Michela Rosso, 2013 Support Grant Recipient, presents her research from Peter Carter’s archive on the Mansion House square scheme (1962–1985) and shows the different facets of the controversy over Mies van der Rohe’s unbuilt tower in the heart of the City of London. Rosso holds a doctorate from the Politecnico di Torino, where since 2003 she has been Associate professor(...)
Shaughnessy House
30 May 2013, 6pm
Friends and Enemies of Mies’s Mansion House Square
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Description:
Michela Rosso, 2013 Support Grant Recipient, presents her research from Peter Carter’s archive on the Mansion House square scheme (1962–1985) and shows the different facets of the controversy over Mies van der Rohe’s unbuilt tower in the heart of the City of London. Rosso holds a doctorate from the Politecnico di Torino, where since 2003 she has been Associate professor(...)
Shaughnessy House
drawings
AP046.S1.1983.PR01.297
Description:
This file includes parts list for frames and doors by D'Acier Anjou Inc., joint and louver details by Construction Specialties Limited, and supports by Classic Metal Inc.
1987
Technical drawings, Canadian Centre for Architecture, Montréal, Québec
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AP046.S1.1983.PR01.297
Description:
This file includes parts list for frames and doors by D'Acier Anjou Inc., joint and louver details by Construction Specialties Limited, and supports by Classic Metal Inc.
drawings
1987
archives
Level of archival description:
Fonds
AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
1984-2003
Kuwabara Payne Mckenna Blumberg fonds
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AP056
Synopsis:
The Kuwabara Payne McKenna Blumberg fonds documents the architectural projects of the firm from 1984-2003. 125 projects are recorded through drawings, photographs, models, textual records, periodicals and paintings. These projects include built work, proposals and competition entries.
archives
Level of archival description:
Fonds
1984-2003
drawings, photographs
ARCH172497
Description:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins (plans, rendus) sur divers supports (films, acétates, papier, bristol), catalogue de l'exposition "Architecture du Musée", 1984
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins
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ARCH172497
Description:
Photographies du site, d'installations et d'œuvres graphiques de Jacques Rousseau, dessins (plans, rendus) sur divers supports (films, acétates, papier, bristol), catalogue de l'exposition "Architecture du Musée", 1984
drawings, photographs
DR1987:0061
Description:
- This drawing is one of four drawings by Arata Isozaki for the "City in the Air" schemes of 1960-1963. Three of these drawings are studies for the "Clusters in the Air" project of 1960-1962: a sketch showing a general view of the project, DR1987:0117, a more finished version of the same view, DR1987:0062, and a three-stage sketch showing trees becoming a forest, DR1987:0116. The sketch of trees demonstrates the principal idea behind the "Clusters in the Air" project; enormous supports (trunks) support passageways (branches) to which living units (leaves) are gradually added. The trees develope side by side, with branches of different trees joining up, creating a "forest" (Isozaki 1992, 20-23, 29). The subject of this drawing is unclear although it is possibly a conceptual drawing for the Marunouchi Project of 1963, a proposal for a "City in the Air" in the central business district of Tokyo (Isozaki 1992, 27, 29). All four drawings are executed on sheets perforated with square holes for insertion into a spiral notebook.
architecture
ca. 1960-1963
Sketch for an urban structure raised on pylons, possibly for the Marunouchi Project, Tokyo
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DR1987:0061
Description:
- This drawing is one of four drawings by Arata Isozaki for the "City in the Air" schemes of 1960-1963. Three of these drawings are studies for the "Clusters in the Air" project of 1960-1962: a sketch showing a general view of the project, DR1987:0117, a more finished version of the same view, DR1987:0062, and a three-stage sketch showing trees becoming a forest, DR1987:0116. The sketch of trees demonstrates the principal idea behind the "Clusters in the Air" project; enormous supports (trunks) support passageways (branches) to which living units (leaves) are gradually added. The trees develope side by side, with branches of different trees joining up, creating a "forest" (Isozaki 1992, 20-23, 29). The subject of this drawing is unclear although it is possibly a conceptual drawing for the Marunouchi Project of 1963, a proposal for a "City in the Air" in the central business district of Tokyo (Isozaki 1992, 27, 29). All four drawings are executed on sheets perforated with square holes for insertion into a spiral notebook.
architecture
Project
House, Selsdon
AP144.S2.D42
Description:
File documents an unexecuted project for a detached private residence located at Beech Way in Selsdon, Surrey, (now Croydon, part of Greater London), England, for Jean Newlove (Mrs. Jean McColl). The local planning authority refused the project citing aesthetic considerations. The house was to be constructed as a "series of interleaved reinforced concrete trays" supported by columns ("Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 36). File contains conceptual and design development sketches that explore exterior elevations, stair and glazing details; axonometric drawings and sections that show relationship between floor levels and functions; and framing plans showing the preliminary structural layout. Material in this file was produced between 1962 and 1964. File contains conceptual drawings, design development drawings, presentation drawings, photographic materials, and textual records.
1962-1964
House, Selsdon
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AP144.S2.D42
Description:
File documents an unexecuted project for a detached private residence located at Beech Way in Selsdon, Surrey, (now Croydon, part of Greater London), England, for Jean Newlove (Mrs. Jean McColl). The local planning authority refused the project citing aesthetic considerations. The house was to be constructed as a "series of interleaved reinforced concrete trays" supported by columns ("Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 36). File contains conceptual and design development sketches that explore exterior elevations, stair and glazing details; axonometric drawings and sections that show relationship between floor levels and functions; and framing plans showing the preliminary structural layout. Material in this file was produced between 1962 and 1964. File contains conceptual drawings, design development drawings, presentation drawings, photographic materials, and textual records.
File 42
1962-1964
Project
CI005.S1.1946.PR1
Description:
In order to better coordinate numerous war memorial committees, the Dutch national government instituted a Central Commission for War and Peace Memorials. The commission initiated a national monument project in 1946 with the direction of J. Henrick Muller, who chose Dam Square, Amsterdam, for its site. The existing plan drew on an existing municipal Amsterdam memorial. Sculptor John Raedecker designed a sculpture group supported by an obelisk and Oud was enlisted by Raedecker to create the memorial's spatial design for the sculptures and urns. Oud chose the memorial site opposite the palace in Dam Square. Despite pressure to change the site position, the committee submitted Oud's design and it was approved in 1950. The sculptures and monument were completed in 1956 with an opening ceremony held in May (Taverne et al. 2001, 457-460). Project series includes partial sections and plans showing sculptures by Raedecker.
1946-1956
National Monument, Dam Square, Amsterdam, Netherlands (1946-1956)
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CI005.S1.1946.PR1
Description:
In order to better coordinate numerous war memorial committees, the Dutch national government instituted a Central Commission for War and Peace Memorials. The commission initiated a national monument project in 1946 with the direction of J. Henrick Muller, who chose Dam Square, Amsterdam, for its site. The existing plan drew on an existing municipal Amsterdam memorial. Sculptor John Raedecker designed a sculpture group supported by an obelisk and Oud was enlisted by Raedecker to create the memorial's spatial design for the sculptures and urns. Oud chose the memorial site opposite the palace in Dam Square. Despite pressure to change the site position, the committee submitted Oud's design and it was approved in 1950. The sculptures and monument were completed in 1956 with an opening ceremony held in May (Taverne et al. 2001, 457-460). Project series includes partial sections and plans showing sculptures by Raedecker.
project
1946-1956
Series
AP179.S2
Description:
Series 2, Witte Arts Center, Green Bay, Wisconsin, 2000 – 2002, documents the development of a project (unrealized) by Office d’A in response to a real estate brief for a floor of artists’ studios supported by a street level gallery in Green Bay, Wisconsin. The design for the Witte Arts Center addresses functional architectural concerns like light and circulation through elements such as suspended skylights and an open-air staircase. For the staircase in particular, corbelled brick patterning around the interior stairs creates a distortion of the building’s façade nicknamed “the smile.” The series consists of sketches, drawings and reprographic copies from the pre-design to design development phases of the project, a model, and photographic materials. Textual records in the series include correspondence, meeting notes and vendor catalogues. Digital material consists of CAD drawings, 3D models and renderings, images of the model and drawings, correspondence and other documents.
2000 - 2002
Witte Arts Center, Green Bay, Wisconsin (2000 - 2002)
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AP179.S2
Description:
Series 2, Witte Arts Center, Green Bay, Wisconsin, 2000 – 2002, documents the development of a project (unrealized) by Office d’A in response to a real estate brief for a floor of artists’ studios supported by a street level gallery in Green Bay, Wisconsin. The design for the Witte Arts Center addresses functional architectural concerns like light and circulation through elements such as suspended skylights and an open-air staircase. For the staircase in particular, corbelled brick patterning around the interior stairs creates a distortion of the building’s façade nicknamed “the smile.” The series consists of sketches, drawings and reprographic copies from the pre-design to design development phases of the project, a model, and photographic materials. Textual records in the series include correspondence, meeting notes and vendor catalogues. Digital material consists of CAD drawings, 3D models and renderings, images of the model and drawings, correspondence and other documents.
Series
2000 - 2002
Robert Burley, CCA Mellon Senior Fellow and Assistant Professor at Ryerson University, speaks on “The Architecture of Photography in an Age of Obsolescence.” The CCA Mellon Foundation Senior Fellowship Program was established in 2001 to encourage advanced research in architectural history and thought. With the generous support of The Andrew W. Mellon Foundation,(...)
Paul Desmarais Theatre
16 September 2010, 6pm
Robert Burley: The Architecture of Photography in an Age of Obsolescence
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Description:
Robert Burley, CCA Mellon Senior Fellow and Assistant Professor at Ryerson University, speaks on “The Architecture of Photography in an Age of Obsolescence.” The CCA Mellon Foundation Senior Fellowship Program was established in 2001 to encourage advanced research in architectural history and thought. With the generous support of The Andrew W. Mellon Foundation,(...)
Paul Desmarais Theatre
Toy Town
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Octagonal gallery
22 October 1997 to 31 May 1998
Toy Town
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Description:
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Octagonal gallery