2058 Results
Level of archival description:
Project
Project
Title:
Porthole
Porthole
Reference number:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
People:
Date:
1989
1989
Title:
Porthole
Actions:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Porthole
Actions:
AP144.S2.D154
Description:
File documents a commission from Lord Eliot, Earl St. Germans, for an architectural folly, a lead tent in memory of the Earl's grandmother, to be built on the grounds of the Port Eliot estate in St. Germans, Cornwall, England. Material in this file was produced in 1989. File contains conceptual drawings and textual records.
Level of archival description:
File 154
File 154
Date:
1989
1989
People:
Form:
events
events
Description:
None
None
Date:
17 January 2018
17 January 2018
Form:
events
events
Date:
17 January 2018
17 January 2018
Level of archival description:
Project
Project
Actions:
Reference number:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
People:
Date:
1971-1973
1971-1973
Title:
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Architettura come Scrittura [Architecture as Writing] (1971-1973)
Actions:
AP148.S1.1971.PR03
Description:
Project series comprises what Poli entitled "Storyboard", a 54-page pitch document for a film, comprised of a typed text with drawings, including a typography, as well as sketches and collages, done mostly on copy paper (heliography). The text and drawings refer to writing as the origin of architecture, both activities of humans attempting to capture memory in recognizable shapes and classifiable categories.
Level of archival description:
Project
Project
Date:
1971-1973
1971-1973
People:
Level of archival description:
Project
Project
Title:
Doubletake
Doubletake
Actions:
Reference number:
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
People:
Date:
1992-1993
1992-1993
Title:
Doubletake
Actions:
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
Doubletake
Actions:
AP142.S2.D12
Description:
File documents an exhibition titled 'Doubletake - Collective Memory & Current Art' that was first held 20 February to 20 April 1992 at the Hayward Gallery, London, England and then held 8 January to 28 February 1993 at Kunsthalle Wien, Vienna, Austria. Material in this file was produced in 1992 and 1993. File contains photographs, design development drawings, presentation drawings, and record drawings. File also contains textual records, including correspondence and clippings.
Level of archival description:
File 12
File 12
Date:
1992-1993
1992-1993
People:
Level of archival description:
Project
Project
Title:
La nuova piazzetta Manzoni
La nuova piazzetta Manzoni
Actions:
Reference number:
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
People:
Date:
1988-1990
1988-1990
Title:
La nuova piazzetta Manzoni
Actions:
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
La nuova piazzetta Manzoni
Actions:
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
Level of archival description:
File 129
File 129
Date:
1988-1990
1988-1990
People:
Form:
events
events
Actions:
Description:
Join us for the first installment of our third chapter of our series of presentations and discussions Documents of Displacement, during which Marisa Portolese, Jinyoung Kim, and Pedro Barbáchano will present photographic projects that focus on the spatial displacement of people, objects, and monuments, questioning the effects of these contextual changes on their meanings(...)
Join us for the first installment of our third chapter of our series of presentations and discussions Documents of Displacement, during which Marisa Portolese, Jinyoung Kim, and Pedro Barbáchano will present photographic projects that focus on the spatial displacement of people, objects, and monuments, questioning the effects of these contextual changes on their meanings(...)
Location:
Paul Desmarais Theatre Keyword(s):
Documents of Displacement, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photography, lecture
Paul Desmarais Theatre Keyword(s):
Documents of Displacement, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photography, lecture
Date:
30 November 2023, 6:30pm
30 November 2023, 6:30pm
Title:
Documents of Displacement I
Actions:
Description:
Join us for the first installment of our third chapter of our series of presentations and discussions Documents of Displacement, during which Marisa Portolese, Jinyoung Kim, and Pedro Barbáchano will present photographic projects that focus on the spatial displacement of people, objects, and monuments, questioning the effects of these contextual changes on their meanings(...)
Documents of Displacement I
Actions:
Description:
Join us for the first installment of our third chapter of our series of presentations and discussions Documents of Displacement, during which Marisa Portolese, Jinyoung Kim, and Pedro Barbáchano will present photographic projects that focus on the spatial displacement of people, objects, and monuments, questioning the effects of these contextual changes on their meanings(...)
Form:
events
events
Date:
30 November 2023
6:30pm
30 November 2023
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
Documents of Displacement, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photography, lecture
Paul Desmarais Theatre Keyword(s):
Documents of Displacement, Marisa Portolese, Pedro Barbáchano, Jinyoung Kim, photography, lecture
Form:
events
events
Title:
Research Fellow Seminar: Irene Brisson
Lakay se Lakay: Transnational Architectures of Belonging
Research Fellow Seminar: Irene Brisson
Lakay se Lakay: Transnational Architectures of Belonging
Actions:
Location:
Shaughnessy House Keyword(s):
research fellow 2022, Irene Brisson, Haiti, lakay, diaspora, belonging, memory, creole, kréyol, bòsmason, creolization
Shaughnessy House Keyword(s):
research fellow 2022, Irene Brisson, Haiti, lakay, diaspora, belonging, memory, creole, kréyol, bòsmason, creolization
Date:
4 August 2022, 6pm
4 August 2022, 6pm
Form:
events
events
Date:
4 August 2022
6pm
4 August 2022
6pm
Location:
Shaughnessy House Keyword(s):
research fellow 2022, Irene Brisson, Haiti, lakay, diaspora, belonging, memory, creole, kréyol, bòsmason, creolization
Shaughnessy House Keyword(s):
research fellow 2022, Irene Brisson, Haiti, lakay, diaspora, belonging, memory, creole, kréyol, bòsmason, creolization
Level of archival description:
Project
Project
Reference number:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
People:
Date:
2001-2003
2001-2003
Title:
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Level of archival description:
Project
Project
Date:
2001-2003
2001-2003
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
People:
Date:
1984-1992
1984-1992
Title:
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Level of archival description:
Project
Project
Date:
1984-1992
1984-1992
People:
Form:
research
research
Title:
Visiting Scholars 2006
Visiting Scholars 2006
Actions:
Description:
Jean Attali, École Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Topic: Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, United States Topic: Drawing from Memory: Giuliano da Sangallo and(...)
Jean Attali, École Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Topic: Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, United States Topic: Drawing from Memory: Giuliano da Sangallo and(...)
Date:
10 January 2006 to 15 September 2006
10 January 2006 to 15 September 2006
Title:
Visiting Scholars 2006
Actions:
Description:
Jean Attali, École Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Topic: Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, United States Topic: Drawing from Memory: Giuliano da Sangallo and(...)
Visiting Scholars 2006
Actions:
Description:
Jean Attali, École Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Topic: Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, United States Topic: Drawing from Memory: Giuliano da Sangallo and(...)
Form:
research
research
Date:
10 January 2006 to
15 September 2006
10 January 2006 to
15 September 2006
