2517 Results
Form:
textual records
textual records
Reference number:
ARCH257679
Description:
pages for promotional book: Baldwin Residence, Bayles Residence, B.C Government Complex and Court House, Berlitz Alteration, Begg Building, Boultbee Residence, Chess Residence, Canadian Pavilion Tokyo, Camberra, Danto Residence, Dyde Residence, Erickson Residence, Expo '67, Grauer Cabana, Kitsilano Museum Complex, Laxton residence, Lindenfield Garden, Massey Residence, Townhouse Development, SFU, Smith Residence, University of Victoria, Weston Residence, W-H Pudifoot
ARCH257679
Description:
pages for promotional book: Baldwin Residence, Bayles Residence, B.C Government Complex and Court House, Berlitz Alteration, Begg Building, Boultbee Residence, Chess Residence, Canadian Pavilion Tokyo, Camberra, Danto Residence, Dyde Residence, Erickson Residence, Expo '67, Grauer Cabana, Kitsilano Museum Complex, Laxton residence, Lindenfield Garden, Massey Residence, Townhouse Development, SFU, Smith Residence, University of Victoria, Weston Residence, W-H Pudifoot
People:
Title:
Pages a promotional book showing various projects
Actions:
ARCH257679
Description:
pages for promotional book: Baldwin Residence, Bayles Residence, B.C Government Complex and Court House, Berlitz Alteration, Begg Building, Boultbee Residence, Chess Residence, Canadian Pavilion Tokyo, Camberra, Danto Residence, Dyde Residence, Erickson Residence, Expo '67, Grauer Cabana, Kitsilano Museum Complex, Laxton residence, Lindenfield Garden, Massey Residence, Townhouse Development, SFU, Smith Residence, University of Victoria, Weston Residence, W-H Pudifoot
Pages a promotional book showing various projects
Actions:
ARCH257679
Description:
pages for promotional book: Baldwin Residence, Bayles Residence, B.C Government Complex and Court House, Berlitz Alteration, Begg Building, Boultbee Residence, Chess Residence, Canadian Pavilion Tokyo, Camberra, Danto Residence, Dyde Residence, Erickson Residence, Expo '67, Grauer Cabana, Kitsilano Museum Complex, Laxton residence, Lindenfield Garden, Massey Residence, Townhouse Development, SFU, Smith Residence, University of Victoria, Weston Residence, W-H Pudifoot
Form:
textual records
textual records
People:
Form:
articles
articles
Title:
Unintended Memories
Unintended Memories
Actions:
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Keyword(s):
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Naoya Hatakeyama, conversation, oral history
The Lives of Documents, Photography as a Project, Stefano Graziani and Bas Princen, Naoya Hatakeyama, conversation, oral history
Published:
11 September 2023
11 September 2023
Title:
Unintended Memories
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Actions:
Unintended Memories
Naoya Hatakeyama in conversation with Stefano Graziani and Bas Princen
Actions:
Form:
exhibitions
exhibitions
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
17 June 1997 to 28 September 1997
17 June 1997 to 28 September 1997
Title:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Form:
exhibitions
exhibitions
Date:
17 June 1997 to
28 September 1997
17 June 1997 to
28 September 1997
Location:
Octagonal gallery
Octagonal gallery
Level of archival description:
Series
Series
Reference number:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
People:
Date:
1994 - 2004
1994 - 2004
Title:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Level of archival description:
Series
Series
Date:
1994 - 2004
1994 - 2004
People:
Level of archival description:
Project
Project
Title:
Mostra AR Parigi
Mostra AR Parigi
Actions:
Reference number:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
People:
Date:
1991-1993
1991-1993
Title:
Mostra AR Parigi
Actions:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Mostra AR Parigi
Actions:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Level of archival description:
File 4
File 4
Date:
1991-1993
1991-1993
People:
Form:
photographs
Quantity:
410 photographic material(s)
photographs
Quantity:
410 photographic material(s)
Actions:
Reference number:
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
People:
Date:
1 October 1990
1 October 1990
Title:
Project presentation binders for various governmental projects
Actions:
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
Project presentation binders for various governmental projects
Actions:
ARCH274235
Description:
3 project dcument binders used for presentation purposes. Filed under "Government": Ministry of Public Works and Housing, Riyadh (1977), Government of Canada Office Building (1977), Ministry of Foreign Affairs Interim Headquarters, Jeddah (1979), Canadian Embassy Redevelopment, Tokyo (1985), Hamma Government Complex, Algiers (1984), Etisalat Headquarters (1985), Harold Washington Library Centre (1988), Brent Branch Library (1987).Contains images of sites, models, perspective sketches, presentation drawings and renderings. Also contains graphics, newspaper clippings and photocopies.
Form:
photographs
Quantity:
410 photographic material(s)
photographs
Quantity:
410 photographic material(s)
Date:
1 October 1990
1 October 1990
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH276173
Description:
19 files - Group includes working files of the virtual firm, Atelier and general office files. Files are organized alphabetically and contain the following: Indonesia - Madura; India; Intrawest; Irish Memorial; Japanese Landscape Conference; Tokyo International Forum; Japan Kansai-Kan Library; Jeddah; Jeddah - Architectura; J.S. Building Openings; Institute of Education, Hong Kong; Al Buhairat City, Saudi Arabia; Keller Dale (1992-1993); Kripacz, Jose C.V.; Kaufamn; Kenzo Tang Association; Kuwait Current; Kuwait, Oil Sector Complex; Kuwait Waterfront.
ARCH276173
Description:
19 files - Group includes working files of the virtual firm, Atelier and general office files. Files are organized alphabetically and contain the following: Indonesia - Madura; India; Intrawest; Irish Memorial; Japanese Landscape Conference; Tokyo International Forum; Japan Kansai-Kan Library; Jeddah; Jeddah - Architectura; J.S. Building Openings; Institute of Education, Hong Kong; Al Buhairat City, Saudi Arabia; Keller Dale (1992-1993); Kripacz, Jose C.V.; Kaufamn; Kenzo Tang Association; Kuwait Current; Kuwait, Oil Sector Complex; Kuwait Waterfront.
People:
Date:
1992-1997
1992-1997
Title:
Working files from firm Atelier and general office files
Actions:
ARCH276173
Description:
19 files - Group includes working files of the virtual firm, Atelier and general office files. Files are organized alphabetically and contain the following: Indonesia - Madura; India; Intrawest; Irish Memorial; Japanese Landscape Conference; Tokyo International Forum; Japan Kansai-Kan Library; Jeddah; Jeddah - Architectura; J.S. Building Openings; Institute of Education, Hong Kong; Al Buhairat City, Saudi Arabia; Keller Dale (1992-1993); Kripacz, Jose C.V.; Kaufamn; Kenzo Tang Association; Kuwait Current; Kuwait, Oil Sector Complex; Kuwait Waterfront.
Working files from firm Atelier and general office files
Actions:
ARCH276173
Description:
19 files - Group includes working files of the virtual firm, Atelier and general office files. Files are organized alphabetically and contain the following: Indonesia - Madura; India; Intrawest; Irish Memorial; Japanese Landscape Conference; Tokyo International Forum; Japan Kansai-Kan Library; Jeddah; Jeddah - Architectura; J.S. Building Openings; Institute of Education, Hong Kong; Al Buhairat City, Saudi Arabia; Keller Dale (1992-1993); Kripacz, Jose C.V.; Kaufamn; Kenzo Tang Association; Kuwait Current; Kuwait, Oil Sector Complex; Kuwait Waterfront.
Form:
textual records
textual records
Date:
1992-1997
1992-1997
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Wells Coates fonds
Wells Coates fonds
Actions:
Reference number:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
People:
Date:
1909-1986
1909-1986
Title:
Wells Coates fonds
Actions:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Wells Coates fonds
Actions:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1909-1986
1909-1986
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH257296
Description:
"Permanent files": Calgary Olympic Plaza, 1300 West Georgia, Laurel Point Inn, U.B.C Point Grey Erosion Control Master Plan proposal, Lake Tharthar, Lower Lonsdale Design Study proposal, State Organisation for Tourism, Kuwait Foundation for the Advancement of Science, National Laser Fusion Facility, Ministry of Foreign Affairs Building Jeddha, Merchant Chomik Architects, Canadian Embassy Development Project (Tokyo), Air Defense Headquarters Ministry of Defense and Aviation Kingdom of Saudi Arabia, Sun Life Assurance, 320 Taylor Way, Ukay Lake Club, Kuwait News Agency, Dartmouth Waterfront
ARCH257296
Description:
"Permanent files": Calgary Olympic Plaza, 1300 West Georgia, Laurel Point Inn, U.B.C Point Grey Erosion Control Master Plan proposal, Lake Tharthar, Lower Lonsdale Design Study proposal, State Organisation for Tourism, Kuwait Foundation for the Advancement of Science, National Laser Fusion Facility, Ministry of Foreign Affairs Building Jeddha, Merchant Chomik Architects, Canadian Embassy Development Project (Tokyo), Air Defense Headquarters Ministry of Defense and Aviation Kingdom of Saudi Arabia, Sun Life Assurance, 320 Taylor Way, Ukay Lake Club, Kuwait News Agency, Dartmouth Waterfront
People:
Date:
1979-1987
1979-1987
Title:
Permanent files on various projects
Actions:
ARCH257296
Description:
"Permanent files": Calgary Olympic Plaza, 1300 West Georgia, Laurel Point Inn, U.B.C Point Grey Erosion Control Master Plan proposal, Lake Tharthar, Lower Lonsdale Design Study proposal, State Organisation for Tourism, Kuwait Foundation for the Advancement of Science, National Laser Fusion Facility, Ministry of Foreign Affairs Building Jeddha, Merchant Chomik Architects, Canadian Embassy Development Project (Tokyo), Air Defense Headquarters Ministry of Defense and Aviation Kingdom of Saudi Arabia, Sun Life Assurance, 320 Taylor Way, Ukay Lake Club, Kuwait News Agency, Dartmouth Waterfront
Permanent files on various projects
Actions:
ARCH257296
Description:
"Permanent files": Calgary Olympic Plaza, 1300 West Georgia, Laurel Point Inn, U.B.C Point Grey Erosion Control Master Plan proposal, Lake Tharthar, Lower Lonsdale Design Study proposal, State Organisation for Tourism, Kuwait Foundation for the Advancement of Science, National Laser Fusion Facility, Ministry of Foreign Affairs Building Jeddha, Merchant Chomik Architects, Canadian Embassy Development Project (Tokyo), Air Defense Headquarters Ministry of Defense and Aviation Kingdom of Saudi Arabia, Sun Life Assurance, 320 Taylor Way, Ukay Lake Club, Kuwait News Agency, Dartmouth Waterfront
Form:
textual records
textual records
Date:
1979-1987
1979-1987
People:
Form:
drawings, textual records
Quantity:
57 textual record(s) and reprographic copy(ies)
drawings, textual records
Quantity:
57 textual record(s) and reprographic copy(ies)
Actions:
Reference number:
DR1997:0070:001-057
Description:
- Danforth's thesis included a written component. Danforth researched the history, function and program of the museum, modern art gallery or exhibition hall, taking suggestions from Mies van der Rohe and Walter Peterhans about which ones he should examine. The group of documents includes an incomplete draft of Danforth's written text, as well as research notes and illustrations of museums/exhibition spaces by architects including Schinkel (Altes Museum, Berlin), Le Corbusier (Pavillon des Temps Nouveaux, Paris and Palais de Tokyo, Paris), Henry van de Velde, and H.P. Berlage.
DR1997:0070:001-057
Description:
- Danforth's thesis included a written component. Danforth researched the history, function and program of the museum, modern art gallery or exhibition hall, taking suggestions from Mies van der Rohe and Walter Peterhans about which ones he should examine. The group of documents includes an incomplete draft of Danforth's written text, as well as research notes and illustrations of museums/exhibition spaces by architects including Schinkel (Altes Museum, Berlin), Le Corbusier (Pavillon des Temps Nouveaux, Paris and Palais de Tokyo, Paris), Henry van de Velde, and H.P. Berlage.
People:
Subject:
architecture, installation
architecture, installation
Date:
1940-1943
1940-1943
Title:
Research notes, draft text, and illustrations for a graduate thesis for a small museum, Department of Architecture, Illinois Institute of Technology
Actions:
DR1997:0070:001-057
Description:
- Danforth's thesis included a written component. Danforth researched the history, function and program of the museum, modern art gallery or exhibition hall, taking suggestions from Mies van der Rohe and Walter Peterhans about which ones he should examine. The group of documents includes an incomplete draft of Danforth's written text, as well as research notes and illustrations of museums/exhibition spaces by architects including Schinkel (Altes Museum, Berlin), Le Corbusier (Pavillon des Temps Nouveaux, Paris and Palais de Tokyo, Paris), Henry van de Velde, and H.P. Berlage.
Research notes, draft text, and illustrations for a graduate thesis for a small museum, Department of Architecture, Illinois Institute of Technology
Actions:
DR1997:0070:001-057
Description:
- Danforth's thesis included a written component. Danforth researched the history, function and program of the museum, modern art gallery or exhibition hall, taking suggestions from Mies van der Rohe and Walter Peterhans about which ones he should examine. The group of documents includes an incomplete draft of Danforth's written text, as well as research notes and illustrations of museums/exhibition spaces by architects including Schinkel (Altes Museum, Berlin), Le Corbusier (Pavillon des Temps Nouveaux, Paris and Palais de Tokyo, Paris), Henry van de Velde, and H.P. Berlage.
Form:
drawings, textual records
Quantity:
57 textual record(s) and reprographic copy(ies)
drawings, textual records
Quantity:
57 textual record(s) and reprographic copy(ies)
Date:
1940-1943
1940-1943
People:
Subject:
architecture, installation
architecture, installation
