This project series documents the design and construction of the Reisman-Jenkinson residence and studio located at 92 Westwood Lane in Richmond Hill, Ontario from 1988-1991. The office identified the project number as 8813. This project consisted of a house and an attached studio with split-face concrete block exteriors for sculptor Stephen Jenkinson and writer Dolly Reisman. The house was divided into four wings, referred to in the documentation as Building A, Building B, Building C, and Building D. Building A was the studio at the front of the property, which had a distinctive marquis roof made of metal that fanned into a skylight. Building B, the main living area, was a loft-style building that included the kitchen, dining room, living room and conservatory on the ground floor and an office and storage spaces in the basement. This building was marked by large glass walls at the front of the property and a pyramid-shaped skylight above the kitchen. Building C extended towards the back of the property and was considered the sleeping wing, housing bedrooms at the ground floor and a playroom in the basement. Finally, Building D, which sat on the back corner of Building C, was the master bedroom and included a gym at the basement level. Buildings B, C, and D created a semi circle whose interior contained an exterior courtyard and gardens. Multiple schemes were investigated for this project, including different layouts of the basements and the ground floor of Building C. The project is recorded through original drawings, textual records and photographs dating from 1988-1991. The drawings document the design and construction of the home and include plans, sections, elevations, axonometric drawings and perspectives of interiors, exteriors and furnishings. Also present are structural, electrical and mechanical drawings issued for construction. Textual records are included to support the drawings. The photographs show the completed home.
Level of archival description:
Project
Project
Date:
1988-1991
1988-1991
People:
Form:
textual records
textual records
Title:
Diverses publications
Diverses publications
Actions:
Reference number:
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
People:
Date:
entre 1929 et 1946
entre 1929 et 1946
Title:
Diverses publications
Actions:
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
Diverses publications
Actions:
ARCH257361
Description:
Divers sujets et publications : « The Arts and Culture of Québec » (émission avec Arthur Lismer, Emile Vaillancourt, et John Fisher. Cormier est mentionné); « Canadian Unity and Québec » (interview avec Emile Vaillancourt, John Humphrey, et Hugh MacLennan); extraits des Evangiles de saint Matthieu et Saint Jean; « The Basis of Peace » par Brooke Claxton; « Canada's Support of the Army Overseas » par W.L. Mackenzie King (émission); cours d'aéronautique de Pierre Franck; « Sur la langue Araméenne » (extraits par Robert Aron); des textes médicaux divers par Albéric Marin; une page de notes sur Eric Satie par Cormier; 2 photos de Henri Laugier, physiologiste.
Form:
textual records
textual records
Date:
entre 1929 et 1946
entre 1929 et 1946
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Robert Duchesnay fonds
Robert Duchesnay fonds
Actions:
Reference number:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
People:
Date:
1985-1992
1985-1992
Title:
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1985-1992
1985-1992
People:
Level of archival description:
Project
Project
Reference number:
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
People:
Date:
circa 1964
circa 1964
Title:
Control Tower, Toronto International Airport, Mississauga, Ontario (1958-1964)
Actions:
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
Control Tower, Toronto International Airport, Mississauga, Ontario (1958-1964)
Actions:
AP018.S1.1958.PR04
Description:
This project series documents the control tower at the Toronto International Airport in Mississauga from 1958-1964. The office identified the project number as 5872. This project consisted of a 100 foot high control tower built onto a single storey building totalling 30,600 square feet in size. The reinforced concrete tower was hexagonal in shape with a steel frame and reinforced concrete slab floor. A transparent skydome forms the ceiling of the central lobby, providing a view of the floor and supporting shafts of the tower. This project won a Silver Massey Medal for Architecture in 1964 and recognition from Canadian Architect magazine and the Beautify Toronto Campaign for its significance. The project is recorded through a presentation board of a photo of the skydome dating from around 1964.
Level of archival description:
Project
Project
Date:
circa 1964
circa 1964
People:
