5582 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierlucio Pellissier fonds
Pierlucio Pellissier fonds
Actions:
Reference number:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
People:
Date:
1946-2020
1946-2020
Title:
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1946-2020
1946-2020
People:
Form:
articles
articles
Title:
What, if not the family?
What, if not the family?
Actions:
Guests from multidisciplinary perspectives discuss the spatial implications of ongoing shifts in ideas of the family
Issue:
A Social Reset
A Social Reset
Keyword(s):
Soirée, gala, family, what if not the family?, Miranda July, Other Architects, Grace Mortlock, David Neustein, Elena Schütz, Julian Schubert, Leonard Streich, Something Fantastic, Edit Collective, Marisa Morán Jahn, Rafi Segal, Carehaus, Johanna Hurme, 5468796 Architecture, Nahira Gerster-Sim, Frida Escobedo, Kumiko Inui, Emanuel Admasu, AD-WO
Soirée, gala, family, what if not the family?, Miranda July, Other Architects, Grace Mortlock, David Neustein, Elena Schütz, Julian Schubert, Leonard Streich, Something Fantastic, Edit Collective, Marisa Morán Jahn, Rafi Segal, Carehaus, Johanna Hurme, 5468796 Architecture, Nahira Gerster-Sim, Frida Escobedo, Kumiko Inui, Emanuel Admasu, AD-WO
Published:
7 June 2021
7 June 2021
Title:
What, if not the family?
Guests from multidisciplinary perspectives discuss the spatial implications of ongoing shifts in ideas of the family
Actions:
What, if not the family?
Guests from multidisciplinary perspectives discuss the spatial implications of ongoing shifts in ideas of the family
Actions:
Issue:
A Social Reset
A Social Reset
Form:
photographs
photographs
Actions:
Reference number:
PH2018:0005:031
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, floor plan for Office Baroque, 1977, blue ballpoint pen on graph paper, 42 x 59.5 cm, PHCON2002:0016:059, Gordon Matta-Clark collection, Canadian Centre of Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:031
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, floor plan for Office Baroque, 1977, blue ballpoint pen on graph paper, 42 x 59.5 cm, PHCON2002:0016:059, Gordon Matta-Clark collection, Canadian Centre of Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of floor plan for Office Baroque, blue pen on graph paper by Gordon Matta-Clark, 1977
Actions:
PH2018:0005:031
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, floor plan for Office Baroque, 1977, blue ballpoint pen on graph paper, 42 x 59.5 cm, PHCON2002:0016:059, Gordon Matta-Clark collection, Canadian Centre of Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of floor plan for Office Baroque, blue pen on graph paper by Gordon Matta-Clark, 1977
Actions:
PH2018:0005:031
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, floor plan for Office Baroque, 1977, blue ballpoint pen on graph paper, 42 x 59.5 cm, PHCON2002:0016:059, Gordon Matta-Clark collection, Canadian Centre of Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Form:
photographs
photographs
Actions:
Reference number:
PH2018:0005:033
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, floor plan for Office Baroque, 1977, blue ballpoint pen on graph paper, 42 x 59.5 cm, PHCON2002:0016:058, Gordon Matta-Clark collection, Canadian Centre of Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:033
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, floor plan for Office Baroque, 1977, blue ballpoint pen on graph paper, 42 x 59.5 cm, PHCON2002:0016:058, Gordon Matta-Clark collection, Canadian Centre of Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
People:
Date:
2017
2017
Title:
Questioning Pictures: Photograph of floor plan for office Baroque, blue pen on graph paper by Gordon Matta-Clark, 1977
Actions:
PH2018:0005:033
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, floor plan for Office Baroque, 1977, blue ballpoint pen on graph paper, 42 x 59.5 cm, PHCON2002:0016:058, Gordon Matta-Clark collection, Canadian Centre of Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of floor plan for office Baroque, blue pen on graph paper by Gordon Matta-Clark, 1977
Actions:
PH2018:0005:033
Description:
Photograph by Stefano Graziani of the following work: Gordon Matta-Clark, floor plan for Office Baroque, 1977, blue ballpoint pen on graph paper, 42 x 59.5 cm, PHCON2002:0016:058, Gordon Matta-Clark collection, Canadian Centre of Architecture, Gift of Estate of Gordon Matta-Clark, © Estate of Gordon Matta-Clark Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Form:
photographs
photographs
Date:
2017
2017
People:
Form:
articles
articles
Form:
articles
articles
Form:
drawings
drawings
Reference number:
DR1988:0413
Description:
- This reprographic copy shows a hotel situated on a street corner. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0413
Description:
- This reprographic copy shows a hotel situated on a street corner. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
People:
Subject:
architecture
architecture
Date:
printed in the 1920s or 1930s
printed in the 1920s or 1930s
Title:
Perspectival views showing and Ind. Coope & Co. Ltd. Hotel, England
Actions:
DR1988:0413
Description:
- This reprographic copy shows a hotel situated on a street corner. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Perspectival views showing and Ind. Coope & Co. Ltd. Hotel, England
Actions:
DR1988:0413
Description:
- This reprographic copy shows a hotel situated on a street corner. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Form:
drawings
drawings
Date:
printed in the 1920s or 1930s
printed in the 1920s or 1930s
People:
Subject:
architecture
architecture
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
People:
Date:
1980-1987
1980-1987
Title:
University Place Building, Front and York Streets, Toronto (1980-1987)
Actions:
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
University Place Building, Front and York Streets, Toronto (1980-1987)
Actions:
AP018.S1.1980.PR09.SS1
Description:
This project series documents the design and construction of an office building for Marathon Realty in Toronto at the corner of York and Front Streets from 1980-1983. The office identified the project number as 8009. The project consisted of two nineteen storey towers with stainless steel and glass exteriors connected by a glass atrium on each floor. Owned and commissioned by Marathon Realty, the majority of the building’s space was designed for rental. Due to this, the design was highly modular with no interior walls on most floors. Each floor was approximately 18,000 square feet. The ground floor consisted of a lobby, a bank and a restaurant. At the beginning of this project, the project was named Marathon Realty Office Building, Front and York Streets. Soon after, the office building became known as University Place, which it is often referred to as in these materials. Eventually, the building would become the headquarters of CitiBank and renamed Citigroup Place. The project is recorded through drawings, photographs, textual records and other materials dating from 1980-1987. The majority of the drawings are located within the textual records and show the design of building details. Other drawings include site surveys, design development drawings, presentation drawings, and construction drawings. The photographs show construction progress, tests, models, and the finished project. The textual records contain the project proposal, contracts, client and contractor correspondence, inter-office memos, meeting minutes, financial records, change orders, supplementary instructions, specifications, detail planning, artist’s portfolios for the building’s art competition, site inspection reports, and schedules. File AP018.S1.1980.PR09.004 contains an index to the textual records, which was created by the office. The CCA also holds materials for a subproject under this project series, which document the installation of signs to the top of the building after the building's construction (AP018.S1.1980.PR09.SS1). Subproject materials are viewed separately from the project due to the different project numbers originally assigned by the office.
Level of archival description:
Project
Project
Date:
1980-1987
1980-1987
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Jacques Rousseau fonds
Jacques Rousseau fonds
Reference number:
AP066
Synopsis:
Le Fonds Jacques Rousseau est constitué des archives professionnelles et personnelles de l'architecte. Le fonds comprend plus de 6000 dessins, 1000 documents photographiques et 4 mètre linéaire de documents textuels, relatifs aux projets d'architecture incluant des concours, à des expositions, à des dossiers personnels et professionnels, à sa formation universitaire et à ses enseignements. Les documents du fonds étaient produits entre 1963 et 1997.
AP066
Synopsis:
Le Fonds Jacques Rousseau est constitué des archives professionnelles et personnelles de l'architecte. Le fonds comprend plus de 6000 dessins, 1000 documents photographiques et 4 mètre linéaire de documents textuels, relatifs aux projets d'architecture incluant des concours, à des expositions, à des dossiers personnels et professionnels, à sa formation universitaire et à ses enseignements. Les documents du fonds étaient produits entre 1963 et 1997.
People:
Date:
1963-1997
1963-1997
Title:
Jacques Rousseau fonds
Actions:
AP066
Synopsis:
Le Fonds Jacques Rousseau est constitué des archives professionnelles et personnelles de l'architecte. Le fonds comprend plus de 6000 dessins, 1000 documents photographiques et 4 mètre linéaire de documents textuels, relatifs aux projets d'architecture incluant des concours, à des expositions, à des dossiers personnels et professionnels, à sa formation universitaire et à ses enseignements. Les documents du fonds étaient produits entre 1963 et 1997.
Jacques Rousseau fonds
Actions:
AP066
Synopsis:
Le Fonds Jacques Rousseau est constitué des archives professionnelles et personnelles de l'architecte. Le fonds comprend plus de 6000 dessins, 1000 documents photographiques et 4 mètre linéaire de documents textuels, relatifs aux projets d'architecture incluant des concours, à des expositions, à des dossiers personnels et professionnels, à sa formation universitaire et à ses enseignements. Les documents du fonds étaient produits entre 1963 et 1997.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1963-1997
1963-1997
People:
Form:
exhibitions
exhibitions
Actions:
Description:
German artist Dieter Appelt presents a major work commissioned by the CCA and inspired by the late nineteenth-century Forth Rail Bridge near Edinburgh, Scotland. Dieter Appelt: Forth Bridge — Cinema. Metric Space is the second of four exhibitions in the Tangent series, which brings contemporary artists into dialogue with the CCA Collection and results in newly(...)
German artist Dieter Appelt presents a major work commissioned by the CCA and inspired by the late nineteenth-century Forth Rail Bridge near Edinburgh, Scotland. Dieter Appelt: Forth Bridge — Cinema. Metric Space is the second of four exhibitions in the Tangent series, which brings contemporary artists into dialogue with the CCA Collection and results in newly(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
9 March 2005 to 22 May 2005
9 March 2005 to 22 May 2005
Title:
Dieter Appelt: Forth Bridge - Cinema. Metric Space
Actions:
Description:
German artist Dieter Appelt presents a major work commissioned by the CCA and inspired by the late nineteenth-century Forth Rail Bridge near Edinburgh, Scotland. Dieter Appelt: Forth Bridge — Cinema. Metric Space is the second of four exhibitions in the Tangent series, which brings contemporary artists into dialogue with the CCA Collection and results in newly(...)
Dieter Appelt: Forth Bridge - Cinema. Metric Space
Actions:
Description:
German artist Dieter Appelt presents a major work commissioned by the CCA and inspired by the late nineteenth-century Forth Rail Bridge near Edinburgh, Scotland. Dieter Appelt: Forth Bridge — Cinema. Metric Space is the second of four exhibitions in the Tangent series, which brings contemporary artists into dialogue with the CCA Collection and results in newly(...)
Form:
exhibitions
exhibitions
Date:
9 March 2005 to
22 May 2005
9 March 2005 to
22 May 2005
Location:
Octagonal gallery
Octagonal gallery
