7057 Results
Level of archival description:
Sub-series
Sub-series
Reference number:
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
People:
Date:
1999-2001
1999-2001
Title:
Anything Conference and Journal
Actions:
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
Anything Conference and Journal
Actions:
AP116.S2.SS11
Description:
Sub-series documents the planning and execution of the Anything Conference, taking place June 1-3, 2000, Guggenheim Museum, New York City, New York, the Anything Journal, published in Spetember 2001, and an accompanying exhibition, "Eavesdropping on Architecture," held 3 June - 29 July, 2000, The Urban Center, New York City, New York. Sub-series is arranged into eight files by object type. Material in sub-series was produced between 1999 and 2000. Sub-series contains correspondence with conference participants, poster, press clippings and press release, zip disk, photographs and illustrations of conference and for journal, video and audio cassettes of conference proceedings, transcripts of conference proceedings, proofs, articles, and reviews.
Level of archival description:
Sub-series 11
Sub-series 11
Date:
1999-2001
1999-2001
People:
Level of archival description:
Project
Project
Title:
Marea [Thames Tides] (1974)
Marea [Thames Tides] (1974)
Actions:
Reference number:
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
People:
Date:
circa 1974
circa 1974
Title:
Marea [Thames Tides] (1974)
Actions:
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
Marea [Thames Tides] (1974)
Actions:
AP207.S1.1974.PR01
Description:
This project series documents the performance "Marea" presented as a conference given by Pettena to the Architectural Association of London while standing at the mouth of the Thames in London during the rising of the tide. Pettena's idea was to give "conference on the theory of architecture, pure, abstract theory, produced in a limited time, its length determined by the constraints imposed by changes in the physical environment." [1] The project series contains photographs of the performance showing Pettena standing in the water as the tide slowly rises. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-thames-tide-1974/ (last accessed 12 November 2019)
Level of archival description:
Project
Project
Date:
circa 1974
circa 1974
People:
Level of archival description:
Project
Project
Reference number:
AP018.S1.1955.PR01
Description:
This project series documents the plant and offices of Ortho Pharmaceutical (Canada) Ltd. on Green Belt Drive in North York, Ontario from 1955-1956. The office identified the project number as 5508. This project consisted of a 36,000 square foot L-shaped building that housed administrative offices, manufacturing areas and laboratories, storage spaces and a cafeteria. The building's exterior was largely composed of windows, with white-painted steal columns and beams framing the forefront. Other parts of the building were white glazed brick. The design won a Silver Massey Medal for Architecture in 1958. The project is recorded through a mounted project photograph dating from around 1956.
AP018.S1.1955.PR01
Description:
This project series documents the plant and offices of Ortho Pharmaceutical (Canada) Ltd. on Green Belt Drive in North York, Ontario from 1955-1956. The office identified the project number as 5508. This project consisted of a 36,000 square foot L-shaped building that housed administrative offices, manufacturing areas and laboratories, storage spaces and a cafeteria. The building's exterior was largely composed of windows, with white-painted steal columns and beams framing the forefront. Other parts of the building were white glazed brick. The design won a Silver Massey Medal for Architecture in 1958. The project is recorded through a mounted project photograph dating from around 1956.
People:
Date:
circa 1956
circa 1956
Title:
Ortho Pharmaceutical (Canada) Ltd., Plant and Offices, North York, Ontario (1955-1956)
Actions:
AP018.S1.1955.PR01
Description:
This project series documents the plant and offices of Ortho Pharmaceutical (Canada) Ltd. on Green Belt Drive in North York, Ontario from 1955-1956. The office identified the project number as 5508. This project consisted of a 36,000 square foot L-shaped building that housed administrative offices, manufacturing areas and laboratories, storage spaces and a cafeteria. The building's exterior was largely composed of windows, with white-painted steal columns and beams framing the forefront. Other parts of the building were white glazed brick. The design won a Silver Massey Medal for Architecture in 1958. The project is recorded through a mounted project photograph dating from around 1956.
Ortho Pharmaceutical (Canada) Ltd., Plant and Offices, North York, Ontario (1955-1956)
Actions:
AP018.S1.1955.PR01
Description:
This project series documents the plant and offices of Ortho Pharmaceutical (Canada) Ltd. on Green Belt Drive in North York, Ontario from 1955-1956. The office identified the project number as 5508. This project consisted of a 36,000 square foot L-shaped building that housed administrative offices, manufacturing areas and laboratories, storage spaces and a cafeteria. The building's exterior was largely composed of windows, with white-painted steal columns and beams framing the forefront. Other parts of the building were white glazed brick. The design won a Silver Massey Medal for Architecture in 1958. The project is recorded through a mounted project photograph dating from around 1956.
Level of archival description:
Project
Project
Date:
circa 1956
circa 1956
People:
Level of archival description:
Project
Project
Reference number:
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
People:
Date:
1984
1984
Title:
Concours du Musée d'art contemporain de Montréal
Actions:
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
Concours du Musée d'art contemporain de Montréal
Actions:
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
Level of archival description:
Dossier 3
Dossier 3
Date:
1984
1984
People:
Level of archival description:
Series
Series
Reference number:
AP075.S1
Description:
This series documents Cornelia Hahn Oberlander's landscape architecture projects undertaken between the 1950s to the end of the 2000s. Projects range from new development site master plan projects to residential projects, with a strong focus on play areas in neighbourhood parks and child care centres. Projects are mainly located in British Columbia and Washington State. Other locations include Ontario, Northwest Territories, Alberta, California, and Pennsylvania. Documentary forms in this series are comprised of drawn and printed graphic materials from various stages of the landscape design. The series also contains photographs of the landscaping work or the completed projects, and project records, such as correspondence, reports, specifications, and Oberlander's concept development notes.
AP075.S1
Description:
This series documents Cornelia Hahn Oberlander's landscape architecture projects undertaken between the 1950s to the end of the 2000s. Projects range from new development site master plan projects to residential projects, with a strong focus on play areas in neighbourhood parks and child care centres. Projects are mainly located in British Columbia and Washington State. Other locations include Ontario, Northwest Territories, Alberta, California, and Pennsylvania. Documentary forms in this series are comprised of drawn and printed graphic materials from various stages of the landscape design. The series also contains photographs of the landscaping work or the completed projects, and project records, such as correspondence, reports, specifications, and Oberlander's concept development notes.
People:
Date:
1947-2018
1947-2018
Title:
Landscape architecture projects
Actions:
AP075.S1
Description:
This series documents Cornelia Hahn Oberlander's landscape architecture projects undertaken between the 1950s to the end of the 2000s. Projects range from new development site master plan projects to residential projects, with a strong focus on play areas in neighbourhood parks and child care centres. Projects are mainly located in British Columbia and Washington State. Other locations include Ontario, Northwest Territories, Alberta, California, and Pennsylvania. Documentary forms in this series are comprised of drawn and printed graphic materials from various stages of the landscape design. The series also contains photographs of the landscaping work or the completed projects, and project records, such as correspondence, reports, specifications, and Oberlander's concept development notes.
Landscape architecture projects
Actions:
AP075.S1
Description:
This series documents Cornelia Hahn Oberlander's landscape architecture projects undertaken between the 1950s to the end of the 2000s. Projects range from new development site master plan projects to residential projects, with a strong focus on play areas in neighbourhood parks and child care centres. Projects are mainly located in British Columbia and Washington State. Other locations include Ontario, Northwest Territories, Alberta, California, and Pennsylvania. Documentary forms in this series are comprised of drawn and printed graphic materials from various stages of the landscape design. The series also contains photographs of the landscaping work or the completed projects, and project records, such as correspondence, reports, specifications, and Oberlander's concept development notes.
Level of archival description:
Series
Series
Date:
1947-2018
1947-2018
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
People:
Date:
1949-2019
1949-2019
Title:
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Professional associations and engagements
Actions:
AP075.S3.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's involvement in professionnal associations or other professionnal engagements related to architecture, urban planning, environment or art and design from the early 1950s to the end of the 2010s. It related to Oberlander's membership to associations and committees, like the National Capital Commission or the Smith College Botanic Garden Committee. It also comprises Oberlander involvement in various jury selections, including for design competitions, such as the Nathan Phillips Square Revitalization design competition in the mid-2000s. Sub-series also documents Oberlander attendance to conferences or seminars, such as landscape architects associations or conferences on sustainable development. The sub-series also contains records of conferences and talks Oberlander gave, either about her projects, on landscape architecture, on play and play environments, or on sustainable architecture. It also includes Oberlander's research and writings for her own publications or articles she wrote. The sub-series contains documents related to associations and committees, such as correspondence, Oberlander's notes and minutes of meetings. It contains documents related to her for jury selection work, such as invitation to participate to a jury selection, correspondence, and documents related to the selection process. The sub-series also comprises Oberlander's documents from her attendance to conferences and seminars, such as correspondence, event planning, travel organization, and conferences proceedings. Documents related to talks and conferences given by Oberlander comprises research material, Oberlander's notes, draft and final versions of texts, and a few photographs or sound and video recording of the events. Finally, the sub-series contains Oberlander's writtings, such as her research, draft versions of her writings and correspondence.
Level of archival description:
Sub-series
Sub-series
Date:
1949-2019
1949-2019
People:
Level of archival description:
Series
Series
Title:
Carl Krayl
Carl Krayl
Reference number:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
People:
Date:
1918-1945
1918-1945
Title:
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Level of archival description:
series
series
Date:
1918-1945
1918-1945
People:
Form:
textual records
textual records
Reference number:
DR2004:1430
Description:
binders and files including Delft Conference (1970) notes by JS, talk by CP; 'IVA Conference/Austria / 1970'; 'Architecture Workshop / Periphery / At the 'Haus der Architektur' 2 classes : Domenig, Zumthor (1989), Austria, inc. transparencies of exh, Graz, slides, photos; envelope 'CP writings' some postcards, offprints, exh cats; reprographic copies of photographs of CP and other individuals 'Duckland /Hamburg 3/4 day charette'; 'Photos by Cossack/city architect of Hamburg';
DR2004:1430
Description:
binders and files including Delft Conference (1970) notes by JS, talk by CP; 'IVA Conference/Austria / 1970'; 'Architecture Workshop / Periphery / At the 'Haus der Architektur' 2 classes : Domenig, Zumthor (1989), Austria, inc. transparencies of exh, Graz, slides, photos; envelope 'CP writings' some postcards, offprints, exh cats; reprographic copies of photographs of CP and other individuals 'Duckland /Hamburg 3/4 day charette'; 'Photos by Cossack/city architect of Hamburg';
People:
Date:
1970-1989
1970-1989
Title:
Binders and files including Delft Conference (1970) notes by JS
Actions:
DR2004:1430
Description:
binders and files including Delft Conference (1970) notes by JS, talk by CP; 'IVA Conference/Austria / 1970'; 'Architecture Workshop / Periphery / At the 'Haus der Architektur' 2 classes : Domenig, Zumthor (1989), Austria, inc. transparencies of exh, Graz, slides, photos; envelope 'CP writings' some postcards, offprints, exh cats; reprographic copies of photographs of CP and other individuals 'Duckland /Hamburg 3/4 day charette'; 'Photos by Cossack/city architect of Hamburg';
Binders and files including Delft Conference (1970) notes by JS
Actions:
DR2004:1430
Description:
binders and files including Delft Conference (1970) notes by JS, talk by CP; 'IVA Conference/Austria / 1970'; 'Architecture Workshop / Periphery / At the 'Haus der Architektur' 2 classes : Domenig, Zumthor (1989), Austria, inc. transparencies of exh, Graz, slides, photos; envelope 'CP writings' some postcards, offprints, exh cats; reprographic copies of photographs of CP and other individuals 'Duckland /Hamburg 3/4 day charette'; 'Photos by Cossack/city architect of Hamburg';
Form:
textual records
textual records
Date:
1970-1989
1970-1989
People:
Form:
drawings, books
drawings, books
Actions:
Reference number:
PH1993:0429:001-015
Description:
- Contemporary binding consists of grey paper-covered boards with a brown leather-covered spine. There is a black ink inscription on the cover and a gold gilt inscription on the spine. Endpapers, pages and secondary supports are of white paper. The book is comprised of title pages, a preface, table of contents, 15 photographs with accompanying text and a 35 page text titled "On the Study of Indian Architecture." by James Fergusson.
PH1993:0429:001-015
Description:
- Contemporary binding consists of grey paper-covered boards with a brown leather-covered spine. There is a black ink inscription on the cover and a gold gilt inscription on the spine. Endpapers, pages and secondary supports are of white paper. The book is comprised of title pages, a preface, table of contents, 15 photographs with accompanying text and a 35 page text titled "On the Study of Indian Architecture." by James Fergusson.
People:
Subject:
architecture, sculpture
architecture, sculpture
Date:
1869
1869
Title:
Illustrations of Various Styles of Indian Architecture: A series of fifteen photographs of some of the most important buildings in India erected between B.C. 250 and A.D. 1830
Actions:
PH1993:0429:001-015
Description:
- Contemporary binding consists of grey paper-covered boards with a brown leather-covered spine. There is a black ink inscription on the cover and a gold gilt inscription on the spine. Endpapers, pages and secondary supports are of white paper. The book is comprised of title pages, a preface, table of contents, 15 photographs with accompanying text and a 35 page text titled "On the Study of Indian Architecture." by James Fergusson.
Illustrations of Various Styles of Indian Architecture: A series of fifteen photographs of some of the most important buildings in India erected between B.C. 250 and A.D. 1830
Actions:
PH1993:0429:001-015
Description:
- Contemporary binding consists of grey paper-covered boards with a brown leather-covered spine. There is a black ink inscription on the cover and a gold gilt inscription on the spine. Endpapers, pages and secondary supports are of white paper. The book is comprised of title pages, a preface, table of contents, 15 photographs with accompanying text and a 35 page text titled "On the Study of Indian Architecture." by James Fergusson.
Form:
drawings, books
drawings, books
Date:
1869
1869
People:
Subject:
architecture, sculpture
architecture, sculpture
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
André Blouin fonds
André Blouin fonds
Actions:
Reference number:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
People:
Date:
1933-1996
1933-1996
Title:
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-1996
1933-1996
People:
