5614 Results
Level of archival description:
Project
Project
Reference number:
AP206.S1.1982.PR02
Description:
This project series documents an extension and additions to the Milkfed Punjab milk plant in Jalandhar, India from 1982-1985, governed by The National Dairy Development Board (NDDB). This project consisted of an extension to the main milk plant, as well as the building of a garage, stores, service block, duty rooms and an addition to the administrative block. An orchard and covered bike area were also proposed. The main plant extension, used for the processing of butter and ghee, was multi-leveled with a primary height of two-storeys but reaching up to four storeys. Different schemes were proposed for the administrative block addition, one which showed a square building and the other showing a round building. The duty rooms, dotted with irregularly placed and sized geometric windows, had a roof that curled up at one end, opening to expose windows. The project is recorded through original drawings dating from 1973, which include plans, elevations, sections, perspectives and details.
AP206.S1.1982.PR02
Description:
This project series documents an extension and additions to the Milkfed Punjab milk plant in Jalandhar, India from 1982-1985, governed by The National Dairy Development Board (NDDB). This project consisted of an extension to the main milk plant, as well as the building of a garage, stores, service block, duty rooms and an addition to the administrative block. An orchard and covered bike area were also proposed. The main plant extension, used for the processing of butter and ghee, was multi-leveled with a primary height of two-storeys but reaching up to four storeys. Different schemes were proposed for the administrative block addition, one which showed a square building and the other showing a round building. The duty rooms, dotted with irregularly placed and sized geometric windows, had a roof that curled up at one end, opening to expose windows. The project is recorded through original drawings dating from 1973, which include plans, elevations, sections, perspectives and details.
People:
Date:
1982-1985
1982-1985
Title:
NDDB Milkfed Punjab, Jalandhar, India (1982-1985)
Actions:
AP206.S1.1982.PR02
Description:
This project series documents an extension and additions to the Milkfed Punjab milk plant in Jalandhar, India from 1982-1985, governed by The National Dairy Development Board (NDDB). This project consisted of an extension to the main milk plant, as well as the building of a garage, stores, service block, duty rooms and an addition to the administrative block. An orchard and covered bike area were also proposed. The main plant extension, used for the processing of butter and ghee, was multi-leveled with a primary height of two-storeys but reaching up to four storeys. Different schemes were proposed for the administrative block addition, one which showed a square building and the other showing a round building. The duty rooms, dotted with irregularly placed and sized geometric windows, had a roof that curled up at one end, opening to expose windows. The project is recorded through original drawings dating from 1973, which include plans, elevations, sections, perspectives and details.
NDDB Milkfed Punjab, Jalandhar, India (1982-1985)
Actions:
AP206.S1.1982.PR02
Description:
This project series documents an extension and additions to the Milkfed Punjab milk plant in Jalandhar, India from 1982-1985, governed by The National Dairy Development Board (NDDB). This project consisted of an extension to the main milk plant, as well as the building of a garage, stores, service block, duty rooms and an addition to the administrative block. An orchard and covered bike area were also proposed. The main plant extension, used for the processing of butter and ghee, was multi-leveled with a primary height of two-storeys but reaching up to four storeys. Different schemes were proposed for the administrative block addition, one which showed a square building and the other showing a round building. The duty rooms, dotted with irregularly placed and sized geometric windows, had a roof that curled up at one end, opening to expose windows. The project is recorded through original drawings dating from 1973, which include plans, elevations, sections, perspectives and details.
Level of archival description:
Project
Project
Date:
1982-1985
1982-1985
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP084
Synopsis:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
AP084
Synopsis:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
People:
Date:
1924-1987
1924-1987
Title:
Gardiner & Thornton architects fonds
Actions:
AP084
Synopsis:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Gardiner & Thornton architects fonds
Actions:
AP084
Synopsis:
The Gardiner & Thornton architects fonds, 1924-1987, documents the built projects of Vancouver-based firm, Gardiner & Thornton, architects, and its successive firms. Over 300 architectural projects are represented in this fonds. Materials in this fonds include approximately 3925 drawings (including reprographic copies), 908 photographic materials and 3.06 l.m. of textual records.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1924-1987
1924-1987
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
People:
Title:
Providence Healthcare Centre, Scarborough, Ontario (1995-2000)
Actions:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
Providence Healthcare Centre, Scarborough, Ontario (1995-2000)
Actions:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
Level of archival description:
Project
Project
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
People:
Date:
1988-1998
1988-1998
Title:
Edifício Castro e Melo, Bloco A, Reconstrução do Chiado [Castro & Melo building, Block A, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Edifício Castro e Melo, Bloco A, Reconstrução do Chiado [Castro & Melo building, Block A, Reconstruction of the Chiado] Lisbon, Portugal, 1988-1998
Actions:
AP178.S1.1988.PR07.SS4
Description:
This project series documents the restoration of the Castro & Melo building in Lisbon, Portugal. While the records were held in the office’s archives this project was assigned the number 58/80 N 8/9. The office assigned the date 1988-1998 for this project. The Edificio Castro e Melo was part of Bloco A and identified as building 8/9 in the reconstruction plan of Siza. The structure of the building, originally built in the18th century in order to resist earthquakes, was rebuilt in concrete. Archival research was done in order to reproduce as much as possible the original style of the building. The interior of the building was reorganized to introduce dwellings. The first and second floors were kept as they were originally for stores and storerooms. The third and fourth floors were built for offices. The fifth, sixth and seventh floors were rearranged to introduce apartments to the building. The eighth floor was used for the technical equipment of the building. In 1996, Siza received the Secil prize for this building. Drawings include studies, working drawings, mechanical drawings, and details of finishes. Textual material includes project documentation, studies, and correspondence. Photographic material include images of studies, details of the interior and exterior, as well as construction work. It is important to mention that documentation can also be found in subseries Master plans and exterior spaces (AP178.S1.1988.PR07.SS1) and Bloco A (AP178.S1.1988.PR07.SS2).
Level of archival description:
Project
Project
Date:
1988-1998
1988-1998
People:
Form:
photographs
photographs
Reference number:
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
People:
Title:
Projects photographs for various projects
Actions:
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
Projects photographs for various projects
Actions:
ARCH257680
Description:
Russel and Dumoulin office interiors; St David's School for Boys ; Yarmonic University; Berlitz alterations ; Camberra Exposition ; De Havilland Aircraft ; Duthie Book Store ; False Creek Theatre ; PNE Administration Building ; Anton Residence : 3 planches ; Puddifoot Shop ; Village Lake Louise ; Wood Gundy Offices ; World Wide Travel ; Redekop Apartments ; Shannon News Estate ; Trail urban developemnt ; Champlain Heights Elementary School; Beaubien Estates Townhouses ; Compartime ; British Columbia Research Council ; Garibaldi Olympic development ass. ; Massey College ; Metal Residence ; Matsoui/Matsqui Office Building ; Mitchell Residence ; Simon Fraser University ; Simpson Apartments ; Stegman Residence ; University of Victoria ; Venezuela Pavilion Expo '67 ; Woodcroft Estates ; X-Kalay; NAPP Laboratories; Dilworth Nountain ;Mac Millan Bloedel ; "Man in the Community" ; Expo' 70 Pavilion, victoria Harbour ; Canada Place, Edmonton; Bank of Canada head office; Begg Building; Canadian Chancery / New Canadian Embassy, Washington; Dawson housing Port Moody; Dowtown Core, BC Building; British Columbia Place Park ; Francisco Kripacz Appartment ; Mont Seymor Cafeteria; Lethbridge University; Winnipeg project, Trizac; Children Gallery VAG; Greenwood Park; Metro Toronto HQ
Form:
photographs
photographs
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
People:
Date:
1968
1968
Title:
Arranjo Urbanístico para a Av. D. Afonso Henriques, Avenida da Ponte, [Urban planning for Av. D. Afonso Henriques, "Avenida da Ponte"], Porto, Portugal (1968)
Actions:
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
Arranjo Urbanístico para a Av. D. Afonso Henriques, Avenida da Ponte, [Urban planning for Av. D. Afonso Henriques, "Avenida da Ponte"], Porto, Portugal (1968)
Actions:
AP178.S1.1968.PR03
Description:
This project series documents the Arranjo Urbanístico para a Av. D. Afonso Henriques, in Porto, Portugal. The avenue is also known as Avenida da Ponte. While the records were held in the office’s archives this project was assigned the number 32/60. The office assigned the date 1968 for this project. The project consisted of an urban plan for this historic part of the city. It was done in relation to the Edifício de Escritórios na Av. D. Afonso Henriques (see project series AP178.S1.1968.PR02 described in this fonds). In the 1940s, demolition created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to rearrange this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. The project consisted of a new layout for the Avenue D. Afonso Henriques, the connection between the Luis I Bridge to the D. Pedro Square and the São Bento Railway Station. The intention of the project was also to reduce traffic. The project was not realized. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting the Arranjo Urbanistico are studies and site plans. For correspondence, project documentation and drawings related to this project see project series Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte AP178.S1.1968.PR02.
Level of archival description:
Project
Project
Date:
1968
1968
People:
Level of archival description:
Project
Project
Title:
SAS 29
SAS 29
Reference number:
AP144.S2.D111
Description:
File documents an executed project for interior renovations to Hobbs Food Shop, a specialty grocery store located on 29 South Audley Street, London, England. Cedric Price's design includes the layout and detailing for display and holding cases, and possibly renovations for the kitchen, basement storage and bathroom facilities. Price also proposed an unusual front entrance which is flanked on either side by sculptural "tuning forks". There is an existing conditions reference plan of no. 26 and no. 29 South Audley Street. A panel with a reprographic copy of a schematic diagram outlines possible routes to the workplace for the staff. Conceptual and design development drawings include schematic sketches; numerous alternate floor plans; triangular, bulk barrel and zig-zag configurations for display and holding cases; and thumbnail sketches for the "tuning forks" for the entrance. Design development drawings also include: plans for proposals 1 and 2 for the renovations; an enlarged plan for the forecourt and display window showing the entrance, and including a key to storage areas; an axonometric for the entrance interior and an elevation for the principal façade showing the "tuning forks"; and plans, sections, and details for shelves, display counters, and holding cases. Reprographic copies were made from the original design development drawings and these include: basement and kitchen plan layouts; a front elevation with "tuning forks" and fascia panels showing transoms and stallboards with Hobbs and Co. logo; and interior wall elevations. Some of the reprographic copies have been annotated with notes. Material in this file was produced between 1980 and 1983, but predominantly in 1981. File contains conceptual drawings, design development drawings, a panel, models, and textual records.
AP144.S2.D111
Description:
File documents an executed project for interior renovations to Hobbs Food Shop, a specialty grocery store located on 29 South Audley Street, London, England. Cedric Price's design includes the layout and detailing for display and holding cases, and possibly renovations for the kitchen, basement storage and bathroom facilities. Price also proposed an unusual front entrance which is flanked on either side by sculptural "tuning forks". There is an existing conditions reference plan of no. 26 and no. 29 South Audley Street. A panel with a reprographic copy of a schematic diagram outlines possible routes to the workplace for the staff. Conceptual and design development drawings include schematic sketches; numerous alternate floor plans; triangular, bulk barrel and zig-zag configurations for display and holding cases; and thumbnail sketches for the "tuning forks" for the entrance. Design development drawings also include: plans for proposals 1 and 2 for the renovations; an enlarged plan for the forecourt and display window showing the entrance, and including a key to storage areas; an axonometric for the entrance interior and an elevation for the principal façade showing the "tuning forks"; and plans, sections, and details for shelves, display counters, and holding cases. Reprographic copies were made from the original design development drawings and these include: basement and kitchen plan layouts; a front elevation with "tuning forks" and fascia panels showing transoms and stallboards with Hobbs and Co. logo; and interior wall elevations. Some of the reprographic copies have been annotated with notes. Material in this file was produced between 1980 and 1983, but predominantly in 1981. File contains conceptual drawings, design development drawings, a panel, models, and textual records.
People:
Date:
1980-1983, predominant 1981
1980-1983, predominant 1981
Title:
SAS 29
Actions:
AP144.S2.D111
Description:
File documents an executed project for interior renovations to Hobbs Food Shop, a specialty grocery store located on 29 South Audley Street, London, England. Cedric Price's design includes the layout and detailing for display and holding cases, and possibly renovations for the kitchen, basement storage and bathroom facilities. Price also proposed an unusual front entrance which is flanked on either side by sculptural "tuning forks". There is an existing conditions reference plan of no. 26 and no. 29 South Audley Street. A panel with a reprographic copy of a schematic diagram outlines possible routes to the workplace for the staff. Conceptual and design development drawings include schematic sketches; numerous alternate floor plans; triangular, bulk barrel and zig-zag configurations for display and holding cases; and thumbnail sketches for the "tuning forks" for the entrance. Design development drawings also include: plans for proposals 1 and 2 for the renovations; an enlarged plan for the forecourt and display window showing the entrance, and including a key to storage areas; an axonometric for the entrance interior and an elevation for the principal façade showing the "tuning forks"; and plans, sections, and details for shelves, display counters, and holding cases. Reprographic copies were made from the original design development drawings and these include: basement and kitchen plan layouts; a front elevation with "tuning forks" and fascia panels showing transoms and stallboards with Hobbs and Co. logo; and interior wall elevations. Some of the reprographic copies have been annotated with notes. Material in this file was produced between 1980 and 1983, but predominantly in 1981. File contains conceptual drawings, design development drawings, a panel, models, and textual records.
SAS 29
Actions:
AP144.S2.D111
Description:
File documents an executed project for interior renovations to Hobbs Food Shop, a specialty grocery store located on 29 South Audley Street, London, England. Cedric Price's design includes the layout and detailing for display and holding cases, and possibly renovations for the kitchen, basement storage and bathroom facilities. Price also proposed an unusual front entrance which is flanked on either side by sculptural "tuning forks". There is an existing conditions reference plan of no. 26 and no. 29 South Audley Street. A panel with a reprographic copy of a schematic diagram outlines possible routes to the workplace for the staff. Conceptual and design development drawings include schematic sketches; numerous alternate floor plans; triangular, bulk barrel and zig-zag configurations for display and holding cases; and thumbnail sketches for the "tuning forks" for the entrance. Design development drawings also include: plans for proposals 1 and 2 for the renovations; an enlarged plan for the forecourt and display window showing the entrance, and including a key to storage areas; an axonometric for the entrance interior and an elevation for the principal façade showing the "tuning forks"; and plans, sections, and details for shelves, display counters, and holding cases. Reprographic copies were made from the original design development drawings and these include: basement and kitchen plan layouts; a front elevation with "tuning forks" and fascia panels showing transoms and stallboards with Hobbs and Co. logo; and interior wall elevations. Some of the reprographic copies have been annotated with notes. Material in this file was produced between 1980 and 1983, but predominantly in 1981. File contains conceptual drawings, design development drawings, a panel, models, and textual records.
Level of archival description:
File 111
File 111
Date:
1980-1983, predominant 1981
1980-1983, predominant 1981
People:
Level of archival description:
Series
Series
Title:
Architectural projects
Architectural projects
Actions:
Reference number:
AP056.S1
Description:
The Architectural Projects series, 1984-2003, records 125 architectural projects from Canada, the United States, Germany and Switzerland. These projects include university buildings and campuses, public spaces, civic buildings, offices, interior and industrial design, residences, museums, theatres and concert halls, a winery, and retail stores. The projects include built work, proposals and competition entries. Projects were identified and separated based on distinct project numbers assigned by the creating office, along with the project dates and titles when further clarification was necessary. The project numbering scheme used by the office was not consistent, but most of the numbers are four digits and begin with last two digits of the project start year. These projects are recorded primarily through drawings, but some photographs, paintings, textual records, periodicals, and models are also included in this series. The majority of drawings for each project are originals and a large part of reprographic copies have annotations. The drawings for each project typically consist of surveys, sketches, plans, sections, elevations, axonometric drawings, details, perspectives, and drawings issued for construction. Some of the drawings are mounted for presentation purposes. A large number of furnishing drawings are also included for interior design projects. Photographs in this series show finished work completed by the firm, the project models, and reproductions of drawings and paintings. The paintings in this series are mostly watercolours used for presentation. The textual records are very sparse in this series and consist of rough notes used to supplement drawings. The periodicals are magazines that highlight the completed projects. The amount of materials for each project vary greatly, with built projects having the most complete records and project proposals having the least.
AP056.S1
Description:
The Architectural Projects series, 1984-2003, records 125 architectural projects from Canada, the United States, Germany and Switzerland. These projects include university buildings and campuses, public spaces, civic buildings, offices, interior and industrial design, residences, museums, theatres and concert halls, a winery, and retail stores. The projects include built work, proposals and competition entries. Projects were identified and separated based on distinct project numbers assigned by the creating office, along with the project dates and titles when further clarification was necessary. The project numbering scheme used by the office was not consistent, but most of the numbers are four digits and begin with last two digits of the project start year. These projects are recorded primarily through drawings, but some photographs, paintings, textual records, periodicals, and models are also included in this series. The majority of drawings for each project are originals and a large part of reprographic copies have annotations. The drawings for each project typically consist of surveys, sketches, plans, sections, elevations, axonometric drawings, details, perspectives, and drawings issued for construction. Some of the drawings are mounted for presentation purposes. A large number of furnishing drawings are also included for interior design projects. Photographs in this series show finished work completed by the firm, the project models, and reproductions of drawings and paintings. The paintings in this series are mostly watercolours used for presentation. The textual records are very sparse in this series and consist of rough notes used to supplement drawings. The periodicals are magazines that highlight the completed projects. The amount of materials for each project vary greatly, with built projects having the most complete records and project proposals having the least.
People:
Date:
1984-2003
1984-2003
Title:
Architectural projects
Actions:
AP056.S1
Description:
The Architectural Projects series, 1984-2003, records 125 architectural projects from Canada, the United States, Germany and Switzerland. These projects include university buildings and campuses, public spaces, civic buildings, offices, interior and industrial design, residences, museums, theatres and concert halls, a winery, and retail stores. The projects include built work, proposals and competition entries. Projects were identified and separated based on distinct project numbers assigned by the creating office, along with the project dates and titles when further clarification was necessary. The project numbering scheme used by the office was not consistent, but most of the numbers are four digits and begin with last two digits of the project start year. These projects are recorded primarily through drawings, but some photographs, paintings, textual records, periodicals, and models are also included in this series. The majority of drawings for each project are originals and a large part of reprographic copies have annotations. The drawings for each project typically consist of surveys, sketches, plans, sections, elevations, axonometric drawings, details, perspectives, and drawings issued for construction. Some of the drawings are mounted for presentation purposes. A large number of furnishing drawings are also included for interior design projects. Photographs in this series show finished work completed by the firm, the project models, and reproductions of drawings and paintings. The paintings in this series are mostly watercolours used for presentation. The textual records are very sparse in this series and consist of rough notes used to supplement drawings. The periodicals are magazines that highlight the completed projects. The amount of materials for each project vary greatly, with built projects having the most complete records and project proposals having the least.
Architectural projects
Actions:
AP056.S1
Description:
The Architectural Projects series, 1984-2003, records 125 architectural projects from Canada, the United States, Germany and Switzerland. These projects include university buildings and campuses, public spaces, civic buildings, offices, interior and industrial design, residences, museums, theatres and concert halls, a winery, and retail stores. The projects include built work, proposals and competition entries. Projects were identified and separated based on distinct project numbers assigned by the creating office, along with the project dates and titles when further clarification was necessary. The project numbering scheme used by the office was not consistent, but most of the numbers are four digits and begin with last two digits of the project start year. These projects are recorded primarily through drawings, but some photographs, paintings, textual records, periodicals, and models are also included in this series. The majority of drawings for each project are originals and a large part of reprographic copies have annotations. The drawings for each project typically consist of surveys, sketches, plans, sections, elevations, axonometric drawings, details, perspectives, and drawings issued for construction. Some of the drawings are mounted for presentation purposes. A large number of furnishing drawings are also included for interior design projects. Photographs in this series show finished work completed by the firm, the project models, and reproductions of drawings and paintings. The paintings in this series are mostly watercolours used for presentation. The textual records are very sparse in this series and consist of rough notes used to supplement drawings. The periodicals are magazines that highlight the completed projects. The amount of materials for each project vary greatly, with built projects having the most complete records and project proposals having the least.
Level of archival description:
Series
Series
Date:
1984-2003
1984-2003
People:
Level of archival description:
Series
Series
Reference number:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
People:
Date:
1996-2014
1996-2014
Title:
RUR Architecture working files
Actions:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
RUR Architecture working files
Actions:
AP177.S1
Description:
This series documents Jesse Reiser and Nanako Umemoto’s design process for the Kansai-kan of the National Diet Library competition in 1996. The variety of formats present in the series relate to the firm’s design process for this project, where manual drawings, physical models and CAD software contributed to one another throughout design iteration. Some digital files were created after the competition. Manual drawings include penciled sketches, detailed inked plans and printed CAD files generally taped on larger mylar sheets. They represent either plans or details of the building’s design. The printed renderings most often present elevations and sections of the buildings. For plans, other printed CAD files were inked back on mylar sheets. Drawings are often annotated and precisely identify the different elements of the library’s program. Digital files represent either elements of the architectural design (conveyors, auditorium, store, etc.) or detailed plans, including topographical lines and 3-D models. They include rendered and scanned images and plans in TIFF, GIF, JPEG, PICT (MacIntosh QuickDraw) and FH5 (Macromedia Freehand) file formats. Most CAD models were created in form*Z, although Microstation DGN files and IGES files created in Alias are also present in the project records. The directory “Kansai Documents” contains a few textual records created with the publishing software QuarkXPress, including labels to be printed and used on physical drawings, correspondence and a text by Jesse Reiser for the Reversible Destiny exhibition catalogue in 1997. Most directories and file names are indicative of the file’s content, clearly referring to building elements, although in some cases files names are non-descriptive. For example, some files use the name of one of the assistants (Yama). File names are sometimes repeated in different directories, including files that are part of AP177.S2.001
Level of archival description:
Series
Series
Date:
1996-2014
1996-2014
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
People:
Date:
1988-1994
1988-1994
Title:
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
Level of archival description:
Project
Project
Date:
1988-1994
1988-1994
People:
