9776 Results
Form:
textual records
textual records
Actions:
Reference number:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
People:
Date:
1977-2016
1977-2016
Title:
Kenneth Frampton writings (B-CO)
Actions:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Kenneth Frampton writings (B-CO)
Actions:
AP197.S1.SS9.012
Description:
The box contains drafts, final copies, notes and correspondence for various articles, interviews, keynote addresses and lectures by Kenneth Frampton. The materials are organized in alphabetical order, from B-CO. The largest portion of the box is comprised of drafts and correspondence on Caltrava Bridges. Also included is a dossier for the International Committee of Architectural Critica (CICA). Other subjects and architects explored in these texts include Georges Baines, Luis Barragan, H.P. Berlage, Mario Botta, the British Library, Alberto Campo Baeza, China's sacred sites, and David Chipperfield.
Form:
textual records
textual records
Date:
1977-2016
1977-2016
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP154
Synopsis:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
AP154
Synopsis:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
People:
Date:
1955-2007
1955-2007
Title:
Pasanella + Klein Stolzman + Berg collection
Actions:
AP154
Synopsis:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Pasanella + Klein Stolzman + Berg collection
Actions:
AP154
Synopsis:
The Pasanella + Klein Stolzman + Berg collection documents selected projects of the architect Giovanni Pasanella and of firms of which he was a principal, namely, Merz & Pasanella, Pasanella + Klein, and Pasanella + Klein Stolzman + Berg.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1955-2007
1955-2007
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre Dionne fonds
Pierre Dionne fonds
Actions:
Reference number:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
People:
Date:
1948-1976
1948-1976
Title:
Pierre Dionne fonds
Actions:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Pierre Dionne fonds
Actions:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1948-1976
1948-1976
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
André Blouin fonds
André Blouin fonds
Actions:
Reference number:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
People:
Date:
1933-1996
1933-1996
Title:
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-1996
1933-1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
People:
Date:
1969-1970
1969-1970
Title:
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Royal Canadian Air Force Memorial Competition, Ottawa, Ontario
Actions:
AP041.S1.1969.D2
Description:
The project series documents Melvin Charney's work for the design competition for the Royal Canadian Air Force Memorial (RCAF) at the National Air Force Museum of Canada in Ottawa, Ontario. The project was identified by Charney as the MEMO Series. The competition called for the design of a building of “appropriate character” which would commemorate “the birth and growth of Canadian aviation”. The competition program was very specific, requesting a building on a predefined site, with rooms designed for specific activities. MEMO was formally submitted by Charney and consisted of 91 pages of plans, designs, photographs and instructions on 335-5136 metric graph paper. Instead of constituting a true design for a building, MEMO consists of pages of memorandums intended for the organizers of the competition. The memos describe different ideas of how to conceptualize “the birth and growth of Canadian aviation”, as a critical response to what Charney saw as a “narrowness” in the competition’s vision. Charney referred to the idea of erecting a “singular building in an isolated part of the country” and considering it a memorial as being a “restrictive if not repressive act”. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 14-17)
Level of archival description:
Project
Project
Date:
1969-1970
1969-1970
People:
Level of archival description:
Project
Project
Title:
Copper House II
Copper House II
Reference number:
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
People:
Date:
2009-2014
2009-2014
Title:
Copper House II
Actions:
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
Copper House II
Actions:
AP182.S1.2009.D1
Description:
File documents an executed project for a private house in Chondi, Maharashtra, India. Copper House II is the second residence of a couple from Mumbai, who visit the house for a few days each week. It is located in a dense grove of mango trees near a brook that floods each year during the monsoon. To protect the inhabitants from the encroaching landscape, the house is set on an artificial high ground made of dirt dug for a well from the site itself. The open-air courtyard at the centre of the plan is paved in black basalt stones that also allow rainwater to drain below the house. On the ground floor, large horizontal windows are sheathed in slatted ironwood and copper mesh, providing a form of camouflage for the house while still permitting views out from the living spaces. The two boxy spaces upstairs are private: one contains a master bedroom and study, the second a smaller bedroom. The thin copper sheets that cover the upper floor are waterproof and will develop a verdigris over time, further concealing the house within its setting. File contains drawings, photographs, models, and a video recording.
Level of archival description:
Project
Project
Date:
2009-2014
2009-2014
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
People:
Date:
1978, 1992-2002, predominant 1999-2000
1978, 1992-2002, predominant 1999-2000
Title:
Estudio Gordillo, Villanueva de la Cañada, Spain (1999)
Actions:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
Estudio Gordillo, Villanueva de la Cañada, Spain (1999)
Actions:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
Level of archival description:
Project
Project
Date:
1978, 1992-2002, predominant 1999-2000
1978, 1992-2002, predominant 1999-2000
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
People:
Date:
1988
1988
Title:
Ideas competition, Riqualificazione cava di San Carlo [Redevelopment San Carlo quarry], San Vincenzo, Livorno, Italy (1988)
Actions:
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
Ideas competition, Riqualificazione cava di San Carlo [Redevelopment San Carlo quarry], San Vincenzo, Livorno, Italy (1988)
Actions:
AP148.S1.1988.PR02
Description:
Project series comprises material related to a design entry for a 1988 competition on the environmental redevelopment of the San Carlo quarry in the comune of Castelnuovo Berardenga near Siena, Italy. Poli dates this project as 1988, though most of the material is undated (only 2 drawings are dated 1988). However, the project description text includes a bibliography making reference to 1991 publications, though it is possible that this document was created later than the drawings. Project material includes numerous drawings and collages, some which are overlayed with wax, one which features a metal object, and some drawn directly onto topographical maps. Project material also includes a model, a photomontage featuring images of the quarry site and geological strata, and a typed project description. Parts of the text in the project description also appear on some of the drawings. Many of the drawings feature a circular design that is repeated throughout the drawing material in this series. Poli's proposal for the redevelopment seemed to involve the addition of trees to the area and the development of a passageway. One of Poli's drawings makes reference to the earth moon highway featured in an earlier project, Interplanetary Architecture (see AP148.S1.1970.PR02).
Level of archival description:
Project
Project
Date:
1988
1988
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1969.PR02
Description:
This project series document the Borges & Irmão bank in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 37/60. In the past the office identified the project as number 125. The office assigned the dates 1969-1974 for this project. The project files document the remodeling of the Bank Borges & Irmão, known in documentation as the Agência de Vila do Conde. Located in the historic part of Vila do Conde, this project included modifications to the facade, interior design, an extension, as well as electrical and mechanical work. The project was never realized. Documenting this project are sketches, studies, and plans. Photographs, negatives, and slides document the site. Textual documentation includes project documentation and correspondence with Borges & Irmão bank. It is important to note that there are two projects related to the Borges & Irmão bank. The office's archives identified these projects as Borges & Irmão bank I, restoration project (see project series AP178.S1.1977.PR02 in this fonds) and Borges & Irmão bank II (project series AP178.S1.1978.PR01 in this fonds).
AP178.S1.1969.PR02
Description:
This project series document the Borges & Irmão bank in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 37/60. In the past the office identified the project as number 125. The office assigned the dates 1969-1974 for this project. The project files document the remodeling of the Bank Borges & Irmão, known in documentation as the Agência de Vila do Conde. Located in the historic part of Vila do Conde, this project included modifications to the facade, interior design, an extension, as well as electrical and mechanical work. The project was never realized. Documenting this project are sketches, studies, and plans. Photographs, negatives, and slides document the site. Textual documentation includes project documentation and correspondence with Borges & Irmão bank. It is important to note that there are two projects related to the Borges & Irmão bank. The office's archives identified these projects as Borges & Irmão bank I, restoration project (see project series AP178.S1.1977.PR02 in this fonds) and Borges & Irmão bank II (project series AP178.S1.1978.PR01 in this fonds).
People:
Date:
1969-1975
1969-1975
Title:
Banco Borges & Irmão [Borges & Irmão bank], Vila do Conde, Portugal (1969-1975)
Actions:
AP178.S1.1969.PR02
Description:
This project series document the Borges & Irmão bank in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 37/60. In the past the office identified the project as number 125. The office assigned the dates 1969-1974 for this project. The project files document the remodeling of the Bank Borges & Irmão, known in documentation as the Agência de Vila do Conde. Located in the historic part of Vila do Conde, this project included modifications to the facade, interior design, an extension, as well as electrical and mechanical work. The project was never realized. Documenting this project are sketches, studies, and plans. Photographs, negatives, and slides document the site. Textual documentation includes project documentation and correspondence with Borges & Irmão bank. It is important to note that there are two projects related to the Borges & Irmão bank. The office's archives identified these projects as Borges & Irmão bank I, restoration project (see project series AP178.S1.1977.PR02 in this fonds) and Borges & Irmão bank II (project series AP178.S1.1978.PR01 in this fonds).
Banco Borges & Irmão [Borges & Irmão bank], Vila do Conde, Portugal (1969-1975)
Actions:
AP178.S1.1969.PR02
Description:
This project series document the Borges & Irmão bank in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 37/60. In the past the office identified the project as number 125. The office assigned the dates 1969-1974 for this project. The project files document the remodeling of the Bank Borges & Irmão, known in documentation as the Agência de Vila do Conde. Located in the historic part of Vila do Conde, this project included modifications to the facade, interior design, an extension, as well as electrical and mechanical work. The project was never realized. Documenting this project are sketches, studies, and plans. Photographs, negatives, and slides document the site. Textual documentation includes project documentation and correspondence with Borges & Irmão bank. It is important to note that there are two projects related to the Borges & Irmão bank. The office's archives identified these projects as Borges & Irmão bank I, restoration project (see project series AP178.S1.1977.PR02 in this fonds) and Borges & Irmão bank II (project series AP178.S1.1978.PR01 in this fonds).
Level of archival description:
Project
Project
Date:
1969-1975
1969-1975
People:
Level of archival description:
Series
Series
Title:
Carl Krayl
Carl Krayl
Reference number:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
People:
Date:
1918-1945
1918-1945
Title:
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Level of archival description:
series
series
Date:
1918-1945
1918-1945
People:
