2492 Results
Form:
textual records
textual records
Reference number:
AP197.S1.SS9.009
Description:
This box contains various notebooks and notepads with notes and drawings as well as loose handwritten notes on various architects, subjects and writings including Renzo Piano, modernism, and post modernism. The box also includes two diaries that documents Frampton's visit to India as well as a notepads with some drawings.
AP197.S1.SS9.009
Description:
This box contains various notebooks and notepads with notes and drawings as well as loose handwritten notes on various architects, subjects and writings including Renzo Piano, modernism, and post modernism. The box also includes two diaries that documents Frampton's visit to India as well as a notepads with some drawings.
People:
Date:
circa 1990-2015
circa 1990-2015
Title:
Kenneth Frampton notebooks and handwritten notes
Actions:
AP197.S1.SS9.009
Description:
This box contains various notebooks and notepads with notes and drawings as well as loose handwritten notes on various architects, subjects and writings including Renzo Piano, modernism, and post modernism. The box also includes two diaries that documents Frampton's visit to India as well as a notepads with some drawings.
Kenneth Frampton notebooks and handwritten notes
Actions:
AP197.S1.SS9.009
Description:
This box contains various notebooks and notepads with notes and drawings as well as loose handwritten notes on various architects, subjects and writings including Renzo Piano, modernism, and post modernism. The box also includes two diaries that documents Frampton's visit to India as well as a notepads with some drawings.
Form:
textual records
textual records
Date:
circa 1990-2015
circa 1990-2015
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S2.018
Description:
The box includes writings about culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design. More specifically, the subjects explored in these files include the Gothic revival to functional form, modernism and post modernism, cultural history, Richard Wagner, Angelo Rizzuto, museums, expressionism, modular and alchemy, and the avant garde.
AP197.S2.018
Description:
The box includes writings about culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design. More specifically, the subjects explored in these files include the Gothic revival to functional form, modernism and post modernism, cultural history, Richard Wagner, Angelo Rizzuto, museums, expressionism, modular and alchemy, and the avant garde.
People:
Date:
circa 1963- 1990
circa 1963- 1990
Title:
Various research files on culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design
Actions:
AP197.S2.018
Description:
The box includes writings about culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design. More specifically, the subjects explored in these files include the Gothic revival to functional form, modernism and post modernism, cultural history, Richard Wagner, Angelo Rizzuto, museums, expressionism, modular and alchemy, and the avant garde.
Various research files on culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design
Actions:
AP197.S2.018
Description:
The box includes writings about culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design. More specifically, the subjects explored in these files include the Gothic revival to functional form, modernism and post modernism, cultural history, Richard Wagner, Angelo Rizzuto, museums, expressionism, modular and alchemy, and the avant garde.
Form:
textual records
textual records
Date:
circa 1963- 1990
circa 1963- 1990
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Location:
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Date:
26 November 2013 to 20 April 2014
26 November 2013 to 20 April 2014
Title:
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Form:
exhibitions
exhibitions
Date:
26 November 2013 to
20 April 2014
26 November 2013 to
20 April 2014
Location:
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Actions:
Reference number:
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
People:
Date:
1976-10-12, 1976-10-27
1976-10-12, 1976-10-27
Title:
Audio recordings for two lectures, one by Stuart Cohen for the series Architecture 5 New Modernism/Post Modernism, entitled: "The Fall From Grace: Moore, Hardy, Venture" and the second by James Stirling for the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "A Vocabulary of Work"
Actions:
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
Audio recordings for two lectures, one by Stuart Cohen for the series Architecture 5 New Modernism/Post Modernism, entitled: "The Fall From Grace: Moore, Hardy, Venture" and the second by James Stirling for the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "A Vocabulary of Work"
Actions:
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
Date:
1976-10-12, 1976-10-27
1976-10-12, 1976-10-27
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Location:
Main galleries
Main galleries
Date:
16 May 2012 to 14 October 2012
16 May 2012 to 14 October 2012
Title:
Notes from the Archive: James Frazer Stirling
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Notes from the Archive: James Frazer Stirling
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Form:
exhibitions
exhibitions
Date:
16 May 2012 to
14 October 2012
16 May 2012 to
14 October 2012
Location:
Main galleries
Main galleries
Form:
research
research
Title:
Visiting Scholars 2007
Visiting Scholars 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Date:
May 2007 to September 2007
May 2007 to September 2007
Title:
Visiting Scholars 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Visiting Scholars 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Form:
research
research
Date:
May 2007 to
September 2007
May 2007 to
September 2007
Actions:
Reference number:
ARCH252124
Description:
Two lectures delivered by Charles Gwathmey (unknown title), moderated by Brendan Gill, and Rodolfo Machado ("True Modernism: Tigerman, Portman and the Shape of Things to Come"), moderated by Robert A. Stern. The lectures were given at IAUS in New York.
ARCH252124
Description:
Two lectures delivered by Charles Gwathmey (unknown title), moderated by Brendan Gill, and Rodolfo Machado ("True Modernism: Tigerman, Portman and the Shape of Things to Come"), moderated by Robert A. Stern. The lectures were given at IAUS in New York.
People:
Date:
1976/11/22 - 1976/11/23
1976/11/22 - 1976/11/23
Title:
Audio recording from two lectures, one by Charles Gwathmey and the second by Brendan Gill, entitled: "True Modernism: Tigerman, Portman and the Shape of Things to Come" both from the series Architecture 5 The Preoccupation of Critics and Architects
Actions:
ARCH252124
Description:
Two lectures delivered by Charles Gwathmey (unknown title), moderated by Brendan Gill, and Rodolfo Machado ("True Modernism: Tigerman, Portman and the Shape of Things to Come"), moderated by Robert A. Stern. The lectures were given at IAUS in New York.
Audio recording from two lectures, one by Charles Gwathmey and the second by Brendan Gill, entitled: "True Modernism: Tigerman, Portman and the Shape of Things to Come" both from the series Architecture 5 The Preoccupation of Critics and Architects
Actions:
ARCH252124
Description:
Two lectures delivered by Charles Gwathmey (unknown title), moderated by Brendan Gill, and Rodolfo Machado ("True Modernism: Tigerman, Portman and the Shape of Things to Come"), moderated by Robert A. Stern. The lectures were given at IAUS in New York.
Date:
1976/11/22 - 1976/11/23
1976/11/22 - 1976/11/23
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Jean Michaud fonds
Jean Michaud fonds
Actions:
Reference number:
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
People:
Date:
1852, 1916, 1938-1981, surtout 1950-1974
1852, 1916, 1938-1981, surtout 1950-1974
Title:
Jean Michaud fonds
Actions:
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Jean Michaud fonds
Actions:
AP012
Synopsis:
Le Fonds Jean Michaud est constitué autour de 5 projets étudiants, 79 projets professionnels, 6 projets non identifiés, 13 projets réalisés par d'autres architectes, ainsi que divers documents visuels et textuels. Les projets de l'architecte sont répartis en 42 projets résidentiels, 4 pour les loisirs et l'animation sociale, 9 éducatifs, 7 commerciaux et administratifs, 3 industriels et manufacturiers, 1 pour le transport routier, 9 gouvernementales, 1 médical, 2 religieux et 1 projet d'aménagement urbain. Ces projets sont principalement concentrés dans quatre régions du Québec. Il y en a 29 dans la région de Montréal (incluant Laval et Vaudreuil-Dorion; dont 17 à Montréal), 20 dans la région du Bas-Saint-Laurent et Gaspésie (11 à Rimouski), 12 en Montérégie (8 à Saint-Marc-sur-Richelieu) et 7 dans les Laurentides. Le fonds Jean Michaud comprend 1613 dessins, 959 reprographies, 271 documents photographiques, 43 documents graphiques, 1 maquette, ainsi que 2.805 m.l. de documents textuels. Ces documents ont été principalement produits entre 1950 et 1970.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1852, 1916, 1938-1981, surtout 1950-1974
1852, 1916, 1938-1981, surtout 1950-1974
People:
Form:
events
events
Actions:
Date:
16 July 2004
16 July 2004
Form:
events
events
Date:
16 July 2004
16 July 2004
Form:
graphic materials
graphic materials
Reference number:
ARCH252108
Description:
Posters advertising IAUS' educational programming: Summer Architecture: An Introduction for High School Students, 1980 Classicism: Allan Greenberg, John Blatteau, Robert A.M. Stern (moderator); Modernism: Peter Eisenman, Richard Meier, Robert A.M. Stern (moderator); Modern Classicism: Michael Graves, Robert A.M. Stern, Allan Greenberg (moderator), February 20, March 12, March 26 (?)
ARCH252108
Description:
Posters advertising IAUS' educational programming: Summer Architecture: An Introduction for High School Students, 1980 Classicism: Allan Greenberg, John Blatteau, Robert A.M. Stern (moderator); Modernism: Peter Eisenman, Richard Meier, Robert A.M. Stern (moderator); Modern Classicism: Michael Graves, Robert A.M. Stern, Allan Greenberg (moderator), February 20, March 12, March 26 (?)
People:
Date:
1980
1980
Title:
Posters advertising IAUS' educational programming
Actions:
ARCH252108
Description:
Posters advertising IAUS' educational programming: Summer Architecture: An Introduction for High School Students, 1980 Classicism: Allan Greenberg, John Blatteau, Robert A.M. Stern (moderator); Modernism: Peter Eisenman, Richard Meier, Robert A.M. Stern (moderator); Modern Classicism: Michael Graves, Robert A.M. Stern, Allan Greenberg (moderator), February 20, March 12, March 26 (?)
Posters advertising IAUS' educational programming
Actions:
ARCH252108
Description:
Posters advertising IAUS' educational programming: Summer Architecture: An Introduction for High School Students, 1980 Classicism: Allan Greenberg, John Blatteau, Robert A.M. Stern (moderator); Modernism: Peter Eisenman, Richard Meier, Robert A.M. Stern (moderator); Modern Classicism: Michael Graves, Robert A.M. Stern, Allan Greenberg (moderator), February 20, March 12, March 26 (?)
Form:
graphic materials
graphic materials
Date:
1980
1980
People:
