Sub-series
Parque de Vidago Moradias Turísticas [Parque de Vidago vacation homes], Vidago, Portugal (2002)
AP178.S1.2002.PR05.SS2
Description:
This project subseries documents the Parque de Vidago Moradias Turísticas. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of the modification of rural buildings into vacation homes and artist residences. The building program outlined the recovery of 4 rural buildings with the intention to keep the existing stone walls and wooden roofs. The documentation also highlights the use of the homes as a place for visting artists to stay. This may have been proposed in conjunction with the desire to modify the existing garage into an art exhibition space. These residences are refered to as "Nùcleo Rural" in the documentation. The project was not realized. This project subseries is documented through drawings, photographic materials and textual records dating from 2005-2009. The drawings are mostly printed reprographic copies of CAD drawings, many of which have annotations. These include plans, details and structural, electrical and mechanical drawings. The photographic materials, which are printed digital photos, show the existing buildings and surrounding site. The textual records include technical documentation and specifications, supplier catalogues, building permit documentation, building programs and budgets.
2005-2009
Parque de Vidago Moradias Turísticas [Parque de Vidago vacation homes], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS2
Description:
This project subseries documents the Parque de Vidago Moradias Turísticas. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of the modification of rural buildings into vacation homes and artist residences. The building program outlined the recovery of 4 rural buildings with the intention to keep the existing stone walls and wooden roofs. The documentation also highlights the use of the homes as a place for visting artists to stay. This may have been proposed in conjunction with the desire to modify the existing garage into an art exhibition space. These residences are refered to as "Nùcleo Rural" in the documentation. The project was not realized. This project subseries is documented through drawings, photographic materials and textual records dating from 2005-2009. The drawings are mostly printed reprographic copies of CAD drawings, many of which have annotations. These include plans, details and structural, electrical and mechanical drawings. The photographic materials, which are printed digital photos, show the existing buildings and surrounding site. The textual records include technical documentation and specifications, supplier catalogues, building permit documentation, building programs and budgets.
Subseries
2005-2009
Project
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
circa 2000-2002
James Stewart Centre for Mathematics, McMaster University, Hamilton, Ontario (2000-2003)
Actions:
AP056.S1.2000.PR05
Description:
This project series documents the James Stewart Centre for Mathematics at McMaster University in Hamilton, Ontario from 2000-2003. The office identified the project number as 2000-22. This project consisted of the complete interior renovation of Hamilton Hall, originally built in 1929, for use as a mathematics school at the University. An insulated envelope was added to the historic building in order to preserve its gothic exteriors, which were juxtaposed against new modern and abstract interior spaces. Transparent blue glass was used throughout the four-storey building for walls, ceilings and railings to draw sunlight deep into its interiors. A mix of enclosed rooms and open, interactive spaces were created and slate chalkboards were added throughout the building to inspire spontaneous thought and collaborative work.[1] This project was awarded a Governor General's Medal in Architecture in 2004. The project is recorded through drawings dating from around 2000 to around 2002, which include sketches, plans, elevations, sections, perspectives, details, presentation drawings and digital renderings. A large part of the sketches are drawings for custom furniture. [1]"James Stewart Centre for Mathematics, McMaster University." KPMB. Accessed April 12, 2019. http://www.kpmb.com/project/james-stewart-centre-for-mathematics/
project
circa 2000-2002
Project
AP056.S1.2000.PR01
Description:
This project series documents additions and alterations to St. Andrew's College in Aurora, Ontario from 2000-2003. The office identified the project number as 2000-21. This project, headed by Marianne McKenna, consisted of the addition of a middle school wing onto an existing building, a parking lot and outdoor spaces and alterations to the existing college, originally constructed in 1926. These changes to the private boy's school were in response to a task force that identified deficiencies in the campus for a curriculum of the 21st century. While a new gymnasium was added to the middle school, the old gym in Dunlap Hall was converted into a three-storey art facility. The existing Ketchum Auditorium was also restored and renovated for the drama program.[1] The master plan study predating this project was completed under a different project number (see project series AP056.S1.1999.PR02 described in this fonds). This project is recorded through drawings dating from 1999-2001. The drawings are mostly originals and consist of sketches, presentation drawings, plans, elevations, sections, details and axonometric drawings. [1]"St. Andrew's College" KPMB. Accessed August 1, 2019. http://www.kpmb.com/project/st-andrews-college/
1999-2001
St. Andrew's College, Aurora, Ontario (2000-2003)
Actions:
AP056.S1.2000.PR01
Description:
This project series documents additions and alterations to St. Andrew's College in Aurora, Ontario from 2000-2003. The office identified the project number as 2000-21. This project, headed by Marianne McKenna, consisted of the addition of a middle school wing onto an existing building, a parking lot and outdoor spaces and alterations to the existing college, originally constructed in 1926. These changes to the private boy's school were in response to a task force that identified deficiencies in the campus for a curriculum of the 21st century. While a new gymnasium was added to the middle school, the old gym in Dunlap Hall was converted into a three-storey art facility. The existing Ketchum Auditorium was also restored and renovated for the drama program.[1] The master plan study predating this project was completed under a different project number (see project series AP056.S1.1999.PR02 described in this fonds). This project is recorded through drawings dating from 1999-2001. The drawings are mostly originals and consist of sketches, presentation drawings, plans, elevations, sections, details and axonometric drawings. [1]"St. Andrew's College" KPMB. Accessed August 1, 2019. http://www.kpmb.com/project/st-andrews-college/
Project
1999-2001
Project
AP140.S2.SS1.D79
Description:
File documents an executed project for the Music School and History Museum in Stuttgart, Germany. The office of James Stirling, Michael Wilford, and Associates was initially appointed in 1986 to design the new Music School and Theatre Academy. In 1991, the programme was altered to include a new History Museum for the State of Baden-Württemberg in place of the Theatre Academy, while retaining the existing design. The project was also divided in two phases with the last phase including the planning and construction of the second part of the Music School and the History Museum. The project was completed after the death of Stirling in 1992 by the firms of Michael Wilford and Partners and Michael Wilford GmbH. Material in this file was produced between 1985 and 2000. File contains several early conceptual drawings, a large number of design development drawings, as well as presentation drawings and working drawings. Photographic materials include views of the building site and of study and presentation models by Kandor Modelmakers and by photographer Peter Walser. File also contains a large amount of textual records and a presentation model of the concert hall.
1985-2000
Music School and History Museum, Stuttgart, Germany
Actions:
AP140.S2.SS1.D79
Description:
File documents an executed project for the Music School and History Museum in Stuttgart, Germany. The office of James Stirling, Michael Wilford, and Associates was initially appointed in 1986 to design the new Music School and Theatre Academy. In 1991, the programme was altered to include a new History Museum for the State of Baden-Württemberg in place of the Theatre Academy, while retaining the existing design. The project was also divided in two phases with the last phase including the planning and construction of the second part of the Music School and the History Museum. The project was completed after the death of Stirling in 1992 by the firms of Michael Wilford and Partners and Michael Wilford GmbH. Material in this file was produced between 1985 and 2000. File contains several early conceptual drawings, a large number of design development drawings, as well as presentation drawings and working drawings. Photographic materials include views of the building site and of study and presentation models by Kandor Modelmakers and by photographer Peter Walser. File also contains a large amount of textual records and a presentation model of the concert hall.
File 79
1985-2000
Project
AP178.S1.1976.PR03
Description:
This project series document the Largo da Lada the historic district in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 35/70. The office assigned the date 1976 for this project. The Comissariado para a Renovação Urbana da Área de Ribeira/Barredo was an organization responsible for the rehabilitation of the historic district in Porto. The aim of the project was to improve the living conditions of the residents. Alvaro Siza was selected to find architectural solutions for the Mercado da Ribeira (see project series AP178.S1.1976.PR01 in this fonds), Parcelas 191 e 192 (see project series AP178.S1.1976.PR02 in this fonds), and Largo da Lada. The goal for this project was to reorganize the Lada square and Barredo Quarter. The program included a study to create communal facilities and space for dwellings. Although this project, and the proposal for the Mercado da Ribeira were not realized, the houses on Parcelas 191 and 192 were. This project is recorded through sketches, studies and plans. Photographs, negatives, postcards and slides depict the project site and surrounding area. Textual documentation includes correspondence.
1962-1974
Largo da Lada [Urban development plan for Lada square and redevelopment of Barredo Quarter], Porto, Portugal (1976)
Actions:
AP178.S1.1976.PR03
Description:
This project series document the Largo da Lada the historic district in Porto, Portugal. While the records were held in the office’s archives this project was assigned the number 35/70. The office assigned the date 1976 for this project. The Comissariado para a Renovação Urbana da Área de Ribeira/Barredo was an organization responsible for the rehabilitation of the historic district in Porto. The aim of the project was to improve the living conditions of the residents. Alvaro Siza was selected to find architectural solutions for the Mercado da Ribeira (see project series AP178.S1.1976.PR01 in this fonds), Parcelas 191 e 192 (see project series AP178.S1.1976.PR02 in this fonds), and Largo da Lada. The goal for this project was to reorganize the Lada square and Barredo Quarter. The program included a study to create communal facilities and space for dwellings. Although this project, and the proposal for the Mercado da Ribeira were not realized, the houses on Parcelas 191 and 192 were. This project is recorded through sketches, studies and plans. Photographs, negatives, postcards and slides depict the project site and surrounding area. Textual documentation includes correspondence.
Project
1962-1974
Project
AP178.S1.1990.PR02
Description:
This project series documents the Parque de Santo Domingo de Bonaval in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 3/90. The office assigned the date 1990 to this project. The project was for the Santo Domingo de Bonaval Park, located in the gardens of the Convent of Santo Domingo de Bonaval and an abandoned cementery. The park was part of the construction of the Centro Galego de Arte Contemporânea and was understood as an extension of it. The design was a collaboration between landscape architect Isabel Aguirre and Álvaro Siza. There was also a restoration component to the project which included restoring the pavement, paths, fountains and walls. The park, measuring 37 047 square metres, included an Eduardo Chillida sculpture. Siza and Aguirre decided not to include trash bins in the park and designed fifty-six benches. The project received the Premio Nacional de Arquitectura Manuel de la Dehesa award in 1997. Documenting this project are studies, preliminary drawings, plans and working drawings. Textual materials include project documentation, notes and correspondence. Photographic materials document the models, project site and built project.
1987-1995
Parque de Santo Domingo de Bonaval [Santo Domingo de Bonaval Park], Santiago de Compostela, Spain (1990)
Actions:
AP178.S1.1990.PR02
Description:
This project series documents the Parque de Santo Domingo de Bonaval in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 3/90. The office assigned the date 1990 to this project. The project was for the Santo Domingo de Bonaval Park, located in the gardens of the Convent of Santo Domingo de Bonaval and an abandoned cementery. The park was part of the construction of the Centro Galego de Arte Contemporânea and was understood as an extension of it. The design was a collaboration between landscape architect Isabel Aguirre and Álvaro Siza. There was also a restoration component to the project which included restoring the pavement, paths, fountains and walls. The park, measuring 37 047 square metres, included an Eduardo Chillida sculpture. Siza and Aguirre decided not to include trash bins in the park and designed fifty-six benches. The project received the Premio Nacional de Arquitectura Manuel de la Dehesa award in 1997. Documenting this project are studies, preliminary drawings, plans and working drawings. Textual materials include project documentation, notes and correspondence. Photographic materials document the models, project site and built project.
Project
1987-1995
Project
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
2000-2008
Centro de Alto Rendimento en el Balneario de Panticosa [Sports Hotel and High-performance center], Panticosa, Spain (2001)
Actions:
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
Project
2000-2008
Project
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
circa 2003-2004
Ciudad del Flamenco de Jerez de la Frontera, Jerez de la Frontera, Spain (2003)
Actions:
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
Project
circa 2003-2004
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
1971-1977
Reviews, Announcements, Catalogues & Photos 1970-77
Actions:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
1971-1977
drawings, textual records, born digital
AP181.S1.003
Description:
Original directory name:"02_1_Berater BMW". Records relate to construction and planning issues where BMW, as the client, was either in charge or more involved in the decision making. There is at least one report mentioning a BMW Design Planning Office. Bulk dates run from 2002 to 2007. There are sixteen consultants’ files, identified primarily with the firm or consultant name and expertise. These include Interbrand Zintzmeyer & Lux on corporate identity, ECE Projektmanagement GmbH on logistics, Stangl AG on facility management, Ingenieurbüro Georg Ziegler IGVB for surveying, GHTM AG on lightning protection, Schottenhamel & Kiening on restaurants cuisine and atmosphere planning, and bp solar on the inclusion of solar panels on the roof. Records consist of plans and drawings in CAD and PDF formats, renderings saved as JPEG, photographs, and textual records, such as correspondence, engineering reports, and presentations by the consultants. Most common file formats: AutoCAD Drawing, JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Acrobat PDF 1.2 - Portable Document Format, Acrobat PDF 1.3 - Portable Document Format
1999-2012
BMW consultants files, BMW Welt, Munich
Actions:
AP181.S1.003
Description:
Original directory name:"02_1_Berater BMW". Records relate to construction and planning issues where BMW, as the client, was either in charge or more involved in the decision making. There is at least one report mentioning a BMW Design Planning Office. Bulk dates run from 2002 to 2007. There are sixteen consultants’ files, identified primarily with the firm or consultant name and expertise. These include Interbrand Zintzmeyer & Lux on corporate identity, ECE Projektmanagement GmbH on logistics, Stangl AG on facility management, Ingenieurbüro Georg Ziegler IGVB for surveying, GHTM AG on lightning protection, Schottenhamel & Kiening on restaurants cuisine and atmosphere planning, and bp solar on the inclusion of solar panels on the roof. Records consist of plans and drawings in CAD and PDF formats, renderings saved as JPEG, photographs, and textual records, such as correspondence, engineering reports, and presentations by the consultants. Most common file formats: AutoCAD Drawing, JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Acrobat PDF 1.2 - Portable Document Format, Acrobat PDF 1.3 - Portable Document Format
drawings, textual records, born digital
1999-2012